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Monnow Mill

Navn Klasse Dato

donald henry floyd, Monnow Mill. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
donald henry floyd wahooart.com/no/artists/donald-henry-floyd/
Kunstnerens datoer
1892 – 1965
Opprinnelig størrelse
60 x 90 cm

I sammenheng

Monnow Mill — donald henry floyd

Hvor stor er den?

Originalen måler 60 × 90 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Skyggelagt: livsløpet til donald henry floyd (1892–1965)

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/donald-henry-floyd-monnow-mill-AQSM93-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Walnut #584d1a

    Katalogisert palett

    • #584D1A
    • #F0F8F0
    • #C1A856
    • #847639
    Hovedfargenavn
    Walnut
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Clear Color Presence Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    donald henry floyd

    Emerson Lewis: A Visionary of the Unreal

    Born in Hutchinson, Kansas, on February 28, 1892, Emerson Lewis’s life was one defined by a profound and largely solitary artistic journey. From his early years marked by a childhood shaped by the death of his mother and subsequent placement in an asylum, he developed a unique perspective—one that would profoundly influence his distinctive style and subject matter. Lewis's formative years were spent studying art under his father, Edward Henry Lewis, a respected artist known as Edel, initially honing skills in stained-glass work before transitioning to painting. This early exposure to diverse artistic mediums laid the groundwork for his later explorations of printmaking and illustration.

    Lewis’s formal training included studies at Northwestern University in Evanston, Illinois, followed by a brief stint at the University of California, Berkeley. However, it was his time in Boston, working as an instructor for Alexander Robinson, and then teaching at the Art Institute of Chicago that truly shaped his artistic trajectory. These experiences exposed him to the vibrant currents of early 20th-century American art, including the burgeoning Modernist movement and the influence of artists like George Bellows and Andrew Dasburg. This period also saw him grapple with the challenges of a rapidly changing world, reflected in his evolving artistic style.

    The Emergence of a Distinctive Style

    A pivotal moment in Lewis’s career arrived in 1924 when he relocated to Southern California, a move that dramatically altered the course of his work. It was here, amidst the burgeoning art scene of Los Angeles and San Francisco, that he began to develop the ethereal, dreamlike imagery that would become his hallmark. His paintings transitioned from representational forms to explorations of the subconscious—a realm populated by enigmatic figures, often women with hauntingly beautiful expressions, set within landscapes imbued with a sense of mystery and melancholy. This shift was not merely stylistic; it represented a deep dive into personal symbolism and emotional resonance.

    Lewis’s artistic development during this period was significantly influenced by the “Woodstock” group of artists, a collective known for its emphasis on craftsmanship and a rejection of commercialism. He also drew inspiration from European art movements, particularly the Symbolist painters who explored themes of spirituality and the unseen world. His work began to resonate with the broader artistic trends of the time—the rise of Surrealism and the increasing interest in psychological exploration within art.

    The "Munch Affair" and Early Recognition

    Lewis’s early career was marked by a series of significant events, including his inclusion in the 1922 Pennsylvania Academy of Fine Arts exhibition, where he received a purchase prize—a testament to the recognition of his talent. He also participated in exhibitions such as those organized by the San Francisco Art Association and the California Printmakers’ Society, gaining exposure within the regional art community. However, it was the “Munch Affair” of 1927 that brought him considerable notoriety. Invited to stage a one-man exhibition at Goupil & Cie gallery in London, his paintings sparked controversy due to their evocative and unsettling imagery. The exhibition was abruptly shut down after just one week, highlighting the challenges faced by artists pushing boundaries with unconventional subject matter.

    Despite this setback, Lewis continued to exhibit and refine his artistic vision. He received a Guggenheim Fellowship in 1927, providing him with invaluable time and resources for travel and study in Europe. This period of international exposure further broadened his artistic horizons and informed his evolving style. His work began to attract the attention of prominent collectors and museums, solidifying his place within the American art landscape.

    Later Years and Legacy

    Following World War II, Lewis settled in Santa Ana, California, where he continued to paint until shortly before his death in 1959. His later works retained the characteristic dreamlike quality of his earlier paintings, reflecting a lifetime spent exploring the depths of human emotion and the mysteries of the subconscious. Lewis’s art remains remarkably consistent throughout his career—a testament to his unwavering dedication to his artistic vision.

    Today, Emerson Lewis is recognized as one of the most original and enigmatic figures in American art. His paintings are prized for their evocative imagery, psychological depth, and technical mastery. His work continues to resonate with viewers who appreciate the power of art to transport us beyond the realm of the ordinary—to the realms of the unreal.

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    QR-kode som lenker til nedlastingssiden for Monnow Mill

    wahooart.com/no/art/download/donald-henry-floyd-monnow-mill-AQSM93-en/

    Kildehenvisning for dette kunstverket

    MLA
    floyd, donald henry. Monnow Mill. n.d., https://wahooart.com/no/art/donald-henry-floyd-monnow-mill-AQSM93-en/
    APA
    floyd, donald henry (n.d.). Monnow Mill [Painting]. https://wahooart.com/no/art/donald-henry-floyd-monnow-mill-AQSM93-en/
    Chicago
    donald henry floyd. Monnow Mill. n.d. https://wahooart.com/no/art/donald-henry-floyd-monnow-mill-AQSM93-en/
    Harvard
    floyd, donald henry (n.d.) Monnow Mill. Available at: https://wahooart.com/no/art/donald-henry-floyd-monnow-mill-AQSM93-en/

    Se nøye etter

    Monnow Mill — donald henry floyd

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Autumn on the Monnow (1940), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.