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Five AM

Navn Klasse Dato

Ernest Procter, Five AM (1928), Jerwood Gallery. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Ernest Procter wahooart.com/no/artists/ernest-procter/
Kunstnerens levetid
1885 – 1935
Malt
1928
Opprinnelig størrelse
50 x 60 cm
Bevegelse
Newlyn School
Arrangert på
Jerwood Gallery wahooart.com/no/museums/jerwood-gallery-hastings/

I sammenheng med

Five AM — Ernest Procter

Hvor stort er det?

Originalen måler 50 × 60 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 50 ved død.

Malt da kunstneren var 43. Kunstneren ble 50 år gammel. 9 av de 16 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Ernest Procter (1885–1935) ▲ dette verket, 1928 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1925 Hovedvirksomhetsår: 1925–1929 Senere verk: fra 1929

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/ernest-procter-five-am-AQUEHN-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #d6bfa5

    Katalogisert palett

    • #D6BFA5
    • #7A5E48
    • #9B785B
    • #B89C80

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Putty
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Ernest Procter i løpet av de siste tolv månedene — totalt 4 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 57.1%
    2. 2 Storbritannia 14.3%
    3. 3 Ireland 14.3%
    4. 4 United States of America 14.3%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 6 mest viste verkene av Ernest Procter

    1. 1 The Cottage, 1931 50.0%
    2. 2 On the Banks of the Irawaddy, 1912 12.5%
    3. 3 Uphill from the North, 1934 12.5%
    4. 4 Hampstead Heath (Figures and Dogs amongst Trees), 1929 12.5%
    5. 5 Shipton Hill, Dorset 12.5%
    6. — Five AM, 1928 dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 19 verk av denne kunstneren, hvorav 5 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden – det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Ernest Procter

    Ernest Procter: A Cornish Vision of Light and Sensuality

    Born in Tynemouth, Northumberland, in 1885, Ernest Procter’s artistic journey began within a family steeped in tradition – his father, Henry Richardson Procter, was a distinguished chemist and Fellow of the Royal Society, while his lineage traced back to generations of Quaker tanners. This unique blend of scientific rigor and artisanal heritage profoundly shaped Procter's approach to art, imbuing his work with both meticulous observation and a deep appreciation for texture and materiality. Initially educated at Bootham Friends’ School in York, he later found his way to Newlyn, Cornwall, a burgeoning hub of artistic innovation during the early 20th century – a place that would become inextricably linked to his identity and creative output.

    Newlyn, with its vibrant community of artists drawn from across Britain, offered Procter an environment ripe for experimentation. He enrolled in Stanhope Forbes’ School of Painting, absorbing the principles of Impressionism and the Newlyn School's distinctive style – a focus on capturing the fleeting effects of light and atmosphere, particularly within the rugged beauty of the Cornish coastline. His time under Forbes proved formative, fostering his technical skills and introducing him to fellow students like Dod Procter, whom he would later marry in 1912. This union marked not only a personal partnership but also a collaborative artistic force; together, they established the Harvey-Procter School, a respected institution that nurtured young artists and contributed significantly to the local art scene.

    The Influence of Forbes and Parisian Training

    Stanhope Forbes’ teachings were crucial in shaping Procter's early style. Forbes emphasized direct observation, encouraging students to capture the essence of their subjects rather than relying on academic conventions. This approach is evident in Procter’s landscapes – particularly his depictions of Penlee Point, a dramatic headland overlooking the Atlantic – where he masterfully renders the interplay of light and shadow, conveying both the grandeur and vulnerability of the Cornish coastline. However, Procter's artistic development extended beyond Newlyn; he spent time studying at the Atelier Colarossi in Paris, immersing himself in the vibrant atmosphere of the Parisian art world and absorbing the techniques of Impressionism and Post-Impressionism. Artists like Pierre-Auguste Renoir and Paul Cézanne undoubtedly influenced his palette and approach to capturing fleeting moments.

    Portraits and the Exploration of Sensuality

    While Procter’s landscapes are undeniably striking, it is perhaps in his portraits that he truly excelled. His subjects – often young women from the local fishing community – were rendered with a remarkable sensitivity and attention to detail. He eschewed idealized representations, instead capturing their inherent dignity and vulnerability. Works like “Professor Henry Richardson Procter” showcase this talent for realism, while simultaneously conveying a sense of quiet wisdom and inner strength. His portraits are not merely likenesses; they are imbued with emotion, revealing the subtle nuances of human character through masterful use of light, shadow, and texture – particularly his signature impasto technique.

    Key Works and Recognition

    Among Procter’s most celebrated works is “Morning,” a captivating portrait of a young fisherman's daughter that caused a sensation at the 1927 Royal Academy exhibition. The painting’s evocative depiction of light, shadow, and emotion secured it the title of "Picture of the Year" and was subsequently purchased by the Daily Mail for display in the Tate Gallery. Other notable works include “Penlee Point,” a stunning landscape that exemplifies his mastery of capturing the Cornish coastline, and “Uphill from the North,” a vibrant depiction of a coastal scene showcasing his ability to translate the beauty of nature onto canvas. His work was also exhibited at the Royal Academy, the Leicester Galleries, and other prestigious venues throughout Britain.

