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Moel Hebog

Navn Klasse Dato

Kyffin Williams, Moel Hebog (1952). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Kyffin Williams wahooart.com/no/artists/kyffin-williams_no/
Kunstnerens levetid
1918 – 2006
Malt
1952
Opprinnelig størrelse
25 x 36 cm

I sammenheng med

Moel Hebog — Kyffin Williams

Hvor stort er det?

Originalen måler 25 × 36 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 88 ved død.

Malt da kunstneren var 34. Kunstneren ble 88 år gammel. 37 av de 88 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Kyffin Williams (1918–2006) ▲ dette verket, 1952 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1950 Hovedvirksomhetsår: 1950–2004 Senere verk: fra 2004

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/john-kyffin-williams-moel-hebog-AQS79M-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Sap Green #6c6d43

    Katalogisert palett

    • #6C6D43
    • #1A1C15
    • #BBB9A1
    • #40412B

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Hovedfarge
    Sap Green
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Kyffin Williams i løpet av de siste tolv månedene — totalt 9 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 67.2%4100 besøk
    2. 2 Storbritannia 14.8%900 besøk
    3. 3 Singapore 4.9%300 besøk
    4. 4 Hong Kong 3.3%200 besøk
    5. 5 United States of America 3.3%200 besøk
    6. 6 Switzerland 1.6%100 besøk
    7. 7 Spain 1.6%100 besøk
    8. 8 South Korea 1.6%100 besøk
    9. 9 Vietnam 1.6%100 besøk

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av Kyffin Williams

    1. 1 The Way to the Cottages, 2006 6.3%500 besøk
    2. 2 Golfer Resting, 1950 5.1%400 besøk
    3. 3 Chapel at Dinorwic, 2000 3.8%300 besøk
    4. 4 Solblomster med fjell bakover, 1950 3.8%300 besøk
    5. 5 Welsh Black Bull, 2006 3.8%300 besøk
    6. 6 Crib Coch and Llanberis Pass 3.8%300 besøk
    7. 7 Fjelldalscottager, 2006 2.5%200 besøk
    8. 8 Mountain Torrent, 1950 2.5%200 besøk
    9. 9 Alpine Mountains Y Grib Goch, 2006 2.5%200 besøk
    10. 10 Yellow Fields under a Grey Sky, 1960 2.5%200 besøk
    11. 11 Hampstead Heath, 1950 2.5%200 besøk
    12. 12 Storm, 1960 2.5%200 besøk
    13. 13 Fresians in a Field with the Coast Beyond, 1950 2.5%200 besøk
    14. 14 Highgate West Hill 2.5%200 besøk
    15. 15 Fferm Fynydd Hill Farm (recto) 2.5%200 besøk
    16. 16 Wave on Stormy Sea, 2006 2.5%200 besøk
    17. 17 Hills above Nant Peris 2.5%200 besøk
    18. 18 Portrait of a Young Woman Looking Left, 1970 1.3%100 besøk
    19. 19 Fusilier Dean (The Depot, Wrexham 1948), 1948 1.3%100 besøk
    20. — Moel Hebog, 1952 dette maleriet 0.0%0 besøk

    Sammen utgjør disse verkene 56.7% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 132 verk av denne kunstneren, hvorav 53 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Kyffin Williams

    Født i Llangefni, Storbritannia

    A Defining Voice of Welsh Landscape

    Sir John “Kyffin” Williams, a name synonymous with the very spirit of Wales, stands as a monumental figure in 20th-century British art. More than just a painter, he was a cultural ambassador, a storyteller who translated the rugged beauty and emotional depth of his homeland onto canvas with unparalleled skill. Born in Llangefni, Anglesey, in 1918, Williams’s life journey was as textured and compelling as the impasto surfaces that became his signature. His connection to Wales wasn't merely geographical; it was woven into the fabric of his being, a heritage both cherished and complicated by a mother who seemingly distanced herself from Welsh language and culture. This early tension perhaps fueled a lifelong dedication to visually capturing and celebrating the land she subtly discouraged him from embracing.

    From Military Service to Artistic Awakening

    Williams’s path to becoming Wales' foremost artist wasn’t straightforward. Educated at Moreton Hall School and Shrewsbury, his life took an unexpected turn with a bout of polio encephalitis that led to epilepsy. Ironically, this health challenge proved pivotal. Advised by doctors to pursue art as therapy, he discovered a profound connection within himself—a creative impulse ignited by the emotional resonance found in the works of Piero della Francesca. This encounter sparked a lifelong devotion to artistic expression. A brief stint in the 6th Battalion Royal Welch Fusiliers was cut short due to his medical condition, but it wasn’t a detour; rather, it freed him to enroll at London's Slade School of Fine Art during its wartime relocation to Oxford. There, he honed his skills and earned the prestigious Slade Portrait Prize, laying the foundation for a remarkable career.

