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Veiledning for studentkunst

Provex

Navn Klasse Dato

olle baertling, Provex (1953). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
olle baertling wahooart.com/no/artists/olle-baertling/
Kunstnerens levetid
1911 – 1981
Malt
1953
Bevegelse
Concretism

I sammenheng med

Provex — olle baertling

Når ble dette malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Skyggelagt: livsløpet til olle baertling (1911–1981) ▲ dette verket, 1953

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/olle-baertling-provex-D637ZV-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Putty #cadad8

    Lagret palett

    • #CADAD8
    • #0C0C0D
    • #7D0D14
    • #6A7271
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Putty
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    olle baertling

    Født i Halmstad, Sweden

    The Genesis of a Visionary

    In the quiet landscapes of Halmstad, where Olle Baertling was born in 1911, a different kind of vision was beginning to take shape—one that would eventually transcend the borders of Sweden to redefine the very essence of modern abstraction. His journey was not one of traditional academic training, but rather a profound intellectual evolution. While his days were often occupied by the meticulous world of finance as a currency dealer in Stockholm, his private hours were dedicated to an uncompromising pursuit of pure form. This duality of life—the structured precision of banking paired with the boundless energy of the avant-garde—became the bedrock of a style that would eventually command international acclaim.

    His early explorations were far removed from the sharp angles for which he is now famous. In his formative years, Baertling’s work leaned toward the expressive, capturing the shifting light and movement of Stockholm's cityscapes. However, as he absorbed the radical currents of Concretism and Suprematism, a transformation occurred. He began to strip away the representational, seeking instead a visual language composed entirely of lines, planes, and vibrant hues, moving toward an art that did not depict reality but created its own.

    The Geometry of Motion

    Baertling’s mature style is a visual symphony of angles and color, designed to engage the viewer's intellect and evoke a sense of dynamic energy. Influenced by the monumental legacies of Kazimir Malevich and Piet Mondrian, he developed a method of painting that prioritized structure and rhythm over illusionistic depth. His canvases are often dominated by bold, intersecting triangles and sharp diagonals that seem to vibrate against one another. There is a remarkable tension in his compositions; through the precise application of color, he creates an effect where shapes appear to surge forward or recut into an infinite, unseen horizon.

    The technique itself reflects a commitment to clarity and precision. His work often possesses the remarkably flat surface and clean lines characteristic of screen printing, even when executed with a brush. This deliberate flatness challenges traditional notions of perspective, forcing the eye to confront the two-dimensional power of the medium. By utilizing a palette that could range from the softest mint greens to the most piercing purples, Baertling achieved a sense of kinetic energy, where the artwork feels less like a static object and more like a captured moment of cosmic movement.

    A Legacy of International Distinction

    The significance of Baertling’s contribution to the postwar art movement is cemented by his presence on the world's most prestigious stages. He did not merely participate in the discourse of geometric abstraction; he helped define its Swedish identity for a global audience. His career was marked by several monumental milestones:

    Solo Exhibitions at Moderna Museet: Showcasing his distinctive style to the heart of the Swedish art world.

    The 1959 São Paulo Biennale: A pivotal moment that established his reputation within international art discourse.

    Documenta Kassel (1977): Providing a crucial platform for engaging with the leading contemporary artists of his era.

    Ultimately, Olle Baertling remains a towering figure in the history of Modernism. His ability to translate complex mathematical rhythms into profound emotional experiences ensures that his work continues to resonate. He left behind a legacy where art is not a window into another world, but a construction of a new, infinite space, built from nothing more than the pure, unyielding strength of a single line or a splash of color.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Provex

    wahooart.com/no/art/download/olle-baertling-provex-D637ZV-en/

    Kildehenvisning for dette kunstverket

    MLA
    baertling, olle. Provex. 1953, https://wahooart.com/no/art/olle-baertling-provex-D637ZV-en/
    APA
    baertling, olle (1953). Provex [Painting]. https://wahooart.com/no/art/olle-baertling-provex-D637ZV-en/
    Chicago
    olle baertling. Provex. 1953. https://wahooart.com/no/art/olle-baertling-provex-D637ZV-en/
    Harvard
    baertling, olle (1953) Provex. Available at: https://wahooart.com/no/art/olle-baertling-provex-D637ZV-en/

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    Provex — olle baertling

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Flags for America's Cup (1977), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. olle baertling var omtrent 42 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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