    A Legacy in Cornwall

    Ernest Procter’s artistic legacy extends far beyond his individual paintings. He played a pivotal role in fostering the Newlyn School and its distinctive style, contributing to the development of Cornish art as a whole. His commitment to teaching and mentorship ensured that his techniques and vision were passed on to future generations of artists. Even today, Procter's work continues to resonate with viewers, offering a poignant glimpse into the beauty and spirit of Cornwall – a testament to an artist who captured not just the landscape but also the very essence of human experience.

    Museum

    Jerwood Gallery

    Utstilt i Hastings, United Kingdom

    A Coastal Sanctuary of British Modernism

    Nestled where the rugged cliffs of East Sussex meet the rhythmic pulse of the English Channel, Hastings Contemporary stands as a breathtaking testament to the enduring power of British creativity. Once known as the Jerwood Gallery, this institution has evolved from a private philanthropic endeavor into a vital, independent beacon for contemporary art. To step inside is to enter a dialogue between the wild, salt-sprayed landscape of the Hastings coast and the sophisticated nuances of modern aesthetic thought. The museum does not merely display art; it breathes with the sea, offering a sanctuary where the horizon line of the ocean meets the infinite possibilities of the canvas.

    The architectural presence of the gallery is nothing short of sculptural. Designed by the visionary minds at HAT Projects, the building’s striking curvilinear form acts as a modern landmark against the historic backdrop of the Hastings Stade. Its sweeping lines mirror the ebb and flow of the tides, creating a seamless transition between the built environment and the natural world. For the interior designer or the lover of fine architecture, the space offers a masterclass in light and volume. Large, panoramic windows invite the shifting coastal light to dance across the gallery floors, ensuring that the atmosphere within is as dynamic and ever-changing as the weather over the North Sea.

    Masterworks and Symbolic Narratives

    The soul of the museum resides in its curated collection, a profound assembly of Modern and Contemporary British Art that speaks to both the visceral and the cerebral. Visitors are often captivated by the evocative landscapes of Julian Trevelyan, whose works like

    “Boat Race”

    capture a hauntingly beautiful connection to the maritime spirit. The collection serves as a bridge between eras, showcasing the raw energy of L.S. Lowry alongside the intricate, psychological depths found in the surrealist explorations of Mick Rooney. In pieces such as

    “The Truant Man”

    diptych, one finds a meticulous attention to detail that invites deep contemplation, revealing how art can transcend literal representation to touch upon the very essence of human experience.

    Beyond the permanent holdings, the museum is celebrated for its dynamic programming and its ability to foster contemporary discourse. The gallery’s history is marked by transformative moments, such as its 2019 rebranding, which solidified its identity as a fiercely independent institution. Recent exhibitions have pushed boundaries, ranging from intimate portraiture to large-scale installations that challenge our perceptions of space and identity. Whether it is the whimsical presence of Sir Quentin Blake’s drawings or the bold, contemporary strokes of international practitioners, the museum remains a vital stage for artists to present works that are both challenging and deeply rewarding.

    An Immersive Artistic Experience

    For the collector and the art enthusiast, Hastings Contemporary offers more than a mere viewing; it offers an immersion into a lifestyle of aesthetic appreciation. The experience extends beyond the exhibition rooms to the

    coquina

    restaurant, where Mediterranean-inspired flavors meet panoramic sea views, allowing for a moment of quiet reflection after engaging with complex artworks. This holistic approach—blending fine art, architectural brilliance, and sensory delight—makes the museum a destination of unparalleled prestige.

    The institution continues to thrive through its commitment to community engagement, offering everything from clay portraiture workshops to summer family days that celebrate the local fishing heritage. It is this unique intersection of high art and coastal tradition that defines Hastings Contemporary. It remains a place where the legacy of British Modernism is not just preserved in frames, but actively reimagined, inspiring wonder in every visitor who wanders through its light-filled halls.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Five AM

    wahooart.com/no/art/download/ernest-procter-five-am-AQUEHN-en/

    Kildehenvisning for dette kunstverket

    MLA
    Procter, Ernest. Five AM. 1928, Jerwood Gallery. https://wahooart.com/no/art/ernest-procter-five-am-AQUEHN-en/
    APA
    Procter, Ernest (1928). Five AM [Painting]. Jerwood Gallery. https://wahooart.com/no/art/ernest-procter-five-am-AQUEHN-en/
    Chicago
    Ernest Procter. Five AM. 1928. Jerwood Gallery. https://wahooart.com/no/art/ernest-procter-five-am-AQUEHN-en/
    Harvard
    Procter, Ernest (1928) Five AM. Jerwood Gallery. Available at: https://wahooart.com/no/art/ernest-procter-five-am-AQUEHN-en/

    Se nærmere på

    Five AM — Ernest Procter

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Hvor mange ansikter kan du finne? ____ (vår katalog teller 6 — er du enig?)
    4. Vår katalog klassifiserer dette verket under: nude figures, intimacy, warmth. Er du enig? Hva ville du lagt til, eller fjernet?
    5. Se tilbake på Burmese Boy in a Bullock Cart (1925), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvem har skapt "Five AM"?

    "Five AM" tilskrives Ernest Procter.

    Hvordan forenes kontrast og harmoni i "Five AM"?

    I "Five AM" blir en Gentle kontrast parret med en Strong Color Unity harmoni.

    Hva er lysstyrken i "Five AM" av Ernest Procter?

    "Five AM" av Ernest Procter har en luminans på Gentle Luminance. Luminans beskriver hvor mye lys fargene ser ut til å reflektere.