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Work-clothes quilt

Navn Klasse Dato

mary lee bendolph, Work-clothes quilt (2002), Souls Grown Deep. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
mary lee bendolph wahooart.com/no/artists/mary-lee-bendolph/
Kunstnerens datoer
1935 – ?
Malt
2002
Opprinnelig størrelse
246 x 223 cm
Utstilles ved
Souls Grown Deep wahooart.com/no/museums/souls-grown-deep-atlanta_no/

I sammenheng

Work-clothes quilt — mary lee bendolph

Hvor stor er den?

Originalen måler 246 × 223 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde. Den er for stor til å vises i riktig skala på denne siden.

Når ble dette malt?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000

Skyggelagt: livsløpet til mary lee bendolph (1935–?) ▲ dette verket, 2002

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/mary-lee-bendolph-work-clothes-quilt-D4D62U-en/

Farger

Målt ut fra bildet

    Hovedfarge

    White #fcfcfc

    Katalogisert palett

    • #FCFCFC
    • #686E76
    • #345262
    • #99A8AE
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    White
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Work-clothes quilt — mary lee bendolph

    Until the middle of the twentieth century, most of the quilts in Gee’s Bend were made from work clothes, which, in the rural South, were simply the clothes that everyone wore nearly every day. When other fabrics became available, many women felt relief over no longer needing to wrestle these thicker and tougher materials into their patterns. Others, like Bendolph, did not mind the challenge and appreciated the meanings encoded within the old-style remnants of heavier cotton, wool, and denim. For Bendolph, in particular, the transformation of old and worn fabrics into beautiful and comforting quilts became a metaphor for surviving hard times. According to her, “They remind you of where you have been and where the Lord have brought you from.”Throughout the lexicon of African American vernacular culture, castaway objects are often used to reaffirm life, as the reinvestment of creative energy in old and outworn things suggests the possibility of turning adversity into spiritual triumph and of redeeming the socially dispossessed or human castaways of the world. The tradition of the work-clothes quilt, perpetuated by Bendolph in many of her pieces, is part of that practice. Although her contemporary patchworks are no longer made from the pathos-ridden overalls of earlier times, her recycled-denim quilts continue to evoke the same notions of loss and redemption, despair and deliverance. In an especially intriguing example from 2002, Bendolph created a brooding patchwork composed almost entirely of worn blue jean scraps. But here and there within the dark, heavy field are passages of brilliant red. Even more paradoxical is the appearance of a few other squares of cloth printed with a delicate pink flower pattern—a symbol of regeneration.

    Kunstner og museum

    Kunstner

    mary lee bendolph

    Født i Georgetown, United States of America

    **early life and inspiration**

    mary lee bendolph, an american quilt maker, was born in 1935 in gee's bend (boykin), alabama. growing up in a community known for its rich textile traditions, bendolph developed a deep appreciation for the art of quilting. her work is characterized by the use of fabric from used clothing, which she sees as a way to honor the "love and spirit" embodied in old cloth.

    **artistic contributions and influences**

    bendolph's quilts have been influential on subsequent quilters and artists, with her work exhibited in museums and galleries across the united states. notably, her pieces have been featured at the philadelphia museum of art and the minneapolis institute of art in minnesota. in 1999, she was highlighted in the pulitzer prize-winning article "crossing over," which explored efforts to reestablish ferry service across the alabama river.

    **key works and exhibitions**

    - *untitled (quilt)*: a seminal piece showcasing bendolph's use of repurposed fabric, now part of a private collection. - *quilts from gee's bend*: an exhibition at the AllPaintingsStore gallery, celebrating the collective's contributions to american textile art.

    **legacy and impact**

    through her innovative approach to quilting, mary lee bendolph has not only preserved the traditions of gee's bend but also inspired a new generation of artists. her dedication to honoring the stories and emotions embedded in used fabric has elevated the medium, positioning it as a powerful tool for storytelling and community building.

    explore more of mary lee bendolph's work on AllPaintingsStore's artist page.

    discover the gee's bend collective's history and influence at wikipedia.

    learn about other textile artists and their contributions to art history on wahoo art timeline.

