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Field Hands

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Jonathan Greening, Field Hands (1988), The Kinsey African American Art - History Collection. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Jonathan Greening wahooart.com/no/artists/jonathan-greening/
Kunstnerens levetid
1955 –
Malt
1988
Medium
Painting
Bevegelse
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Periode
Contemporary
Arrangert på
The Kinsey African American Art - History Collection wahooart.com/no/museums/the-kinsey-african-american-art-history-collection-los-angeles/
Artistic style
Narrative Realism
Influences
Gullah culture and Southern heritage
Notable elements or techniques
Vibrant colors and narrative realism
Subject or theme
Gullah life and Southern experience

I sammenheng med

Field Hands — Jonathan Greening

Når ble dette malt?

  1. 1950
  2. 1960
  3. 1970
  4. 1980

Rad over: årstallene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom, der 0 teller fra fødsel.

Malt da kunstneren var 33. 0 av de 2 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

▲ dette verket, 1988 hvert daterte maleri, tiår for tiår

Sammenlign med

  • Easter, 1989 wahooart.com/no/art/jonathan-greening-easter-D8K5X2-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/jonathan-greening-field-hands-D4N8YL-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #c2b8b1

    Katalogisert palett

    • #C2B8B1
    • #84512D
    • #48576A
    • #283029

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Putty
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    De 1 mest viste verkene av Jonathan Greening

    1. 1 Field Hands, 1988 dette maleriet 100.0%100 besøk

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 2 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet rangerer som nummer 1, med 100.0% av denne oppmerksomheten (100 besøk). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    Field Hands — Jonathan Greening

    Painter and printmaker Jonathan Green is considered one of the most important contemporary painters of the Southern experience. Born on August 9, 1955, in Gardens Corner, South Carolina, Green was the second of seven children. He was raised in the home of his maternal grandmother, Eloise Stewart Johnson, where he learned the Gullah dialect and culture of the coastal Southeast.Green’s interest in the arts was first nurtured as a student at Beaufort High School. After graduation, Green joined the U.S. Air Force in order to travel and obtain an education. He then attended the School of the Art Institute of Chicago, receiving a B.F.A. degree in 1982, making him the first known artist of Gullah heritage to receive formal artistic training at a professional art school. The artwork of Green is heavily influenced by his Gullah heritage with vividly colored paintings and prints documenting everyday chores, in addition to celebrating Gullah life’s rites of passage. By returning his art to his childhood upbringing, Green has created an autobiographical body of work in addition to documenting a vanishing way of life. Since 1982, Green has participated in four traveling exhibitions throughout the United States and forty-eight solo exhibitions. His work is in the permanent collections of numerous museums, including The Morris Museum (Augusta, Georgia), The Afro-American Museum of Philadelphia, The Naples Museum of Art (Naples, Florida) and The IFCC Cultural Center (Portland, Oregon). Green has received awards recognizing both his work and his civic contributions. In 1996, Green received an honorary doctorate from the University of South Carolina, the same year a book, Gullah Images: The Art of Jonathan Green, reproducing a large number of his pieces was published. In 2009, Green received the Key of Life Award for his contributions and achievements in the visual fine arts from the NAACP at the organization’s fortieth Image Awards.

    Kunstner og museum

    Kunstner

    Jonathan Greening

    Født i Gardners, United States of America

    Jonathan Greening: A Life in Southern Narrative

    Born on August 9, 1955, in Gardners Corner, South Carolina, Jonathan Greening is a celebrated American painter and printmaker. He stands as one of the most important contemporary artists capturing the essence of the Southern experience.

    Early Life and Influences

    Greening was raised amidst a large family – the second of seven children – and profoundly shaped by his grandmother, who instilled in him a deep understanding of the Gullah dialect. This creole language, spoken in the coastal regions of the South, became a cornerstone of his artistic vision. His upbringing immersed him in the rich cultural heritage of the Lowcountry, providing a wellspring of inspiration for his future work.

