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Benjamin Silliman

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John Trumbull, Benjamin Silliman (1825). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
John Trumbull wahooart.com/no/artists/john-trumbull_no/
Kunstnerens levetid
1756 – 1843
Malt
1825

I sammenheng med

Benjamin Silliman — John Trumbull

Når ble dette malt?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820
  9. 1830
  10. 1840

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 87 ved død.

Malt da kunstneren var 69. Kunstneren ble 87 år gammel. 48 av de 51 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til John Trumbull (1756–1843) ▲ dette verket, 1825 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1786 Hovedvirksomhetsår: 1786–1806 Senere verk: fra 1806

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/john-trumbull-benjamin-silliman-ARA8UJ-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #dadad4

    Katalogisert palett

    • #DADAD4
    • #1C190C
    • #735736
    • #BCA27B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Putty
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av John Trumbull i løpet av de siste tolv månedene — totalt 6 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 59.5%2200 visits
    2. 2 United States of America 24.3%900 visits
    3. 3 Brazil 5.4%200 visits
    4. 4 Germany 5.4%200 visits
    5. 5 Switzerland 2.7%100 visits
    6. 6 Spain 2.7%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 19 mest viste verkene av John Trumbull

    1. 1 The Declaration of Independence, July 4, 1776, 1787 32.6%1500 visits
    2. 2 The Declaration of Independence, 1787 17.4%800 visits
    3. 3 Alexander Hamilton, 1804 6.5%300 visits
    4. 4 George Washington before the Battle of Trenton, 1792 6.5%300 visits
    5. 5 Patrick Tracy, 1784 4.3%200 visits
    6. 6 Priam Returning to His Family with the Dead Body of Hector, 1785 4.3%200 visits
    7. 7 George Gallagher, New Yor,, 1826 4.3%200 visits
    8. 8 Declaration of Independence, 1817 2.2%100 visits
    9. 9 George Washington before the Battle of Trenton, 1792 2.2%100 visits
    10. 10 Sarah Trumbull with a Spaniel, 1802 2.2%100 visits
    11. 11 John Rutledge, 1791 2.2%100 visits
    12. 12 The Earl of Angus Coferring Knighthood on De Wilton, 1810 2.2%100 visits
    13. 13 The Woman Taken in Adultery, 1811 2.2%100 visits
    14. 14 The Death of General Warren at the Battle of Bunker's Hill, 1786 2.2%100 visits
    15. 15 John Murray, 1806 2.2%100 visits
    16. 16 The Death of General Mercer at the Battle of Princeton (unfinished version), 1786 2.2%100 visits
    17. 17 Portrait of Colonel Joseph Bull 2.2%100 visits
    18. 18 Portrait of John Gore, Jr 2.2%100 visits
    19. — Benjamin Silliman, 1825 dette maleriet 0.0%0 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 56 verk av denne kunstneren, hvorav 18 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    John Trumbull

    Født i Lebanon, USA

    A Life Etched in Revolution: The World of John Trumbull

    John Trumbull, a name synonymous with the visual narrative of America’s birth, was more than just a painter; he was a witness, a soldier, and a chronicler of a nation forging its identity. Born in Lebanon, Connecticut, in 1756, into a family steeped in patriotic fervor – his father, Jonathan Trumbull, served as governor throughout the Revolutionary War – young John’s destiny seemed intertwined with the unfolding drama of independence. A childhood accident tragically cost him the use of one eye, yet this perceived limitation may have paradoxically sharpened his observational skills, contributing to the meticulous detail that would become a hallmark of his artistic style. His early education at Harvard College further cultivated a mind primed for both intellectual rigor and creative expression. Even before fully embracing his calling as an artist, Trumbull’s life was already imbued with a sense of duty and service, sketching fortifications during the Siege of Boston – a foreshadowing of his future role in immortalizing the Revolution on canvas.

    From Battlefield to Brushstroke: Artistic Formation and Influences

    The path to becoming “the Painter of the Revolution” wasn’t immediate. Financial constraints initially led Trumbull down various avenues, but the pull towards art proved irresistible. In 1780, he embarked on a journey to London, seeking tutelage under the esteemed Benjamin West, an American expatriate who had achieved prominence as a history painter. West recognized Trumbull’s potential and encouraged him to focus on scenes from the War of Independence, suggesting smaller-scale works and miniature portraits – a practical approach that allowed Trumbull to hone his skills while establishing a clientele. Over the course of his career, he produced approximately 250 miniatures, demonstrating remarkable versatility and precision. However, West’s influence extended beyond technique; he instilled in Trumbull an appreciation for classical history painting, inspiring him to imbue his work with dramatic composition and allegorical depth. This fusion of historical accuracy and artistic grandeur would define Trumbull's mature style. The experience wasn’t without hardship; a brief but alarming arrest on suspicion of espionage – retaliation for the execution of Major André – forced a temporary retreat from British society, yet ultimately solidified his commitment to portraying the American cause.