    **further reading**

    - for a deeper dive into the world of quilting and its cultural significance, visit the art of tapestry: a journey through time and culture on AllPaintingsStore. - explore the birmingham museum of art, a hidden gem in alabama, featuring an impressive collection of over 27,000 works of art, at the birmingham museum of art (united states) - a hidden gem.

    Museum

    Souls Grown Deep

    Utstilt i Atlanta, USA

    A Testament to Resilience: The Soul of the American South

    In the heart of Atlanta, where the urban pulse meets the quiet strength of the Appalachian foothills, lies a sanctuary for voices that have long echoed from the margins of history.

    Souls Grown Deep

    is far more than a mere repository of objects; it is a profound, living testament to the enduring legacy of African American artistic expression. The museum’s very name, drawn from the evocative imagery of Langston Hughes’ poem,

    "The Negro Speaks of Rivers,"

    serves as a guiding light for an institution dedicated to the idea that creativity, much like a river, possesses an infinite and deepening capacity to carry the weight of human experience. Here, the art does not merely sit in silence; it speaks of survival, of spiritual depth, and of a cultural heritage that has flourished even amidst the harshest landscapes of adversity.

    The collection is a breathtaking tapestry of medium and meaning, anchored by the legendary

    Gee’s Bend quilts

    . These are not simply textiles, but improvisational masterpieces born from the Alabama landscape. Characterized by bold, geometric abstractions and a vibrant, rhythmic use of color, these quilts represent a singular contribution to the global canon of modern art. To stand before them is to witness a visual language of storytelling, where every stitch and patch reflects the resourcefulness and communal spirit of the women who crafted them. Alongside these textile wonders, the museum presents a powerful dialogue through

    assemblage art

    . Sculptures by titans such as

    Thornton Dial

    and

    Lonnie Holley

    command the space, utilizing repurposed materials and found objects to construct monumental narratives. These works confront themes of poverty, justice, and perseverance, transforming the discarded into the divine, and forcing a confrontation with the social complexities of the American South.

    The architecture of Souls Grown Deep is an intentional extension of its curatorial mission. Designed to harmonize with its environment, the building utilizes natural light and organic materials to create a sense of transparency and connection between the viewer and the art. This deliberate design choice mirrors the very essence of the artists it celebrates—individuals who draw their inspiration from the earth, the community, and the ancestral traditions that surround them. The museum’s atmosphere is one of reverence and discovery, where the boundaries between formal art history and folk tradition dissolve, allowing for a more holistic understanding of American creativity.

    What truly distinguishes this institution is its unwavering commitment to the

    self-taught artist

    . In an era where art institutions often prioritize academic pedigree, Souls Grown Deep champions those who have forged their own paths outside the confines of formal training. By elevating wood carvings, mixed-media constructions, and paintings on unconventional surfaces, the museum ensures that the singular visions of these masters are recognized as vital components of our shared cultural identity. For the collector seeking depth, the designer searching for soul, or the art lover yearning for authenticity, Souls Grown Deep offers an encounter with art that is not merely aesthetically pleasing, but profoundly transformative—a reminder that even in the most challenging circumstances, the human spirit continues to grow deep, like the rivers.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Work-clothes quilt

    wahooart.com/no/art/download/mary-lee-bendolph-work-clothes-quilt-D4D62U-en/

    Kildehenvisning for dette kunstverket

    MLA
    bendolph, mary lee. Work-clothes quilt. 2002, Souls Grown Deep. https://wahooart.com/no/art/mary-lee-bendolph-work-clothes-quilt-D4D62U-en/
    APA
    bendolph, mary lee (2002). Work-clothes quilt [Painting]. Souls Grown Deep. https://wahooart.com/no/art/mary-lee-bendolph-work-clothes-quilt-D4D62U-en/
    Chicago
    mary lee bendolph. Work-clothes quilt. 2002. Souls Grown Deep. https://wahooart.com/no/art/mary-lee-bendolph-work-clothes-quilt-D4D62U-en/
    Harvard
    bendolph, mary lee (2002) Work-clothes quilt. Souls Grown Deep. Available at: https://wahooart.com/no/art/mary-lee-bendolph-work-clothes-quilt-D4D62U-en/

    Se nøye etter

    Work-clothes quilt — mary lee bendolph

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på None (1998), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. mary lee bendolph var omtrent 67 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.