    Education and Military Service

    Following high school, Greening served in the United States Air Force before pursuing formal art training. He attended the School of the Art Institute of Chicago, earning a Bachelor of Fine Arts degree in 1982. This period broadened his artistic horizons while solidifying his commitment to representing his Southern roots.

    Artistic Development and Style

    Described as a narrative realist, Greening’s paintings are characterized by their vibrant colors and compelling storytelling. His work doesn't merely depict scenes; it narrates the lives, traditions, and spirit of the Gullah community. He masterfully blends realism with a touch of folklore, creating images that are both visually striking and emotionally resonant.

    Key Themes and Subjects

    Gullah Life: Central to Greening’s oeuvre is his portrayal of everyday life within the Gullah culture – fishing, farming, religious gatherings, family moments.

    Southern Landscapes: The landscapes of South Carolina's Lowcountry frequently serve as backdrops for his narratives, imbued with a sense of place and history.

    Preservation of Culture: His work acts as a visual record, preserving the traditions and stories of a community facing cultural shifts.

    Major Achievements and Recognition

    Greening’s contributions to the art world have been widely recognized. His works are included in the permanent collections of numerous prestigious museums, including:

    The Morris Museum (Augusta, GA)

    The Afro-American Historical and Cultural Museum (Philadelphia, PA)

    The Naples Museum of Art (Naples, FL)

    The IFCC Cultural Center (Portland, OR)

    He has also received significant accolades, including an honorary doctorate from the University of South Carolina and a Key of Life Award from the NAACP for his contributions to visual fine arts.

    Historical Significance

    Jonathan Greening’s work is vital in its documentation and celebration of Gullah culture. He provides a powerful voice for a community often marginalized or overlooked, ensuring their stories are told with dignity and authenticity. His art serves as a bridge between cultures, fostering understanding and appreciation for the rich tapestry of Southern history.

    Present Day

    Currently, Jonathan Greening lives and works on Daniel Island in Charleston, South Carolina, continuing to create compelling narratives that resonate with audiences worldwide.

    Museum

    The Kinsey African American Art - History Collection

    Utstilt i Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

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    QR-kode som lenker til nedlastingssiden for Field Hands

    wahooart.com/no/art/download/jonathan-greening-field-hands-D4N8YL-en/

    Kildehenvisning for dette kunstverket

    MLA
    Greening, Jonathan. Field Hands. 1988, The Kinsey African American Art - History Collection. https://wahooart.com/no/art/jonathan-greening-field-hands-D4N8YL-en/
    APA
    Greening, Jonathan (1988). Field Hands [Painting]. The Kinsey African American Art - History Collection. https://wahooart.com/no/art/jonathan-greening-field-hands-D4N8YL-en/
    Chicago
    Jonathan Greening. Field Hands. 1988. The Kinsey African American Art - History Collection. https://wahooart.com/no/art/jonathan-greening-field-hands-D4N8YL-en/
    Harvard
    Greening, Jonathan (1988) Field Hands. The Kinsey African American Art - History Collection. Available at: https://wahooart.com/no/art/jonathan-greening-field-hands-D4N8YL-en/

    Se nærmere på

    Field Hands — Jonathan Greening

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: gullah culture, southern life, people walking. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Easter (1989), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvilken atmosfære ville en reproduksjon av "Field Hands" av Jonathan Greening tilføre et rom?

    Den Nostalgic atmosfæren i "Field Hands" av Jonathan Greening passer perfekt til det anbefalte rommet: et Restaurant.

    Hva forestiller "Field Hands" av Jonathan Greening, og hvilken stemning formidler det?

    "Field Hands" av Jonathan Greening skildrer gullah culture, southern life, people walking, daily life, narrative realism, vibrant colors, bus, handbags i en Nostalgic stemning. Motiv og atmosfære beskriver verket sammen.

    Hva forestiller "Field Hands"?

    Motivene i "Field Hands" er gullah culture, southern life, people walking, daily life, narrative realism, vibrant colors, bus, handbags.