    Immortalizing Independence: Masterpieces and Historical Significance

    Trumbull’s most enduring legacy lies in his monumental historical paintings, particularly those that now grace the Capitol Rotunda. The Declaration of Independence, perhaps his most iconic work, is a carefully constructed tableau depicting the momentous occasion with remarkable fidelity. It's not merely a record of who was present but an attempt to capture the gravity and solemnity of the event. Famously, this painting found its way onto the reverse of the two-dollar bill, cementing its place in American iconography. Other significant works include The Surrender of Cornwallis at Yorktown, The Surrender of General Burgoyne, and George Washington before the Battle of Trenton. These paintings weren’t simply artistic endeavors; they were acts of national commemoration, designed to inspire patriotism and solidify a shared historical narrative. Trumbull meticulously researched each scene, consulting with veterans and studying contemporary accounts to ensure accuracy. His preparatory sketches, like the Study for Surrender of Cornwallis at Yorktown, reveal his painstaking planning process and dedication to detail. In an era devoid of photographic documentation, Trumbull’s paintings served as invaluable visual records, shaping public understanding of the Revolution and its key figures.

    A Lasting Legacy: Collections and Enduring Influence

    John Trumbull's contributions extend beyond his celebrated canvases. He was a staunch advocate for the arts in America, serving as president of the American Academy of Fine Arts from 1816 to 1835, tirelessly working to foster a vibrant artistic community within the young nation. His paintings are now held in prestigious institutions across the country, including Yale University Art Gallery, the Smithsonian American Art Museum, and the Virginia Museum of Fine Arts, ensuring their accessibility for generations to come. The prominent display of his works within the United States Capitol serves as a lasting tribute to his dedication to both art and history.

    His paintings continue to inspire artists and historians alike.

    They offer invaluable insights into the aesthetics and ideals of the early American republic.

    Trumbull’s commitment to historical accuracy set a precedent for future generations of American historical painters.

    John Trumbull passed away in 1843, leaving behind a body of work that continues to resonate with power and significance. He remains, unequivocally, “the Painter of the Revolution,” an artist who not only captured history but helped create it – shaping the visual memory of a nation’s birth and securing his place as a pivotal figure in American art.

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    QR-kode som lenker til nedlastingssiden for Benjamin Silliman

    wahooart.com/no/art/download/john-trumbull-benjamin-silliman-ARA8UJ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Trumbull, John. Benjamin Silliman. 1825, https://wahooart.com/no/art/john-trumbull-benjamin-silliman-ARA8UJ-en/
    APA
    Trumbull, John (1825). Benjamin Silliman [Painting]. https://wahooart.com/no/art/john-trumbull-benjamin-silliman-ARA8UJ-en/
    Chicago
    John Trumbull. Benjamin Silliman. 1825. https://wahooart.com/no/art/john-trumbull-benjamin-silliman-ARA8UJ-en/
    Harvard
    Trumbull, John (1825) Benjamin Silliman. Available at: https://wahooart.com/no/art/john-trumbull-benjamin-silliman-ARA8UJ-en/

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    Benjamin Silliman — John Trumbull

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Alexander Hamilton (1804), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. John Trumbull var omtrent 69 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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    Spørsmål og svar

    Hvilken kunstner kan "Benjamin Silliman" tilskrives?

    Kunstneren bak "Benjamin Silliman" er John Trumbull. Verket er katalogisert under John Trumbull sitt navn.

    Hvem selger håndmalte kopier av "Benjamin Silliman" av John Trumbull?

    Du kan bestille en håndmalt reproduksjon av "Benjamin Silliman" av John Trumbull direkte på siden for Håndmalt oljereproduksjon: en håndmalt oljereproduksjon på linlerret, laget etter bestilling.

    Hvem er opphavspersonen til "Benjamin Silliman", og hvilket år ble det laget?

    Kunstneren bak "Benjamin Silliman" er John Trumbull, og verket er fra 1825.