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Veiledning for studentkunst

MOUNT LU

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Navn Klasse Dato
Fu Baoshi, MOUNT LU. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Fu Baoshi wahooart.com/no/artists/fu-baoshi/
Kunstnerens datoer
1904 – 1965
Opprinnelig størrelse
66 x 97 cm

In context

MOUNT LU — Fu Baoshi

How big is it?

The original measures 66 × 97 cm (height × width), drawn here beside an adult of average height.

Når kan dette ha blitt malt?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960

Skyggelagt: livsløpet til Fu Baoshi (1904–1965)

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/fu-baoshi-mount-lu-AQRAE8-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Putty #c8c6c2

    Katalogisert palett

    • #C8C6C2
    • #605A56
    • #958C85
    • #383734
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Putty
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    MOUNT LU — Fu Baoshi

    Kunstner

    Fu Baoshi

    Fu Baoshi: A Pioneer of Modern Chinese Landscape Painting

    Fu Baoshi (傅抱石), born October 5, 1904, in Xinyu, Jiangxi Province, China, stands as a pivotal figure in the history of twentieth-century Chinese art. His artistic journey began amidst the turbulent backdrop of China’s transformation—from imperial decline to republican upheaval and ultimately communist revolution—yet he forged an enduring legacy rooted in profound respect for tradition while simultaneously embracing innovative techniques and stylistic explorations. Largely self-taught, Fu Baoshi's early artistic inclinations led him to Japan where he pursued formal studies at the Tokyo School of Fine Arts from 1933 to 1936, immersing himself in the study of Oriental Art history and absorbing influences from Western aesthetics. This dual exposure profoundly shaped his artistic vision.

    Early Influences & Training: Fu Baoshi’s formative years were marked by a dedication to mastering both Eastern and Western artistic traditions. He diligently studied calligraphy and painting techniques, recognizing the importance of grounding oneself in established conventions before venturing into experimentation.

    Japanese Connection: His time in Japan wasn't merely academic; it instilled within him an appreciation for Japanese visual elements—particularly Shitao’s masterful landscape style—which would become a cornerstone of his artistic…

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    QR-kode som lenker til nedlastingssiden for MOUNT LU

    wahooart.com/no/art/download/fu-baoshi-mount-lu-AQRAE8-en/

    Kildehenvisning for dette kunstverket

    MLA
    Baoshi, Fu. MOUNT LU. n.d., https://wahooart.com/no/art/fu-baoshi-mount-lu-AQRAE8-en/
    APA
    Baoshi, Fu (n.d.). MOUNT LU [Painting]. https://wahooart.com/no/art/fu-baoshi-mount-lu-AQRAE8-en/
    Chicago
    Fu Baoshi. MOUNT LU. n.d. https://wahooart.com/no/art/fu-baoshi-mount-lu-AQRAE8-en/
    Harvard
    Baoshi, Fu (n.d.) MOUNT LU. Available at: https://wahooart.com/no/art/fu-baoshi-mount-lu-AQRAE8-en/

    Look closely

    MOUNT LU — Fu Baoshi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: mountains. Do you agree? What would you add, or take away?
    4. Look back at CLEANSING THE TUNG TREE, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.