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Thurso Harbour

Navn Klasse Dato

David Barrogill Keith, Thurso Harbour (1950). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
David Barrogill Keith wahooart.com/no/artists/david-barrogill-keith_no/
Malt
1950
Opprinnelig størrelse
36 x 45 cm

I sammenheng med

Thurso Harbour — David Barrogill Keith

Hvor stort er det?

Originalen måler 36 × 45 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1940
  2. 1950

▲ dette verket, 1950 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/david-barrogill-keith-thurso-harbour-ARAL84-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Putty #c6cdc9

    Katalogisert palett

    • #C6CDC9
    • #3D403F
    • #9CA8A1
    • #737C75

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Putty
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av David Barrogill Keith i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 83.3%500 visits
    2. 2 Storbritannia 16.7%100 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 3 mest viste verkene av David Barrogill Keith

    1. 1 Thurso Harbour, 1950 dette maleriet 33.3%200 visits
    2. 2 St Magnus Cathedral from the Watergate 33.3%200 visits
    3. 3 Tankerness House 33.3%200 visits

    Sammen utgjør disse verkene 99.9% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 5 verk av denne kunstneren, hvorav 3 ble sett på minst én gang. This painting ranks 1 of them, with 33.3% of that attention (200 visits). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    David Barrogill Keith

    The Atmospheric Visions of David Barrogill Keith

    David Barrogill Keith is a contemporary artist whose work resonates deeply with the spirit and history of Scotland, particularly its rugged coastlines and evocative landscapes. While biographical details remain intentionally sparse – Keith prefers to let his paintings speak for themselves – his artistic journey has been one of dedicated observation and masterful translation of light, atmosphere, and place. Emerging as a significant voice in Scottish landscape art, Keith’s canvases are not merely depictions of scenery; they are immersive experiences that capture the very essence of the land and its stories. His work is characterized by a subtle yet powerful emotional depth, inviting viewers to connect with the raw beauty and often melancholic grandeur of the North Sea coast.

    A Painterly Dialogue with Scottish Heritage

    Keith’s artistic focus centers almost exclusively on Scotland, specifically the northern regions. He frequently returns to paint locations around Thurso, Caithness, and Orkney, drawn by their dramatic cliffs, expansive skies, and the ever-changing play of light upon the water. His paintings often feature iconic landmarks such as Tankerness House in Kirkwall – a testament to Orkney’s rich Viking history – and the bustling harbor scenes of Thurso, capturing not just the physical appearance of these places but also their enduring cultural significance. There's a clear reverence for Scotland’s past woven into his work; he doesn’t simply paint what is there, but how it feels to be there, steeped in centuries of history and folklore. This sensitivity to place distinguishes Keith from many contemporary landscape artists. He isn't interested in idyllic representations, but rather in conveying the weight of time and the resilience of the land.

    Technique and Influences: A Modern Approach Rooted in Tradition

    Keith’s technique is marked by a skillful blending of observation and expressive brushwork. While he doesn't explicitly align himself with any particular school, his work reveals an affinity for the tonalism of artists like James McNeill Whistler and the atmospheric effects achieved by the Scottish Colourists – particularly John Duncan Fergusson. However, Keith’s approach is distinctly modern; he employs a restrained palette, often dominated by muted blues, greys, and ochres, to create a sense of depth and mood. His canvases are built up in layers, allowing subtle variations in color and texture to emerge. He avoids overly detailed rendering, instead focusing on capturing the essential forms and the quality of light. This deliberate simplification allows the viewer’s imagination to fill in the gaps, creating a more personal and evocative connection with the scene.

    Major Themes and Artistic Achievements

    The recurring themes within Keith's oeuvre are those of transience, memory, and the enduring power of nature. His seascapes often depict turbulent waters and dramatic skies, reflecting the unpredictable forces that have shaped Scotland’s coastline for millennia. His paintings of harbors and historic buildings explore the relationship between humanity and the environment, hinting at both the fragility and resilience of human endeavors in the face of natural forces. While Keith has not sought extensive public recognition, his work has garnered a dedicated following among collectors who appreciate its quiet intensity and emotional depth.

    His ability to capture the unique light of the Scottish coast is widely admired.

    The atmospheric quality of his paintings evokes a strong sense of place and history.

    Keith’s restrained palette and expressive brushwork create a distinctive visual style.

    Historical Significance and Legacy

    David Barrogill Keith occupies a unique position within the contemporary Scottish art scene. He represents a continuation of the long tradition of landscape painting in Scotland, but with a distinctly modern sensibility. His work is not about grand narratives or heroic depictions; it’s about quiet observation, emotional resonance, and the enduring power of place. Keith's paintings serve as a powerful reminder of the beauty and fragility of the Scottish landscape, inviting viewers to reflect on their own connection with the natural world and the stories embedded within it. As his work continues to gain recognition, he is establishing himself as an important voice in contemporary art, one whose legacy will be defined by his ability to capture the very soul of Scotland on canvas.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for Thurso Harbour

    wahooart.com/no/art/download/david-barrogill-keith-thurso-harbour-ARAL84-en/

    Kildehenvisning for dette kunstverket

    MLA
    Keith, David Barrogill. Thurso Harbour. 1950, https://wahooart.com/no/art/david-barrogill-keith-thurso-harbour-ARAL84-en/
    APA
    Keith, David Barrogill (1950). Thurso Harbour [Painting]. https://wahooart.com/no/art/david-barrogill-keith-thurso-harbour-ARAL84-en/
    Chicago
    David Barrogill Keith. Thurso Harbour. 1950. https://wahooart.com/no/art/david-barrogill-keith-thurso-harbour-ARAL84-en/
    Harvard
    Keith, David Barrogill (1950) Thurso Harbour. Available at: https://wahooart.com/no/art/david-barrogill-keith-thurso-harbour-ARAL84-en/

    Se nærmere på

    Thurso Harbour — David Barrogill Keith

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på St Magnus Cathedral from the Watergate, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hva er målene på det originale verket "Thurso Harbour"?

    Det originale verket "Thurso Harbour" av David Barrogill Keith måler 36 x 45 cm.

    Hvordan harmonerer fargene i "Thurso Harbour" med hverandre?

    Fargene i "Thurso Harbour" av David Barrogill Keith utviser en Discordant Palette harmoni. Harmoni beskriver hvordan fargene samspiller med hverandre.

    Hvilke farger preger "Thurso Harbour"?

    Fargepaletten i "Thurso Harbour" av David Barrogill Keith beskrives som Neutrals. Det er en kortfattet beskrivelse av verkets farger.