Papir

Veiledning for studentkunst

Micaceous Jar

Navn Klasse Dato

lonnie vigil, Micaceous Jar (2007), Nelson-Atkins Kunstmuseum. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
lonnie vigil wahooart.com/no/artists/lonnie-vigil/
Kunstnerens datoer
1949 – ?
Malt
2007
Medium
Other-None
Opprinnelig størrelse
50 x 49 cm
Bevegelse
Minimalist Ceramic Tradition
Periode
Contemporary
Utstilles ved
Nelson-Atkins Kunstmuseum wahooart.com/no/museums/nelson-atkins-kunstmuseum-kansas-city_no/
Artistic style
Minimalist, Pure form
Influences
Pueblo heritage
Notable elements or techniques
Micaceous clay, mica flakes
Subject or theme
Traditional Pueblo pottery

I sammenheng

Micaceous Jar — lonnie vigil

Hvor stor er den?

Originalen måler 50 × 49 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Skyggelagt: livsløpet til lonnie vigil (1949–?) ▲ dette verket, 2007

Farger

Målt ut fra bildet

    Hovedfarge

    Gray #969791

    Katalogisert palett

    • #969791
    • #1D1D1B
    • #6A6B67
    • #4B4C47
    Hovedfargenavn
    Gray
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Micaceous Jar — lonnie vigil

    A Testament to Ancestral Echoes: Lonnie Vigil’s “Micaceous Jar”

    Lonnie Vigil's "Micaceous Jar" isn’t merely a ceramic vessel; it’s a profound dialogue between the past and present, a tangible link to centuries of Pueblo artistry. Crafted in 2007 from micaceous clay – a remarkably rich material infused with shimmering mica flakes – this monumental jar embodies a revival of traditional techniques while simultaneously pushing their boundaries into contemporary expression. Vigil, deeply rooted in the Nambe Pueblo’s heritage, masterfully blends ancestral knowledge with an intuitive understanding of form and texture, creating a piece that resonates with both quiet reverence and vibrant energy.

    The jar's genesis lies within the unique properties of micaceous clay itself. Unlike conventional pottery clays, micaceous clay doesn’t require tempering – the addition of materials like sand to prevent cracking during drying – due to the inherent stability provided by its high mica content. These tiny gold flecks, meticulously incorporated into the clay body, create a captivating surface effect: a subtle, almost ethereal glow that shifts and dances with the light. This visual shimmer isn’t simply aesthetic; it's a direct reflection of the earth’s essence, mirroring the geological forces that shaped the material itself.

    Form and Function: A Return to Pueblo Roots

    Vigil’s approach is deeply informed by the traditions of his ancestors. The jar’s cylindrical form, reminiscent of ancient cooking pots and storage vessels used by the northern New Mexico Pueblos, speaks to a lineage of utilitarian artistry. However, Vigil doesn't simply replicate these forms; he subtly reimagines them, introducing gentle curves and a slightly tapered neck that lend an air of elegance and sophistication. The hand-built construction process – a deliberate rejection of industrial methods – further emphasizes the artist’s intimate connection with his materials and the inherent imperfections that celebrate the human touch.

    Crucially, Vigil eschews glaze, allowing the natural color and texture of the micaceous clay to take center stage. This minimalist approach highlights the jar's raw beauty, emphasizing its tactile quality and the subtle variations in tone created by the mica flakes. The absence of a glossy finish lends an earthy, timeless feel, anchoring the piece firmly within its historical context.

    Symbolism and Emotional Resonance

    More than just a functional object, “Micaceous Jar” carries profound symbolic weight. For Vigil, pottery is not merely a craft; it’s a spiritual practice, a conduit for connecting with his ancestors and the spirit of the land. Each pot represents an encounter with Earth Mother, a reciprocal exchange between the artist, the clay, and the ancestral spirits who have shaped Nambe Pueblo's artistic traditions for generations. The jar’s simplicity and understated beauty evoke a sense of tranquility and timelessness – a reminder of the enduring power of tradition and the importance of honoring one’s heritage.

