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Peter Dollond (1731–1821)

Navn Klasse Dato

John Hoppner, Peter Dollond (1731–1821), College of Optometrists. Felleseie.

Fakta om verket

Kunstner
John Hoppner wahooart.com/no/artists/john-hoppner_no/
Kunstnerens datoer
1758 – 1810
Opprinnelig størrelse
73 x 63 cm
Bevegelse
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Utstilles ved
College of Optometrists wahooart.com/no/museums/college-of-optometrists-london/

I sammenheng

Peter Dollond (1731–1821) — John Hoppner

Hvor stor er den?

Originalen måler 73 × 63 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810

Skyggelagt: livsløpet til John Hoppner (1758–1810)

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Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Clay #a07357

    Katalogisert palett

    • #A07357
    • #241F18
    • #47381D
    • #CAAB8F
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Clay
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    John Hoppner

    Født i Whitechapel, Storbritannia

    a life of artistry and royal patronage

    John Hoppner (1758–1810) var en framstående engelsk porträttmålare som lämnade ett bestående avtryck på konstvärlden med sin livfulla färgpalett. Född i Whitechapel, London, till tyska föräldrar, präglades Hoppners liv av kunglig patronat och konstnärligt briljans.

    early life and training

    Vid ung ålder blev Hoppner kantor vid Kungliga kapellen i St James’s, men hans benägenhet mot konst led honom till att söka sig till Kungliga akademien år 1775. År 1778 erhöll han ett silvermedalj för livsdrawing och år 1782 guldmmedaljen för historisk målning med sitt verk om Kung Lear. Detta tidiga utbildning bidrog till hans utveckling som konstnär och gav honom en grundlig förståelse för tekniker och estetiska principer inom klassisk konst.

    rise to fame and notable works

    Hoppners porträtt av kvinnor och barn ansågs vara hans mest framgångsrika verk av kompetenta bedömare. Hans teknik, karakteriserad av bredd och frihet, gav hans målningar en svag reflektion av charmigheten hos Reynolds. Bland hans mest kända arbeten finns:

    Mrs Jordan som Viola i ’Tolvskådespeln’, nu på English Heritage (London, Storbritannien), vilket visar upp hans maestersi över porträttmålning.

    Hans porträtt av prinsen av Wales, hertigen och hertiginnan av York samt Lord Rodney och Lord Nelson, vilka hängdes i Kungliga salarna vid St James’s palats och illustrerar hans höga samhällskontakter.

    Han var särskilt uppmärksam på sina färdigheter inom klassisk anatomi och komposition vilket gav honom möjlighet att skapa verk av hög kvalitet och konstnärlig betydelse.

    legacy and later life

    Hoppners liv präglades av kronisk leversjukdom. Han avled den 23 januari år 1810, men trots detta lever hans arv vidare genom sina vibranta porträtt som fortsätter att förtrolla konstälskare och inspirera efterkommande generationer av konstnärer. Hans verk är ett viktigt exempel på engelsk romantik och bidrar till vår förståelse för den konsthistoriska kontexten under denna tidsepok.

    influences and artistic style

    Hoppner hävdade ofta att han var starkt influerad av Joshua Reynolds, vilket visar sig i hans användning av ljus och skugga samt hans förmåga att skapa dynamiska kompositioner. Hans konstnärliga stil kännetecknas av en kombination av realism och romantisk känsla och är särskilt värd att nämnas för sina färger och detaljrikedom. Han var en pionjär inom sitt område och utvecklade nya tekniker som bidrog till att skapa verk av hög kvalitet och konstnärlig betydelse.

    Museum

    College of Optometrists

    Utstilt i London, United Kingdom

    The Legacy of Sight: Unveiling the Secrets of the Eye at London’s Oldest Optics Museum

    Nestled within a pair of meticulously preserved Georgian townhouses on Craven Street, lies a treasure trove for those fascinated by the history of vision and its meticulous study – the College of Optometrists Museum. More than just a collection of spectacles, this unique institution offers a profoundly intimate glimpse into centuries of innovation, artistry, and the very human desire to understand and correct our perception of the world. Founded in 1901, it stands as the world’s oldest museum dedicated solely to ophthalmic optics, a quiet testament to the enduring pursuit of clarity and the evolution of how we see.

