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Large Blue Horizontal

Navn Klasse Dato

Ilya Bolotowsky, Large Blue Horizontal (1975). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Ilya Bolotowsky wahooart.com/no/artists/ilya-bolotowsky/
Kunstnerens datoer
1907 – 1981
Malt
1975
Opprinnelig størrelse
71 x 229 cm

I sammenheng

Large Blue Horizontal — Ilya Bolotowsky

Hvor stor er den?

Originalen måler 71 × 229 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Skyggelagt: livsløpet til Ilya Bolotowsky (1907–1981) ▲ dette verket, 1975

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/ilya-bolotowsky-large-blue-horizontal-D2UNWZ-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Quinacridone Magenta #a7434f

    Katalogisert palett

    • #A7434F
    • #E7E7E4
    • #1F1F50
    • #C2B389
    Palett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Quinacridone Magenta
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Large Blue Horizontal — Ilya Bolotowsky

    Bolotowsky was born in the Russian city of Saint Petersburg. After the Russian Revolution, his family moved to Istanbul in 1921, then to New York in 1923; Bolotowsky became an American citizen in 1929. In New York, he studied at the National Academy of Design and developed an interest in the biomorphic forms of Surrealist art, as well as geometric abstraction. The Neoplastic style of abstraction defined by Piet Mondrian would prove to be the greatest influence on Bolotowsky"s work. Mondrian practiced a form of purely nonrepresentational art, in which compositions of right angles and primary colors held no associations with the natural world.Bolotowsky began producing his own strictly abstract art in the early 1930s, and his admiration for Mondrian"s approach is evident even in such late works as Large Blue Horizontal. The orderly, grid-based composition of this painting is marked by black and white lines of various widths and rectangular areas of unmodulated primary colors. Like Mondrian, Bolotowsky strove to establish a balance of horizontals and verticals that would be at once harmonious and dynamic.Bolotowsky was a constant advocate of abstract art, speaking to a wider audience through exhibitions, publications, and lectures. He was a founding member of American Abstract Artists, which eventually included American artists such as Burgoyne Diller and Willem de Kooning, and European artists living in the United States, among them Fernand Léger, Joseph Albers, Jean Hélion, and Mondrian himself. He was also a member of "The Ten", an artists" group that included Mark Rothko and Adolph Gottlieb, and during the Great Depression of the 1930s he worked for the Works Progress Administration / Fine Arts Project, painting a number of abstract murals for public buildings in New York. In 1946, Bolotowsky was appointed head of the art department at Black Mountain College, the first of many teaching positions he would hold throughout his career.

    Kunstner og museum

    Kunstner

    Ilya Bolotowsky

    Født i Saint Petersburg, Russia

    Ilya Bolotowsky: Pioneer of Geometric Abstraction

    Ilya Bolotowsky (1907-1981) stands as a pivotal figure in the history of 20th-century abstract art, particularly within the influential De Stijl movement. Born in Saint Petersburg, Russia, amidst the turbulent backdrop of World War I and the Russian Revolution, Bolotowsky’s early life instilled in him a profound appreciation for intellectual rigor and a yearning for visual harmony—qualities that would define his artistic trajectory.

    Early Life & Education: Bolotowsky emigrated to Baku and Constantinople before relocating to New York City in 1923, where he pursued formal training at the National Academy of Design. This formative period exposed him to classical influences alongside burgeoning modernist ideas.

    The De Stijl Influence: Bolotowsky’s artistic vision was irrevocably shaped by Piet Mondrian, whose uncompromising adherence to geometric abstraction and reductive palette—primarily horizontal and vertical lines in primary colors and neutrals—became the cornerstone of his aesthetic.

    Formation of American Abstract Artists & Collaborative Vision

    Bolotowsky’s commitment to fostering artistic dialogue extended beyond personal practice. Recognizing the challenges faced by abstract painters attempting to gain recognition from a predominantly figurative art world, he co-founded American Abstract Artists in 1936—a collective dedicated to championing the interests of its members and promoting understanding between abstractionists and the broader public. This endeavor exemplifies Bolotowsky’s belief that artistic progress thrives on shared exploration and mutual support.

    The Ten Whitney Dissenters: Alongside Louis Schanker, Adolph Gottlieb, Mark Rothko, and Joseph Solman, Bolotowsky formed “the Ten,” a group of artists who challenged the conventions of the academy and asserted their independence through independent exhibitions.

    Public Art Initiatives: Bolotowsky’s involvement in public art projects underscored his conviction that art could contribute to social betterment. Notably, he spearheaded the Williamsburg Housing Project mural—a landmark achievement demonstrating his ability to translate philosophical concepts into impactful visual narratives.

    Exploring Intuition & Geometric Form

    Despite Bolotowsky’s meticulous control over compositional elements, he insisted on prioritizing intuition alongside formal rules in determining the direction of his artworks. This approach reflects a broader humanist sensibility—a recognition that artistic creativity stems from both intellectual contemplation and spontaneous emotional response.

    Three-Dimensional Forms: Bolotowsky’s experimentation with three-dimensional sculptures – predominantly vertical and straight-sided – represents a significant departure from his earlier paintings, signaling an ongoing engagement with new artistic mediums.

    Recognition & Exhibitions: His work gained international acclaim through exhibitions at the University of New Mexico in 1970 and subsequent retrospectives at the Guggenheim Museum and the National Collection of Fine Arts, cementing his legacy as a prominent figure within the modernist canon.

    Legacy & Enduring Influence

    Ilya Bolotowsky’s contribution to abstract art extends beyond individual masterpieces; he established American Abstract Artists and fostered a vibrant artistic community. His unwavering dedication to Mondrian's principles, combined with his humanist perspective on creativity, continues to inspire artists today. Bolotowsky’s enduring influence is palpable in the continuing exploration of geometric abstraction and its capacity to convey profound philosophical ideas.

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    QR-kode som lenker til nedlastingssiden for Large Blue Horizontal

    wahooart.com/no/art/download/ilya-bolotowsky-large-blue-horizontal-D2UNWZ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Bolotowsky, Ilya. Large Blue Horizontal. 1975, https://wahooart.com/no/art/ilya-bolotowsky-large-blue-horizontal-D2UNWZ-en/
    APA
    Bolotowsky, Ilya (1975). Large Blue Horizontal [Painting]. https://wahooart.com/no/art/ilya-bolotowsky-large-blue-horizontal-D2UNWZ-en/
    Chicago
    Ilya Bolotowsky. Large Blue Horizontal. 1975. https://wahooart.com/no/art/ilya-bolotowsky-large-blue-horizontal-D2UNWZ-en/
    Harvard
    Bolotowsky, Ilya (1975) Large Blue Horizontal. Available at: https://wahooart.com/no/art/ilya-bolotowsky-large-blue-horizontal-D2UNWZ-en/

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    Large Blue Horizontal — Ilya Bolotowsky

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    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Tondo Variation in Red (1978), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. Ilya Bolotowsky var omtrent 68 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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