    A Life Dedicated to Teaching and Exploration

    For many years, Williams balanced his artistic pursuits with a dedicated teaching career, serving as senior art master at Highgate School in London from 1944 until 1973. He nurtured generations of young artists, among them Sir Martin Gilbert, Anthony Green, Patrick Procktor, John Tavener and John Rutter—a testament to his influence and mentorship. However, it was a Winston Churchill Fellowship in 1968 that dramatically altered his artistic trajectory. This opportunity allowed him to travel to Y Wladfa, the Welsh settlement in Patagonia, an experience that profoundly impacted his palette and subject matter. The vast landscapes of Patagonia, so different yet echoing the spirit of Wales, infused his work with a new vibrancy and emotional intensity. He documented this journey not only through paintings but also in his engagingly anecdotal book, “Across the Straits.”

    Technique, Themes, and Lasting Legacy

    Kyffin Williams developed a distinctive technique characterized by thick oil paint applied with a palette knife—a method that created textured surfaces and bold impasto effects. This wasn’t merely a stylistic choice; it was a way to convey the ruggedness of the Welsh countryside, the weight of its history, and the emotional resonance of its landscapes. His subjects were broad, encompassing evocative depictions of Wales, striking scenes from Patagonia, and atmospheric studies of Venice. But it was his portrayal of Wales—its farms, mountains, and people—that truly defined him. He captured not just what he saw but how it felt to be Welsh, imbuing his paintings with a sense of place and belonging. His work often featured muted tones and subtle shifts in light, reflecting the changeable weather conditions prevalent in his beloved homeland.

    Throughout his career, Williams received numerous accolades, including an OBE in 1982 and a KBE in 1999 for services to the arts in Wales. The establishment of the Kyffin Williams Drawing Prize in 2009 further cemented his legacy by supporting emerging talent. Today, Oriel Ynys Môn on Anglesey houses a permanent exhibition dedicated to his work, ensuring that future generations can experience the power and beauty of his vision. Sir John Kyffin Williams wasn’t simply a painter; he was Wales' visual poet, a master who captured the soul of a nation with every brushstroke. His paintings continue to inspire awe and appreciation for the enduring spirit of the Welsh landscape and its people—a legacy that will undoubtedly endure for centuries to come.

    Key Influences

    Williams’s artistic journey was shaped by several key influences. The early impact of Piero della Francesca, with his masterful use of light and shadow, provided a foundational aesthetic. The Slade School of Art instilled in him a rigorous approach to technique and composition. However, it was the landscapes of Wales itself—the dramatic coastline, the rolling hills, and the intimate details of rural life—that ultimately served as his primary inspiration. The works of Constable and Turner also resonated with him, demonstrating the power of landscape painting to evoke emotion and capture the essence of a place. Furthermore, his personal experiences – including his childhood in Anglesey and his time spent in Patagonia – deeply informed his artistic vision.

    Notable Works

    Among Williams’s most celebrated paintings are “Storm Approaching” (1963), a dramatic depiction of a Welsh coastal storm; "View from Pwllfanogl" (1970), capturing the serene beauty of his home village; and “Girl Guide 1” (1958), a poignant portrait of a young girl. These works, along with many others, demonstrate his ability to convey both the grandeur and intimacy of the Welsh landscape. His paintings are held in public and private collections throughout Wales and beyond, testament to their enduring appeal.

    Legacy and Recognition

    Sir John Kyffin Williams’s contribution to British art is undeniable. He is remembered as a master of landscape painting who captured the spirit of Wales with remarkable sensitivity and skill. His distinctive technique, his evocative subject matter, and his unwavering dedication to his craft have secured his place among the most important artists of the 20th century. The Kyffin Williams Drawing Prize continues to support young Welsh artists, ensuring that his legacy lives on through future generations.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Moel Hebog

    wahooart.com/no/art/download/john-kyffin-williams-moel-hebog-AQS79M-en/

    Kildehenvisning for dette kunstverket

    MLA
    Williams, Kyffin. Moel Hebog. 1952, https://wahooart.com/no/art/john-kyffin-williams-moel-hebog-AQS79M-en/
    APA
    Williams, Kyffin (1952). Moel Hebog [Painting]. https://wahooart.com/no/art/john-kyffin-williams-moel-hebog-AQS79M-en/
    Chicago
    Kyffin Williams. Moel Hebog. 1952. https://wahooart.com/no/art/john-kyffin-williams-moel-hebog-AQS79M-en/
    Harvard
    Williams, Kyffin (1952) Moel Hebog. Available at: https://wahooart.com/no/art/john-kyffin-williams-moel-hebog-AQS79M-en/

    Se nærmere på

    Moel Hebog — Kyffin Williams

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Chapel at Dinorwic (2000), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Kyffin Williams var omtrent 34 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem skapte "Moel Hebog" og i hvilket år?

    Kyffin Williams skapte "Moel Hebog" i 1952.

    Kan "Moel Hebog" forhåndsvises i utvidet virkelighet (AR)?

    "Moel Hebog" av Kyffin Williams kan forhåndsvises på din egen vegg via kunstverkets Se i AR-side ved bruk av utvidet virkelighet (AR) på en kompatibel enhet.

    Hvor lys eller mørk oppleves "Moel Hebog" av Kyffin Williams som?

    Den oppfattede lysstyrken til "Moel Hebog" av Kyffin Williams er shadow, og den kan tilpasses lysforholdene i det tiltenkte rommet.