    The museum's heart beats within its remarkable collection of over 28,000 historic spectacles. These aren’t merely functional objects; they are miniature works of art, each frame telling a silent story of its owner – a wealthy merchant in the 18th century, a pioneering surgeon in the Victorian era, or perhaps a discerning gentleman seeking to enhance his vision for reading and leisure. The collection isn't limited to spectacles; it encompasses an astonishing array of ophthalmic instruments, from early retinoscopes used to examine the retina to intricate surgical tools that foreshadowed modern techniques. Examining these objects is akin to tracing the lineage of medical technology itself – a tangible record of incremental advancements driven by human ingenuity and a deep-seated need to alleviate suffering.

    Beyond its technical significance, the museum reveals an unexpected connection to visual culture. A dedicated section showcases artwork, prints, and scientific illustrations that explore the very concept of sight. You’ll find detailed anatomical drawings alongside evocative depictions of the eye, reflecting both the scientific understanding and the artistic fascination with this remarkable organ. The building itself adds another layer to this narrative; originally housing a telescope and optical toy shop in the 1820s – a period marked by burgeoning interest in astronomy and optics – it embodies the museum’s roots in the broader history of visual exploration.

    A Foundation Built on Expertise: History and Heritage

    The College of Optometrists Museum's origins are inextricably linked to the British Optical Association (BOA), established in 1895. This organization, along with several other professional bodies, recognized the need for a centralized institution dedicated to advancing the science and practice of optometry. In 1980, these entities coalesced to form the College of Optometrists, solidifying its position as the leading authority in the field. The Royal Charter granted by Queen Elizabeth II in 1995 served as a formal recognition of the institution’s importance and established it as a vital resource for both practitioners and researchers.

    The museum's location at 41-42 Craven Street, London WC2, is itself a piece of history. These two Georgian townhouses, built in the 1730s, represent a significant architectural style of the period. The building’s transformation from a telescope and optical toy shop to a dedicated museum reflects a remarkable evolution – a testament to the enduring value placed on understanding and improving vision.

    Rare Books & Archives: Unearthing the Past

    Delving deeper into the museum's collection reveals a rich archive of rare books, manuscripts, and organizational records. These materials provide invaluable insights into the history of optometry, tracing its development from early practices to modern advancements. You’ll find publications detailing groundbreaking discoveries, correspondence between pioneering optometrists, and meticulous documentation of professional standards – offering a comprehensive narrative of the field's evolution.

    The archive is particularly significant for its preservation of historical records relating to the British Optical Association and the College of Optometrists. These documents illuminate the institutional development, debates within the profession, and the challenges faced by those dedicated to advancing the science of vision. It’s a window into the intellectual landscape that shaped modern optometry.

    A Hidden Gem for Curious Minds

    The College of Optometrists Museum offers a unique experience – a quiet sanctuary away from the bustling tourist routes of London, yet brimming with fascinating stories and remarkable artifacts. It's a place where history, science, and design converge, appealing to a diverse audience: eye care professionals seeking to connect with their heritage, history enthusiasts eager to explore the evolution of medical technology, and anyone captivated by the intricate workings of the human visual system.

    Guided tours are available, providing expert insights into the museum’s collection and its significance. A visit here is not merely a sightseeing excursion; it's an opportunity for contemplation, discovery, and a deeper appreciation for the remarkable journey of vision – from ancient spectacles to modern corrective lenses.

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    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Peter Dollond (1731–1821)

    wahooart.com/no/art/download/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

    Kildehenvisning for dette kunstverket

    MLA
    Hoppner, John. Peter Dollond (1731–1821). n.d., College of Optometrists. https://wahooart.com/no/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    APA
    Hoppner, John (n.d.). Peter Dollond (1731–1821) [Painting]. College of Optometrists. https://wahooart.com/no/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    Chicago
    John Hoppner. Peter Dollond (1731–1821). n.d. College of Optometrists. https://wahooart.com/no/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/
    Harvard
    Hoppner, John (n.d.) Peter Dollond (1731–1821). College of Optometrists. Available at: https://wahooart.com/no/art/john-hoppner-peter-dollond-1731-1821-AQRMM8-en/

    Se nøye etter

    Peter Dollond (1731–1821) — John Hoppner

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: portrait, neoclassicism, formal. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Richard Humphreys, the Boxer, tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Hvor kan du se dette i dette verket?

    Ditt svar

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