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Three Sisters (color variant)

Navn Klasse Dato

matt phillips, Three Sisters (color variant) (1978). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
matt phillips wahooart.com/no/artists/matt-phillips/
Kunstnerens datoer
1927 – 2017
Malt
1978
Opprinnelig størrelse
23 x 15 cm

I sammenheng

Three Sisters (color variant) — matt phillips

Hvor stor er den?

Originalen måler 23 × 15 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Skyggelagt: livsløpet til matt phillips (1927–2017) ▲ dette verket, 1978

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/matt-phillips-three-sisters-color-variant-AR254C-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Bronze #aa8228

    Katalogisert palett

    • #AA8228
    • #BAA792
    • #346F83
    • #2A241D
    Hovedfargenavn
    Bronze
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    matt phillips

    The Poetic Resonance of Matt Phillips

    Born in the vibrant landscape of New York City on March 13, 1928, Matt Phillips embarked on a life journey that would eventually weave together the threads of literature, music, and visual art into a singular, expressive tapestry. His early years were marked by a significant transition when his family moved to Leesburg, Georgia, during his childhood—an experience that planted the seeds for his deep connection to the American landscape. Before he became a master of the printed page, Phillips was a man of melody; his youthful passion for the guitar, nurtured by close friends, instilled in him a rhythmic sensibility that would later manifest in the fluid lines and balanced compositions of his artwork. This intersection of lyrical thought and visual form defines much of his enduring legacy.

    Phillips’s intellectual evolution was as profound as his artistic one. With a Master’s degree in Literature from the University of any Chicago and further studies at Stanford University, he approached the canvas with the soul of a poet. This literary foundation allowed him to view printmaking not merely as a technical process, but as a medium for storytelling and emotional exploration. His early career saw him delving into poetry, yet it was through his time at the Barnes Foundation in Merion, Pennsylvania, that his visual language truly began to coalesce. Immersed in the rich traditions of modernism, he learned to appreciate the delicate interplay between shape, space, and color, preparing him for a transformative period in Paris during the 1960s, where European artistic movements further refined his aesthetic vision.

    A Revival of the Monotype

    The true hallmark of Phillips’s contribution to the art world lies in his courageous rediscovery and revival of the monotype technique. While many of his contemporaries were moving toward more industrial or mass-reproducible methods, Phillips looked backward to the late nineteenth century, drawing inspiration from masters such as Edgar Degas, Paul Gauguin, and Maurice Prendergast. He saw in the monotype a unique opportunity to capture the ephemeral—the fleeting light of a landscape or the transient emotion of a human gesture. By painting directly onto glass or metal plates and transferring those images to paper through pressure, he created works that possessed a singular, unrepeatable soul.

    His mastery of this medium allowed him to oscillate between various thematic realms:

    Atmospheric Landscapes: Works like "Along the Quay" demonstrate his ability to use the monotype process to evoke serenity and order, using light and shadow to create a sense of timelessness.

    Intimate Human Connections: In pieces such as "Serenade," Phillips utilized soft lines and gentle curves to depict scenes of quiet companionship, turning a simple riverside setting into a profound meditation on peace.

    Graphic Simplicity: His drawings, including the evocative "Three Sisters," showcase a capacity for intense emotional depth through stark, powerful compositions that rely on the strength of a single line.

    Legacy and Academic Influence

    Beyond the studio, Matt Phillips was a dedicated educator who believed in the transformative power of creativity. His tenure as a professor at Bard College in Annandale-on-Hudson, New York, allowed him to pass his reverence for experimentation onto a new generation of artists. Even after his formal retirement from academia in 1987, his spirit of exploration never waned; he continued to travel and exhibit, treating the world itself as an ever-changing gallery. His work remains a vital part of the American canon, with significant pieces held in prestigious institutions such as the Smithsonian American Art Museum.

    Today, Phillips is remembered not just as a printmaker, but as a bridge between eras. He successfully bridged the gap between the classical techniques of the past and the expressive freedoms of the modern age. Through his revival of the monotype, he ensured that the delicate, hand-crafted intimacy of the medium would continue to resonate, offering viewers a window into a world where color, shape, and spirit exist in perfect, poetic harmony.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Three Sisters (color variant)

    wahooart.com/no/art/download/matt-phillips-three-sisters-color-variant-AR254C-en/

    Kildehenvisning for dette kunstverket

    MLA
    phillips, matt. Three Sisters (color variant). 1978, https://wahooart.com/no/art/matt-phillips-three-sisters-color-variant-AR254C-en/
    APA
    phillips, matt (1978). Three Sisters (color variant) [Painting]. https://wahooart.com/no/art/matt-phillips-three-sisters-color-variant-AR254C-en/
    Chicago
    matt phillips. Three Sisters (color variant). 1978. https://wahooart.com/no/art/matt-phillips-three-sisters-color-variant-AR254C-en/
    Harvard
    phillips, matt (1978) Three Sisters (color variant). Available at: https://wahooart.com/no/art/matt-phillips-three-sisters-color-variant-AR254C-en/

    Se nøye etter

    Three Sisters (color variant) — matt phillips

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Three Sisters (1978), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. matt phillips var omtrent 51 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

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