    The subtle asymmetry in the form, a deliberate departure from strict Pueblo conventions, suggests a willingness to innovate while remaining true to his roots. It's a testament to Vigil’s artistic vision: a harmonious blend of reverence for the past and an embrace of contemporary expression. “Micaceous Jar” is not just a beautiful object; it’s a powerful statement about identity, connection, and the enduring legacy of Native American artistry.

    Technical Details & Dimensions

    Size: 50 x 49 cm (approximately 19 ¾ x 19 ½ inches)

    Date: 2007

    Material: Micaceous Clay – a clay rich in mica, resulting in a naturally shimmering surface.

    Technique: Hand-built, fired without glaze to showcase the natural beauty of the clay and mica.

    Further Exploration

    Lonnie Vigil – Wikipedia

    Micaceous Jar – MutualArt

    Jar - Fine Arts Museums of San Francisco

    Kunstner og museum

    Kunstner

    lonnie vigil

    Født i Nambe Pueblo, United States of America

    Lonnie Vigil: Weaver of Earth and Ancestry

    Born in 1949 in Nambe Pueblo, New Mexico, Lonnie Vigil’s artistic journey is a testament to the enduring power of tradition intertwined with individual vision. Raised within the heart of a community that has thrived for over seven centuries, he carries within him the spirit and knowledge of generations past. Unlike many artists who seek inspiration from distant sources, Vigil's roots are firmly planted in the rich soil of his Pueblo heritage, informing every curve, texture, and color of his distinctive micaceous pottery.

    Vigil’s early life was marked by a fascinating duality. He initially pursued a career as a financial consultant in Washington D.C., seeking fulfillment outside the confines of his ancestral home. However, a transformative experience – attending “Night of the First Americans” at the Kennedy Center in 1982 – reignited a deep-seated longing to reconnect with his cultural roots and the ancient craft that flowed through his family’s veins. This pivotal moment marked a deliberate shift, leading him back to Nambe Pueblo where he embarked on a path dedicated solely to reviving and redefining micaceous pottery.

    The Language of Clay: Micaceous Pottery and its Revival

    Micaceous pottery is more than just a craft for Lonnie Vigil; it’s a profound dialogue with the earth, his ancestors, and the spiritual realm. This unique style of pottery, characterized by its distinctive sparkling mica flecks – a result of incorporating sand into the clay – was once a dominant form in Puebloan culture. However, by the mid-20th century, it had largely fallen out of practice. Vigil recognized the profound significance of this lost tradition and dedicated himself to its meticulous revival.

    He meticulously studied the techniques passed down through generations, learning from his great-grandmother, Perfilia Anaya Pena, and other skilled potters within his community. Vigil’s approach is deeply rooted in respect for the past, yet he isn't simply replicating traditional forms. Instead, he skillfully blends established methods with a contemporary sensibility, pushing the boundaries of the medium while honoring its heritage. His work is defined by an almost meditative process – gathering the clay directly from the earth, hand-building each piece, and employing traditional outdoor firing techniques that harness the power of natural elements.

    A Process Rooted in Connection

    Vigil’s creative process is deeply spiritual and collaborative. He describes it as a “conversation” with the clay itself, allowing the material to guide his hand. “There is collaboration between the clay and myself,” he explains, “the clay tells me what direction to take.” This intuitive approach results in forms that are both strikingly beautiful and imbued with a palpable sense of history and connection. The asymmetrical shapes, often reminiscent of ancient cooking vessels and storage jars, speak to a continuity with Puebloan traditions while simultaneously asserting Vigil’s individual artistic voice.

    He emphasizes the importance of recognizing the “continuity in the identity of family and community” embedded within each pot. Each creation is not merely an object but a conduit for connecting with ancestral spirits and acknowledging the enduring legacy of his people. The act of making, he believes, is a sacred undertaking – a reaffirmation of his place within the larger tapestry of Nambe Pueblo’s history.

    Recognition and Legacy

    Lonnie Vigil's dedication to preserving and revitalizing micaceous pottery has garnered him significant recognition within the art world. He was awarded the Ronald and Susan Dublin Fellowship in 1994, a prestigious honor recognizing his contributions to Native American arts. In 2010, he received the Native Treasures Living Treasure Award, acknowledging his profound impact on contemporary Southwestern art. His work is held in prominent collections including the Peabody Essex Museum and the Nelson-Atkins Museum of Art, ensuring that his artistic legacy will continue to inspire and educate for generations to come.

