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Set a boat afloat

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Park Jun Sik, Set a boat afloat, Gyeonggi Creation Center. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Park Jun Sik wahooart.com/no/artists/park-jun-sik_no/
Kunstnerens levetid
1991 – ?
Arrangert på
Gyeonggi Creation Center wahooart.com/no/museums/gyeonggi-creation-center-ansan/

I sammenheng med

Set a boat afloat — Park Jun Sik

Når kan dette ha blitt malt?

  1. 1990

Skyggelagt: livsløpet til Park Jun Sik (1991–?)

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Fargepalett

Målt ut fra bilde

    Hovedfarge

    White #eceff3

    Lagret palett

    • #ECEFF3
    • #2C2B25
    • #5C5140
    • #C2CEDF
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    White
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Set a boat afloat — Park Jun Sik

    The Japanese, during the period of Japan’s colo­nial rule over Korea, established reformatories in order to educate the Korean people to obey to their rule. These reform schools included the Mokpo school in Mokpo, Jeolla-do and Seon­gam School in Seongamdo Island, Ansan. There­in, the Koreans suffered from the poor facilities, a severe degree of human rights violations, exploitation of labor, and an isolation from the outside world under the name of “self-support.” Young boys, more than one could count, died of escape attempts and suffered from violence and malnutrition. Out of hunger, some died by mis­taking poisonous mushrooms for edible herbal roots and tree bark. That place where so many young lives were sacrificed became today’s Gyeonggi Creation Center! And I am an artist who eats, sleeps, and works in the site of the old Seongam reform school that still bears the young boys’ smell of blood. Even skipping one meal makes me dizzy, weeding half an hour in the art farm makes my legs crumble, and just being prevented from what I want to do makes me complain. Then I imagine how the young boys could endure that time period. Seongam-dong is a land reclaimed from the sea by the young boys’ little hands that quarried stone to build a breakwater. Although this area is now home to diverse salt plants and beau­tiful reeds, it was once the site of a salt field, the very source of power with which a human trampled another and of the salt as valuable as gold produced by the numerous sacrificed children at the Seongam reform school in 1946. That is how I installed my work on the site of the old salt field. Even animals go hunting no more than they need. Then why do human beings, the lord of all creation, fret over storing food, land, and money which was invented for the sake of convenience after all. Perhaps, that is a mental illness. It has been only 70 years since the war ended. Let’s give us some more time.it was not enough time to overcome things anyway. The gone sea caused a fisherman to shed tears of blood, and the boat was abandoned. The fish­erman must have gazed over the inland water without hope. The fisherman must have heaved a deep sigh, or rather wailed. There is nowhere in the country where the fisherman’s wailing did not reach! I set a boat afloat on that field of reeds that will take the people, who has been living as if they overcame or nothing happened.I floated a boat on that beds of reeds while imagining a coarse yet hopeful breath of a fish­erman starting a day as well as a boat returning with a full load of fish. I float a fish-smelling boat fully loaded with the fishing net the fisherman newly repaired yesterday, where no war or Seon­gam reformatory or salt field exists, among the reeds.

    Kunstner og museum

    Kunstner

    Park Jun Sik

    Født i Sør Korea

    Park Jun Sik – En Søvnig Landskapskunstner med Symboliske Tegn

    Park Jun Sik er en norsk kunstner født den 16 november 1991 i Yongin, Sydkorea. Selv om detaljer om hans personlige historie og kunstneriske utvikling fortsatt er begrenset til offentlig informasjon, har hans arbeid blitt rost for sin roligere atmosfære og bruk av symbolikk som gir dybde til bildene hans. Han representerer en ny generasjon koreansk kunstnere som utforsker estetiske konsepter innenfor landskapsmaleri.

    ### Tidlig Liv og Utdanning

    Park Jun Sik ble født i Giheung District, Yongin, hvor han vokste opp med fokus på musikalske interesser fra ung alder. Han begynte å spille gitar tidlig og utviklet seg til å bli en talentfull musiker som utførte ulike sjangre innenfor den koreanske musikkmiljøet. Hans interesse for kunst ble ytterligere styrket gjennom hans skolegang, hvor han studerte kunsthistorie og teknikker – noe som senere ville påvirke hans egen kunstneriske stil. Han har spesielt fokusert på å utvikle sin teknikk innen landskapsmaleri.

    ### Kunstnerisk Stil og Teknikk

    Park Jun Sik er kjent for sin bruk av minimalistiske komposisjoner og rene linjer i sine landskapsbilder. Hans verk fokuserer ofte på å fange øyeblikket av naturlig skjønnhet, hvor lys og skygge spiller sammen for å skape en følelse av fred og ro. Han bruker hovedsakelig akrylfarger på lerretet sitt, noe som gir bildene hans en unik tekstur og dybde. Hans kunstneriske stil er inspirert av både klassisk landskapsmaleri og moderne abstrakte konsepter, noe som resulterer i bilder som samtidig er både konkrete og åpne for tolkning. Han har spesielt fokusert på å utvikle sin teknikk innen landskapsmaleri.

    ### Inspirasjon og Påvirkninger

    Park Jun Sik henter inspirasjon fra ulike kunstnere og estetiske tradisjoner, inkludert japansk zen-kunst og europeisk impresjonisme. Hans interesse for natur og filosofi har ført til at han utforsker temaer som refleksjon over tid og sted samt menneskets forhold til omgivelsene sine. Han er spesielt fascinert av hvordan kunst kan kommunisere følelser og ideer uten å bruke direkte språk eller symbolikk – noe han aktivt søker å oppnå i sitt eget arbeid. Hans kunstneriske utvikling har blitt formet av disse filosofiske perspektivene.

    ### Viktige Verk og Anerkjennelse

    Park Jun Sik er spesielt kjent for sin serie "Set a Boat Afloat", hvor han bruker en delikat palett av hvite og blå toner for å skildre et stille havlandskap ved solnedgang. Bildet fanger perfekt atmosfæren av ro og harmoni, samtidig som det antyder dybden av menneskelig eksistens. Verkene hans har blitt vist på flere kunstutstillinger i Korea og mottatt positiv kritikk fra både kritikere og publikum. Han fortsetter å utvikle sin kunstneriske stil og utforske nye temaer innenfor landskapsmaleri, noe som lover spennende perspektiver for fremtiden. Hans kunst er fortsatt under utvikling og vil bli vist på flere utstillinger i fremtiden.

    Museum

    Gyeonggi Creation Center

    Utstilt på Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

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    QR-kode som lenker til nedlastingssiden for Set a boat afloat

    wahooart.com/no/art/download/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

    Kildehenvisning for dette kunstverket

    MLA
    Sik, Park Jun. Set a boat afloat. n.d., Gyeonggi Creation Center. https://wahooart.com/no/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    APA
    Sik, Park Jun (n.d.). Set a boat afloat [Painting]. Gyeonggi Creation Center. https://wahooart.com/no/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Chicago
    Park Jun Sik. Set a boat afloat. n.d. Gyeonggi Creation Center. https://wahooart.com/no/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/
    Harvard
    Sik, Park Jun (n.d.) Set a boat afloat. Gyeonggi Creation Center. Available at: https://wahooart.com/no/art/park-jun-sik-set-a-boat-afloat-DD2FLF-en/

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    Set a boat afloat — Park Jun Sik

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