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Herding

Navn Klasse Dato

Li Keran, Herding (1957). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Li Keran wahooart.com/no/artists/li-keran/
Kunstnerens levetid
1907 – 1989
Malt
1957
Opprinnelig størrelse
95 x 54 cm

I sammenheng med

Herding — Li Keran

Hvor stort er det?

Originalen måler 95 × 54 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 82 ved død.

Malt da kunstneren var 50. Kunstneren ble 82 år gammel. 0 av de 1 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Li Keran (1907–1989) ▲ dette verket, 1957 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/li-keran-herding-D7GGJV-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #b5a59c

    Katalogisert palett

    • #B5A59C
    • #3B3130
    • #E6DDD5
    • #726562

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Li Keran i løpet av de siste tolv månedene — totalt 1 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 100.0%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 2 mest viste verkene av Li Keran

    1. 1 Herdboy and ox 100.0%100 visits
    2. — Herding, 1957 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 4 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Herding — Li Keran

    In 1946, Li Keren was invited by Xu Beihong (1895-1953) to join the National Art School in Beiping. There, he met Qi Baishi (1986-1957) and had been studying art with him for a decade since then. During the period, Qi Baishi inscribed many of Li Keren’s paintings on cattle herding, showing the former’s love for such works. This particular piece is diagonally framed, which was a common technique employed by Li. The bathing buffalo and the shepherd boy are positioned in a smooth curve, so that each element of the scene corresponds to each other in perfect harmony. The body of the buffalo is portrayed in accumulated ink and painted several times in different shades to create a layered and textured blackness. Similar techniques were also commonly used in Li’s famous “Landscape Against the Light”, which also worked on the intricacies of the darker spots and can be cross-referenced with this piece of work.

    Kunstner og museum

    Kunstner

    Li Keran

    The Soul of Ink: The Life and Legacy of Li Keran

    In the vast tapestry of twentieth-century Chinese art, few threads shine with as much profound depth and luminous intensity as those woven by Li Keran. Born Li Yongshun in 1907 amidst the storied landscapes of Xuzhou, Jiangsu province, his journey was one of remarkable self-reliance and artistic evolution. Coming from a family where his parents could not read or write, Li’s early life was defined by an innate, hungry curiosity for the visual world. Guided initially by the local master Qian Shizhi, he began to grasp the delicate language of traditional Chinese landscape painting, yet his spirit was far too expansive to be confined solely to the classical canon. His path would eventually lead him to bridge the ancient wisdom of the literati with the bold, structural innovations of Western oil painting, creating a visual dialect that felt both timeless and strikingly modern.

    The formative years of Li Keran’s education were marked by a series of pivotal encounters with artistic giants. His enrollment at the Shanghai Art Academy in 1923 opened doors to a new world of perspective and light, while his later studies at the National Academy of Arts in Hangzhou introduced him to the transformative techniques of Lin Fengmian and André Claudot. This exposure to Western oil painting principles was not a departure from his roots, but rather an enrichment of them. He learned to manipulate volume, shadow, and light, which he would later reintegrate into the medium of ink. As he moved through the turbulent decades of the Second Sino-Japanese War, serving the Nationalist government through powerful propaganda posters and murals, Li developed a sense of social purpose that would forever inform his subject matter, grounding his ethereal landscapes in the palpable reality of human existence and national identity.

    A Master of Light and Shadow

    What truly distinguishes the oeuvre of Li Keran is his revolutionary approach to guohua (traditional Chinese painting), specifically through his mastery of what is often termed "backlighting." While traditional landscape painting often relied on flat washes and linear clarity, Li sought to capture the atmospheric drama of nature. He utilized accumulated ink and layered textures to create a sense of profound depth, where mountains do not merely sit upon the paper but emerge from a misty, luminous void. His technique allowed him to depict the interplay of light filtering through heavy clouds or the stark contrast of dark silhouettes against a glowing sky, a feat that brought a sculptural, almost cinematic quality to the medium of ink and wash.

    This technical brilliance is perhaps most beautifully realized in his depictions of rural life and the natural world. In works such as Herdboy and Ox, one can witness the harmonious marriage of his influences. The heavy, textured application of ink on the buffalo’s body echoes the strength of Western realism, yet the composition remains deeply rooted in the poetic, rhythmic flow of classical Chinese aesthetics. Under the mentorship of legends like Qi Baishi and Huang Binhong, Li learned to respect the spontaneous vitality of the brushstroke, ensuring that even his most structurally complex landscapes retained a sense of organic, breathing life.

    Historical Significance and Enduring Influence

    Li Keran’s impact extends far beyond the borders of his own canvases; he was a foundational architect of modern Chinese art education. As a professor at the Central Academy of Fine Arts, he nurtured a new generation of painters, instilling in them the same courage to experiment that had defined his own career. His ability to synthesize the traditional literati spirit with contemporary global movements ensured that Chinese landscape painting remained a living, evolving tradition rather than a static relic of the past.

    The enduring value of his work is reflected not only in its profound emotional resonance but also in its monumental presence in the global art market. His masterpiece, Thousands of Hills in a Crimsoned View, stands as a testament to his ability to evoke both grandeur and intimacy, commanding record-breaking valuations that speak to his status as a titan of the twentieth century. Today, Li Keran is remembered as an artist who did not merely paint landscapes, but who captured the very breath of the earth, leaving behind a legacy of light, shadow, and an unyielding devotion to the transformative power of art.

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    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Herding

    wahooart.com/no/art/download/li-keran-herding-D7GGJV-en/

    Kildehenvisning for dette kunstverket

    MLA
    Keran, Li. Herding. 1957, https://wahooart.com/no/art/li-keran-herding-D7GGJV-en/
    APA
    Keran, Li (1957). Herding [Painting]. https://wahooart.com/no/art/li-keran-herding-D7GGJV-en/
    Chicago
    Li Keran. Herding. 1957. https://wahooart.com/no/art/li-keran-herding-D7GGJV-en/
    Harvard
    Keran, Li (1957) Herding. Available at: https://wahooart.com/no/art/li-keran-herding-D7GGJV-en/

    Se nærmere på

    Herding — Li Keran

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på MOUNTAINS IN MORNING HAZE, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Li Keran var omtrent 50 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hva er de faktiske målene på "Herding" av Li Keran?

    De registrerte målene for "Herding" av Li Keran er 95 x 54 cm. Reproduksjoner kan bestilles i andre størrelser med de samme proporsjonene.

    Hvilke farger preger "Herding"?

    Fargene i "Herding" utgjør en Neutrals palett. Denne klassifiseringen beskriver de dominerende fargefamiliene.

    Hvilken underliggende nyanse preger "Herding" av Li Keran?

    Den dominerende fargen i "Herding" av Li Keran er Golden Yellow Range. Denne fargen utgjør den underliggende tonen i paletten.