    Vigil’s story stands as a powerful example of how deeply personal artistic expression can simultaneously honor cultural heritage and forge new paths. Through his soulful ceramic art, Lonnie Vigil has not only revived a lost tradition but also offered a profound meditation on the interconnectedness between humanity, nature, and the spirits of our ancestors.

    Museum

    Nelson-Atkins Kunstmuseum

    Utstilt i Kansas City, USA

    A Heartland Sanctuary: The Nelson-Atkins Museum of Art

    In the heart of Kansas City, nestled amongst the vibrant streets and burgeoning cultural scene, lies a treasure trove of artistic expression – the Nelson-Atkins Museum of Art. More than just a collection of paintings and sculptures, it’s a living testament to vision, philanthropy, and the enduring power of art to shape communities. Born from an extraordinary legacy left by William Rockhill Nelson, a railroad magnate with a deep love for beauty, and Mary McAfee Atkins, a dedicated educator, the museum stands as a remarkable embodiment of generosity and artistic appreciation. Its story is intertwined with the very fabric of Kansas City, reflecting both its past and embracing a bold future.

    The museum’s origins are rooted in a singular bequest: Nelson's entire estate was to be devoted to establishing an art institution for public enjoyment. This extraordinary gift, coupled with Mrs. Atkins’ foresight, created the foundation for a collection that has since blossomed into over 34,500 works spanning five millennia and virtually every corner of the globe. From ancient Egyptian artifacts to contemporary masterpieces, the Nelson-Atkins offers a journey through human creativity across time and cultures. But it's not merely the size or scope of the collection that sets it apart; it’s the museum’s unwavering commitment to accessibility – its remarkably free admission policy – which truly distinguishes it as a beacon of cultural inclusivity, inviting everyone to experience the profound beauty and intellectual stimulation art provides.

    Architectural Harmony: A Dialogue Between Past and Present

    The Nelson-Atkins' architectural story is as captivating as its artistic holdings. The original building, completed in 1933 by the renowned architects Wight and Wight, immediately evokes a sense of timeless elegance – a masterful example of Beaux-Arts architecture. Characterized by its grand scale, symmetrical design, and meticulous attention to detail, the structure’s classical proportions and stately facade transport visitors to a realm of artistic reverence. The building's terraces cascading down towards Brush Creek, originally conceived as a tranquil outdoor space for contemplation, now serve as a vibrant extension of the museum’s collection, hosting seasonal exhibitions and offering breathtaking views of the surrounding landscape. However, the Nelson-Atkins’ narrative didn’t end there; in 2007, the arrival of the Bloch Building – a strikingly modern structure by Steven Holl Architects – dramatically reshaped the museum's identity.

    This bold addition, a shimmering cascade of translucent “lenses,” stands in deliberate contrast to the Beaux-Arts building, creating a dynamic dialogue between past grandeur and future vision. The Bloch Building’s ethereal spaces, flooded with natural light, have earned it widespread acclaim – including recognition from Time magazine as one of the world's best new architectural marvels. Walking through the museum is akin to traversing time itself—from the formal beauty of the Beaux-Arts structure to the airy, light-filled spaces of the Bloch Building, each area offers a unique sensory experience, highlighting the museum’s ability to seamlessly blend tradition and innovation.

    Collection Highlights: A Journey Through Time and Culture

    Prepare to be captivated by masterpieces spanning centuries! The Nelson-Atkins’ collection is a breathtaking tapestry woven from diverse artistic traditions. From Caravaggio’s dramatic Saint John the Baptist in the Wilderness, a masterpiece of Baroque intensity, to Piet Mondrian’s geometric Passion Flower, a seminal work of early 20th-century abstraction, explore iconic artworks that define artistic movements and individual genius. The museum boasts an unparalleled collection of Asian art – Chinese landscapes rendered with exquisite detail, Indian sculptures embodying spiritual power, and Japanese prints capturing fleeting moments of beauty. Within the European galleries, you’ll find Renaissance masterpieces alongside Impressionist delights, offering a comprehensive overview of Western art history. Don't miss the museum's impressive holdings of American paintings, including works by Gilbert Stuart, John Singer Sargent, and Andrew Wyeth, reflecting the nation’s artistic evolution – a testament to the diverse voices that have shaped American art.

