Papir

Veiledning for studentkunst

Sheltering II

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Navn Klasse Dato
emrys williams, Sheltering II (1994). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
emrys williams wahooart.com/no/artists/emrys-williams/
Kunstnerens datoer
1958 – ?
Malt
1994
Opprinnelig størrelse
91 x 61 cm
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

In context

Sheltering II — emrys williams

How big is it?

The original measures 91 × 61 cm (height × width), drawn here beside an adult of average height.

Når ble dette malt?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Skyggelagt: livsløpet til emrys williams (1958–?) ▲ dette verket, 1994

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/emrys-williams-sheltering-ii-AQUFEW-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Putty #d1c8ae

    Katalogisert palett

    • #D1C8AE
    • #E7E5D7
    • #797871
    • #C05A4C
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Putty
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Sheltering II — emrys williams

    Kunstner

    emrys williams

    The Enigmatic World of Emrys Williams

    Emrys Williams, a name perhaps less familiar to the general public than many of his artistic peers, nevertheless occupies a unique and profoundly evocative space within the landscape of British art. Born in Liverpool in 1958 and relocating with his family to the tranquil North Wales coast in 1969, Williams’ formative years were steeped in the raw beauty of the Welsh countryside – an influence that would become inextricably woven into the very fabric of his artistic vision. His early studies at the Slade School of Fine Art in London provided a rigorous foundation, but it was his subsequent relocation to Colwyn Bay that truly ignited his creative spirit, fostering a deep connection with the region’s maritime heritage and its dramatic coastal vistas. This wasn't merely a picturesque backdrop; it became a wellspring of inspiration, informing his distinctive style and thematic preoccupations for decades to come.

    A Surrealist Palette: Early Works and Influences

    Williams’ artistic journey began with an exploration of surrealism, a movement that profoundly impacted his early work. His paintings from the mid-1980s, such as “Sheltering II” (1994), are prime examples of this initial phase.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Sheltering II

    wahooart.com/no/art/download/emrys-williams-sheltering-ii-AQUFEW-en/

    Kildehenvisning for dette kunstverket

    MLA
    williams, emrys. Sheltering II. 1994, https://wahooart.com/no/art/emrys-williams-sheltering-ii-AQUFEW-en/
    APA
    williams, emrys (1994). Sheltering II [Painting]. https://wahooart.com/no/art/emrys-williams-sheltering-ii-AQUFEW-en/
    Chicago
    emrys williams. Sheltering II. 1994. https://wahooart.com/no/art/emrys-williams-sheltering-ii-AQUFEW-en/
    Harvard
    williams, emrys (1994) Sheltering II. Available at: https://wahooart.com/no/art/emrys-williams-sheltering-ii-AQUFEW-en/

    Look closely

    Sheltering II — emrys williams

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: miniature landscape, abstract wall”, “dreamlike scene”. Do you agree? What would you add, or take away?
    4. Look back at Tulips in a Vase with a Boat and a Lighthouse, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.