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Beach Figure

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Navn Klasse Dato
graham coughtry, Beach Figure (1960). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
graham coughtry wahooart.com/no/artists/graham-coughtry/
Kunstnerens datoer
1931 – 1999
Malt
1960
Opprinnelig størrelse
153 x 152 cm
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Beach Figure — graham coughtry

How big is it?

The original measures 153 × 152 cm (height × width), drawn here beside an adult of average height.

Når ble dette malt?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Skyggelagt: livsløpet til graham coughtry (1931–1999) ▲ dette verket, 1960

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/graham-coughtry-beach-figure-ARA92E-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Bronze #c7a414

    Katalogisert palett

    • #C7A414
    • #7B7C3B
    • #B79A55
    • #A38B34
    Hovedfargenavn
    Bronze
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Vivid Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Beach Figure — graham coughtry

    Kunstner

    graham coughtry

    Graham Coughtry: A Toronto Visionary

    Graham Coughtry (1931 – 1999) was a British-born Canadian painter who established himself as a prominent figure in Toronto’s artistic landscape during the mid-century period. His distinctive style—characterized by textured impasto, muted color palettes, and semi-abstract representations of human figures—earned him recognition both nationally and internationally. Though relatively unknown outside of Canada, Coughtry's work holds considerable importance within Canadian Modernism and continues to inspire artists today.

    Early Life & Artistic Beginnings

    Born in London, England, Coughtry’s artistic inclinations emerged early in his life. He pursued formal training at Chelsea School of Art and later studied at Pratt Institute in New York City, absorbing influences from Surrealist painters like René Magritte and Yves Tanguy. These formative experiences instilled a fascination with exploring psychological states and conveying emotion through visual imagery—a core element that would permeate his subsequent artistic endeavors.

    The Toronto Years & Pierre Bonnard Influence

    Coughtry relocated to Toronto in 1960, where he quickly gained traction within the burgeoning Canadian art scene. He became particularly captivated by the work of Pierre Bonnard, whose subtle tonal harmonies and atmospheric landscapes profoundly impacted Coughtry’s artistic approach.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Beach Figure

    wahooart.com/no/art/download/graham-coughtry-beach-figure-ARA92E-en/

    Kildehenvisning for dette kunstverket

    MLA
    coughtry, graham. Beach Figure. 1960, https://wahooart.com/no/art/graham-coughtry-beach-figure-ARA92E-en/
    APA
    coughtry, graham (1960). Beach Figure [Painting]. https://wahooart.com/no/art/graham-coughtry-beach-figure-ARA92E-en/
    Chicago
    graham coughtry. Beach Figure. 1960. https://wahooart.com/no/art/graham-coughtry-beach-figure-ARA92E-en/
    Harvard
    coughtry, graham (1960) Beach Figure. Available at: https://wahooart.com/no/art/graham-coughtry-beach-figure-ARA92E-en/

    Look closely

    Beach Figure — graham coughtry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: abstract figure, yellow canvas, gestural painting. Do you agree? What would you add, or take away?
    4. Look back at Late Afternoon Interior (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.