    The Nelson-Atkins’ collection isn’t simply static; it’s constantly evolving through engaging exhibitions and programs. The museum regularly hosts temporary shows featuring both established artists and emerging talents, offering visitors fresh perspectives on familiar works and introducing them to new artistic voices. These events are a vital part of the museum's mission to foster dialogue and appreciation for art within the community.

    Beyond Art: Kansas City’s Artistic Heritage

    The Nelson-Atkins’ story extends far beyond its permanent holdings. The museum is deeply committed to celebrating Kansas City’s artistic heritage through engaging exhibitions and programs. Wilbur Niewald’s representation of the city’s visual arts scene provides a fascinating glimpse into the local creative landscape, while ongoing initiatives support contemporary artists and foster community engagement. The museum actively seeks to connect with its surrounding community, offering educational programs for all ages – from school visits designed to spark young imaginations to lectures and workshops for adults eager to deepen their understanding of art. With regular events, family activities, and a welcoming atmosphere, the Nelson-Atkins is more than just a museum—it’s a vibrant hub of artistic expression and community engagement, a place where art comes alive and inspires.

    Resources:

    Website:

    https://nelson-atkins.org/

    Wikipedia:

    https://en.wikipedia.org/wiki/Nelson-Atkins_Museum_of_Art

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Micaceous Jar

    wahooart.com/no/art/download/lonnie-vigil-micaceous-jar-D3XHXU-en/

    Kildehenvisning for dette kunstverket

    MLA
    vigil, lonnie. Micaceous Jar. 2007, Nelson-Atkins Kunstmuseum. https://wahooart.com/no/art/lonnie-vigil-micaceous-jar-D3XHXU-en/
    APA
    vigil, lonnie (2007). Micaceous Jar [Painting]. Nelson-Atkins Kunstmuseum. https://wahooart.com/no/art/lonnie-vigil-micaceous-jar-D3XHXU-en/
    Chicago
    lonnie vigil. Micaceous Jar. 2007. Nelson-Atkins Kunstmuseum. https://wahooart.com/no/art/lonnie-vigil-micaceous-jar-D3XHXU-en/
    Harvard
    vigil, lonnie (2007) Micaceous Jar. Nelson-Atkins Kunstmuseum. Available at: https://wahooart.com/no/art/lonnie-vigil-micaceous-jar-D3XHXU-en/

    Se nøye etter

    Micaceous Jar — lonnie vigil

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: micaceous pottery, pueblo tradition, lonnie vigil. Er du enig? Hva ville du lagt til, eller fjernet?
    4. lonnie vigil var omtrent 58 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Temaer som går igjen i verkene til lonnie vigil: pueblo traditions, ancestral knowledge, hand-built techniques. Hvilke av disse ser du her?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Micaceous Jar — lonnie vigil

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. What is the primary material used in Lonnie Vigil’s ‘Micaceous Jar’?

      • A Terracotta
      • B Ceramic with Mica Flakes (Micaceous Clay)
      • C Stone and Sand
    2. 2. The description highlights a key aspect of Vigil’s artistic approach. What is this aspect?

      • A He exclusively uses glazed finishes.
      • B He bridges past and present traditions, combining ancient techniques with contemporary influences.
      • C He focuses solely on replicating traditional Pueblo pottery designs.
    3. 3. According to the description, what is a key characteristic of micaceous clay that distinguishes it from other clays?

      • A It requires extensive glazing for durability.
      • B It contains tiny gold-colored flakes (mica) which impart a shimmering surface.
      • C It’s primarily used for large-scale architectural projects.
    4. 4. What is the approximate date of creation for the ‘Micaceous Jar’?

      • A 1982
      • B 2007
      • C 1949
    5. 5. The description emphasizes a connection to cultural heritage. What does the ‘Micaceous Jar’ represent in terms of Vigil's artistic practice?

      • A A purely abstract exploration of form.
      • B A revival and continuation of traditional Pueblo pottery techniques and ancestral knowledge.
      • C An attempt to modernize ancient art forms.

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny utskrevet side, slik at den enkelt kan utelates fra kopiene.

    1A · 2A · 3A · 4A · 5A