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CHIMNEY HOLE

Navn Klasse Dato

Craig Drennen, CHIMNEY HOLE (2019), Atlanta Contemporary. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
Craig Drennen wahooart.com/no/artists/craig-drennen/
Kunstnerens datoer
1966 – ?
Malt
2019
Utstilles ved
Atlanta Contemporary wahooart.com/no/museums/atlanta-contemporary-atlanta/

I sammenheng

CHIMNEY HOLE — Craig Drennen

Når ble dette malt?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Skyggelagt: livsløpet til Craig Drennen (1966–?) ▲ dette verket, 2019

Farger

Målt ut fra bildet

    Hovedfarge

    Black #150504

    Katalogisert palett

    • #150504
    • #C6C2BF
    • #96605E
    • #55120E
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Black
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Craig Drennen

    Født i Elyria, United States of America

    Craig Drennen: A World Forged in Symbol and Shakespeare

    Born in Elyria, Ohio, in 1966, Craig Drennen’s artistic journey began far from the bustling galleries of Atlanta, Georgia – his current home. Raised in central West Virginia, a landscape that undoubtedly imprinted itself upon his sensibility, Drennen’s early life was marked by academic achievement and a burgeoning passion for art, an inclination nurtured through degrees from Glenville State College and Ohio University. This foundation, coupled with formative experiences as an art handler at institutions like the Guggenheim Museum and National Academy Museum in New York City, provided him with a deep understanding of artistic history and practice – a knowledge he would later synthesize into his uniquely layered approach.

    Drennen’s career trajectory is defined by a remarkable commitment to long-term projects. His most significant undertaking, the “Timon of Athens” project initiated in 2008, stands as a testament to this dedication. This ambitious endeavor isn't merely an illustration of Shakespeare’s rarely performed tragedy; it’s a sustained exploration of character, symbolism, and the very nature of meaning within art itself. As curator Diana Nawi aptly describes, Drennen’s work “suggests a world of meaning defined by symbols that emerge in different media and coalesce across projects,” creating a dense and multifaceted visual universe. The project began with an intuitive response to Shakespeare's flawed protagonist, Timon, and has since expanded to encompass eleven distinct characters, each rendered through a diverse range of mediums – painting, drawing, prints, video, sculpture, and performance.

    The core of the “Timon of Athens” project lies in Drennen’s deliberate rejection of traditional approaches. He eschews literal representation, instead relying on intuition as his primary guide. “I trust intuition because intuition is the primary survival mechanism for children and marginalized people,” he has stated, a philosophy that profoundly informs his creative process. This approach allows him to draw upon a vast array of influences – abstraction, representation, and conceptual practices – weaving them together in unexpected ways. The incorporation of personal memories, particularly those connected to his Appalachian upbringing—such as the evocative image of a jukebox from his childhood—further enriches the project’s emotional resonance, layering the familiar with the theatrical.

    The Language of Character: A Visual Lexicon

    Each character within the “Timon of Athens” project is developed through a distinct visual vocabulary. Drennen doesn't simply depict these figures; he constructs them—building their identities from associations and intuitive responses. This process results in a remarkably consistent body of work, each piece reflecting not only the character’s personality but also the broader thematic concerns of the entire project. The influence of Shakespeare is undeniable, yet it’s tempered by Drennen's own unique perspective and his commitment to exploring themes of marginalization, memory, and the enduring power of symbols.

    Notable examples within the project include “Bandit,” a striking work that utilizes layered imagery and bold colors to convey both vulnerability and resilience. The incorporation of circular compositions referencing early Covid-19 illustrations alongside depictions of vinyl records and money speaks volumes about Drennen’s engagement with contemporary anxieties and the enduring value of cultural artifacts. The inclusion of memories from his childhood—the jukebox in his hometown laundromat—demonstrates a deliberate effort to bridge the gap between personal experience and the grand sweep of Shakespearean tragedy, highlighting the ways in which individual narratives can illuminate broader societal concerns.

    A Decade of Dedicated Practice & Recognition

    Drennen’s dedication to the “Timon of Athens” project has spanned over a decade, transforming it into an ongoing intervention within the Western canon. He acknowledges that his work will likely remain “asymmetrical” in relation to Shakespeare's reputation, yet he embraces this disparity as a deliberate act of resistance and reinterpretation. This sustained commitment has not gone unnoticed; Drennen’s work has garnered significant critical attention and recognition.

    Key milestones in his career include receiving the Guggenheim Fellowship in 2018, a testament to the profound impact of his artistic practice. He's also been awarded the MOCA GA Working Artist Project, the MacDowell fellowship, and numerous other grants and residencies, including those at Yaddo, Hambidge Center, and Skowhegan School of Painting & Sculpture. His work has been exhibited in galleries across North America, from Atlanta to New York City, and included in prestigious art fairs such as Aqua Miami and VoltaBasel. Furthermore, his contributions have been featured in prominent publications like Artforum, Art in America, and the New York Times.

    Teaching & The End Project Space

    Beyond his studio practice, Drennen is deeply committed to fostering artistic development through teaching. He currently serves as a Dean at the Skowhegan School of Painting & