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Trinity (detail)

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Masaccio, Trinity (detail) (1425), Santa Maria Novella. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Masaccio wahooart.com/no/artists/masaccio_no/
Kunstnerens levetid
1401 – 1429
Malt
1425
Medium
Fresco Paint applied into wet plaster, so the colour dries as part of the wall and cannot be moved.
Periode
Renaissance
Arrangert på
Santa Maria Novella wahooart.com/no/museums/santa-maria-novella-florence_no/
Artistic style
Naturalism
Influences
Giotto
Notable elements or techniques
Linear perspective; Chiaroscuro
Subject or theme
Religious iconography; Holy Trinity

I sammenheng med

Trinity (detail) — Masaccio

Når ble dette malt?

  1. 1400
  2. 1410
  3. 1420

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 28 ved død.

Malt da kunstneren var 24. Kunstneren ble 28 år gammel. 11 av de 66 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Masaccio (1401–1429) ▲ dette verket, 1425 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/masaccio-trinity-detail-8XZLNX-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Quinacridone Magenta #7e604d

    Katalogisert palett

    • #7E604D
    • #B79071
    • #2D171A
    • #59382E

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Quinacridone Magenta
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Masaccio i løpet av de siste tolv månedene — totalt 12 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 41.7%2500 visits
    2. 2 Spain 11.7%700 visits
    3. 3 Hong Kong 10.0%600 visits
    4. 4 United States of America 8.3%500 visits
    5. 5 Italy 6.7%400 visits
    6. 6 Lithuania 6.7%400 visits
    7. 7 Bulgaria 5.0%300 visits
    8. 8 Singapore 3.3%200 visits
    9. 9 Argentina 1.7%100 visits
    10. 10 Germany 1.7%100 visits
    11. · 2 andre land 3.2%200 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Masaccio

    1. 1 Trinity, 1425 12.1%1200 visits
    2. 2 Predella panel from the Pisa Altar, 1426 7.1%700 visits
    3. 3 Freskoer i Cappella Brancacci (høyre syn, 1426 7.1%700 visits
    4. 4 Rendering av Tribute Money (Detalj) 6.1%600 visits
    5. 5 Profile Portrait of a Young Man, 1425 6.1%600 visits
    6. 6 Visning av Cappella Brancacci (før restaurering), 1426 6.1%600 visits
    7. 7 Crucifixion, 1426 5.1%500 visits
    8. 8 The Trinity, 1428 4.0%400 visits
    9. 9 Baptism of the Neophytes, 1427 4.0%400 visits
    10. 10 The Raising of the Son of Theophilus and St Peter Enthroned (detail), 1426 4.0%400 visits
    11. 11 Freskoer i Cappella Brancacci (venstre syn), 1426 4.0%400 visits
    12. 12 The Distribution of Alms and the Death of Ananias, 1426 2.0%200 visits
    13. 13 Madonna with Child and Angels, 1426 2.0%200 visits
    14. 14 Distribution of Alms and Death of Ananias, 1425 2.0%200 visits
    15. 15 The Madonna and Child with st.Anna., 1424 2.0%200 visits
    16. 16 Adoration of the Magi, 1426 2.0%200 visits
    17. 17 Trinity (detail), 1425 2.0%200 visits
    18. 18 The Madonna and Child with Saint Anne 2.0%200 visits
    19. 19 The Holy Trinity with the Virgin, St. John and Two Donors 2.0%200 visits
    20. 29 Trinity (detail), 1425 dette maleriet 1.0%100 visits

    Sammen utgjør disse verkene 82.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 93 verk av denne kunstneren, hvorav 36 ble sett på minst én gang. This painting ranks 29 of them, with 1.0% of that attention (100 visits). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Trinity (detail) — Masaccio

    A Glimpse into Devotion

    The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

    The fresco shows visible signs of age and wear, with areas where the pigment has faded or flaked away to reveal the underlying layers of plaster. This texture provides a sense of history and authenticity to the work. The use of light and shadow is evident across the figure's face and the folds of her clothing, contributing to a sense of depth. Architectural elements in the background suggest the setting is within a religious building.

    Kunstner og museum

    Kunstner

    Masaccio

    Født i San Giovanni Valdarno, Italia

    Masaccio (1401-1428): The Dawn of Renaissance Realism

    Tommaso di Ser Giovanni di Simone Guidi Cassai, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

    Early Life and Training

    Masaccio's origins were humble; he descended from a family involved in cabinet making – Ser Giovanni di Simone Cassai, his father, was a notary, and Monna Iacopa di Martinozzo di Dino, his mother. Tragedy struck early when Masaccio’s father perished in 1406, leaving him orphaned at the age of five alongside his brother, Giovanni (Lo Scheggia), who also pursued artistic endeavors. Giovanni Scheggia was equally adept at painting and signed only one piece, but scholars now believe that many works previously attributed to the Master of Fucecchio and Masolino were actually his creations. The details surrounding Masaccio’s artistic training remain elusive – a rarity for Renaissance artists – adding to the mystique surrounding his rapid development and innovative techniques. It is believed he apprenticed around 1415, though definitive documentation is lacking. This absence of verifiable mentorship underscores the extraordinary nature of his talent and its genesis. He joined the Florentine painters’ guild on January 7, 1422, marking his emergence as an independent master artist and signifying a crucial step in establishing his reputation within the artistic community.

    Artistic Development and Major Works

    Masaccio's artistic journey began under the influence of Giotto di Bondone, a predecessor who championed naturalism and departed from the stylized conventions of Medieval art. However, Masaccio swiftly surpassed Giotto’s achievements in mastering perspective and anatomical accuracy. He was particularly captivated by Filippo Brunelleschi’s rediscovery of linear perspective – Brunelleschi's groundbreaking experiments fundamentally reshaped how artists represented space on canvas. Masaccio pioneered several transformative techniques that irrevocably altered the trajectory of Renaissance painting:

    Linear Perspective: Employed vanishing points with meticulous mathematical precision to create a convincing illusion of depth, mirroring the architectural innovations championed by Brunelleschi.

    Chiaroscuro: Masterfully utilized light and shadow to sculpt forms, generating volume and realism previously unattainable in painting—a technique that would become synonymous with Renaissance artistry.

    His most celebrated works reside within the Brancacci Chapel of Santa Maria del Carmine in Florence – a testament to his unparalleled skill and vision. The frescoes commissioned by Giovanni Tornabuoni depict scenes from Saint Peter’s life, showcasing Masaccio's mastery of narrative storytelling alongside his groundbreaking use of perspective and emotional depth. Notable pieces include “The Tribute Money,” “Expulsion from Paradise,” and “St. Peter Baptizing the Neophytes,” each embodying the essence of Renaissance realism and humanist ideals. Furthermore, Masaccio collaborated with Masolino on the Madonna and Child with St. Anne, demonstrating a harmonious blend of stylistic approaches while cementing his position as one of Florence’s foremost artists.

    Historical Significance and Legacy

    Masaccio's influence extended far beyond his lifetime, shaping the artistic sensibilities of subsequent generations—Leonardo da Vinci, Michelangelo, Raphael—who sought to emulate his mastery of human anatomy and his ability to convey emotion through visual representation. Giorgio Vasari famously lauded Masaccio as “the best painter of his generation,” recognizing him as the catalyst for a revolution in painting that ushered in the High Renaissance. Despite dying prematurely at the age of 26, Masaccio’s legacy persists as an enduring symbol of artistic innovation and genius—a figure whose brief but brilliant career fundamentally redefined Western art history. His pioneering use of perspective and chiaroscuro continues to inspire artists today, securing his place among the titans of Renaissance creativity.

    Museum

    Santa Maria Novella

    Utstilt i Florence, Italia

    A Florentine Tapestry of Faith and Renaissance Brilliance

    Nestled opposite Florence’s bustling railway station, Santa Maria Novella isn't merely a church; it is an immersive experience—a breathtaking testament to the city’s enduring legacy as a cradle of art and innovation. This magnificent basilica, born from a confluence of Gothic ambition and Renaissance refinement, stands as a powerful symbol of Florentine identity, inviting visitors on a journey through centuries of artistic evolution and spiritual contemplation. More than just a religious space, Santa Maria Novella is a meticulously crafted dialogue between architectural styles, a vibrant gallery of masterpieces, and a keeper of secrets—from the oldest pharmacy in Italy to the echoes of papal intrigue. The story begins in the 13th century, with the Dominican Order establishing a new church on the site of an earlier oratory. Construction spanned over eighty years, witnessing the arrival of some of Florence’s most influential architects and artists. Fra Sisto Fiorentino and Fra Ristoro da Campi laid the initial foundations, but it was Leon Battista Alberti who, in 1456-1470, dramatically reshaped the façade, injecting a humanist sensibility into the Gothic framework. This masterful intervention—characterized by its elegant S-curved volutes, intricate detailing, and harmonious proportions—became an instant landmark, influencing church design across Italy for generations to come. The building’s evolution is a captivating narrative of artistic exchange and intellectual ferment.

    Masterpieces Within Stone Walls

    Within the basilica's vast interior, one encounters works that redefined artistic expression. Giotto’s Crucifix, originally intended for Florence Cathedral, immediately commands attention with its revolutionary approach to naturalism—a decisive departure from the stylized Byzantine traditions that had previously dominated religious art. This isn’t a distant, ethereal depiction of Christ; instead, we are confronted with a raw, intensely human portrayal of suffering and sacrifice. The power and emotional depth conveyed within this single piece are profoundly moving, laying the groundwork for the burgeoning Renaissance style. Nearby, Masaccio’s *Trinity* (1425-1427) stands as a pivotal moment in perspective; his groundbreaking use of linear perspective—creating an illusion of depth and space—fundamentally altered how artists depicted reality. The fresco seems to open a window into another realm, drawing the viewer directly into its sacred space, inviting contemplation on the divine trinity. Further within, the frescoes of Domenico Ghirlandaio in the Tornabuoni Chapel showcase his exceptional skill in capturing human character and detail; his portrait of Giovanna Tornabuoni is particularly striking, revealing an ability to convey both dignity and intimacy—a remarkable feat for a painting of its time. These works are not merely paintings but windows into the lives and beliefs of a bygone era, rendered with breathtaking artistry and technical mastery.

    A Symphony of Styles: Architectural Marvels

    Santa Maria Novella’s architecture is a captivating blend of Romanesque-Gothic and Renaissance elements, reflecting the evolving artistic sensibilities of its builders. Alberti's façade is particularly noteworthy for its innovative use of S-curved volutes—a structural solution that elegantly addresses the challenge of transitioning between different floor levels. These graceful curves, reminiscent of flowing water, are a testament to Alberti’s ingenuity and his deep understanding of architectural principles; they represent a harmonious balance between strength and elegance. Inside, the basilica boasts a vast, T-shaped Egyptian cross plan, dominated by soaring ribbed vaults and polychrome arches. The stark contrast between black and white creates an atmosphere of both austerity and grandeur, drawing the eye upwards towards the clerestory windows that flood the space with light. The trompe-l'œil effect in the nave—a subtle manipulation of perspective—creates a remarkable illusion of spatial depth, making the basilica appear significantly longer than it actually is. The interplay of light and shadow, form and color, creates an atmosphere of profound spiritual resonance – a carefully orchestrated visual experience designed to inspire awe and reverence.

    Beyond Art: Treasures and Hidden Histories

    Santa Maria Novella offers far more than just its artistic treasures. Adjacent to the church lies Italy’s oldest pharmacy, Officina Profumo-Farmaceutica di Santa Maria Novella, a historic apothecary that has been producing exquisite perfumes and herbal remedies since the 17th century. The shop's unique products—infused with scents of rose, jasmine, and ambergris—are sought after by perfumers worldwide, representing a legacy of Florentine craftsmanship and botanical knowledge. The Cloisters and Chapter House offer a serene retreat from the city’s bustle; these areas contain additional art treasures, including funerary monuments and elaborate frescoes depicting scenes from biblical stories and Florentine history. The building itself is a remarkable example of Florentine Gothic architecture, showcasing intricate detailing and soaring arches—a testament to the skill of its builders and the enduring beauty of the design. This juxtaposition of artistic grandeur and everyday life—the sacred and the secular—is what makes Santa Maria Novella so uniquely compelling, offering visitors a rare glimpse into the multifaceted soul of Renaissance Florence.

    A Living Legacy: Exploring Santa Maria Novella Today

    Santa Maria Novella continues to captivate visitors with its rich history, artistic masterpieces, and unique atmosphere. The museum regularly hosts temporary exhibitions that delve into various aspects of the basilica’s collection and heritage, often focusing on specific artists or periods within its long and storied past. Guided tours provide invaluable insights into the building's architectural and artistic significance, while the Officina Profumo-Farmaceutica offers a chance to experience the traditions of Florentine perfumery—a sensory journey through centuries of olfactory artistry. A visit to Santa Maria Novella is not merely a sightseeing excursion; it’s an immersion in the heart of Florence’s artistic soul—a journey through time that celebrates the city's enduring legacy as a beacon of creativity and innovation.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Trinity (detail)

    wahooart.com/no/art/download/masaccio-trinity-detail-8XZLNX-en/

    Kildehenvisning for dette kunstverket

    MLA
    Masaccio. Trinity (detail). 1425, Santa Maria Novella. https://wahooart.com/no/art/masaccio-trinity-detail-8XZLNX-en/
    APA
    Masaccio (1425). Trinity (detail) [Painting]. Santa Maria Novella. https://wahooart.com/no/art/masaccio-trinity-detail-8XZLNX-en/
    Chicago
    Masaccio. Trinity (detail). 1425. Santa Maria Novella. https://wahooart.com/no/art/masaccio-trinity-detail-8XZLNX-en/
    Harvard
    Masaccio (1425) Trinity (detail). Santa Maria Novella. Available at: https://wahooart.com/no/art/masaccio-trinity-detail-8XZLNX-en/

    Se nærmere på

    Trinity (detail) — Masaccio

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: perspective, fresco, religion. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Rendering av Tribute Money (Detalj), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Masaccio var omtrent 24 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Trinity (detail) — Masaccio

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. Who is the artist of the fresco painting 'Trinity'?

      • A Masolino
      • B Masaccio
      • C Donatello
    2. 2. In which city is this artwork located?

      • A Rome
      • B Venice
      • C Florence
    3. 3. What year was the painting created?

      • A 1425
      • B 1450
      • C 1500
    4. 4. Which technique is mentioned as being used to add depth and volume to the figure's face and clothing?

      • A Sfumato
      • B Chiaroscuro
      • C Impasto
    5. 5. In which church can this fresco be found?

      • A Santa Maria del Carmine
      • B Santa Maria Novella
      • C San Giovenale

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny side i utskriften, slik at den enkelt kan utelates fra kopiene.

    1B · 2C · 3A · 4B · 5B

    Kontroller alle svar mot katalogoppføringen for dette maleriet

    Spørsmål og svar

    Hvor mettet er fargepaletten i "Trinity (detail)"?

    Fargene i "Trinity (detail)" av Masaccio har en Subtle Color metning. Metning beskriver hvor levende eller dempede fargene er.

    Hvor kan jeg kjøpe et digitalt bilde av "Trinity (detail)" av Masaccio?

    For å få en digital fil av "Trinity (detail)" av Masaccio, kan du bestille nedlasting av et digitalt bilde i høy oppløsning på siden Digitalt kunstverk.

    Hvor kan jeg finne kunstverk som ligner på "Trinity (detail)" av Masaccio?

    Verker som ligner på "Trinity (detail)" er oppført på verkets Lignende verk-side.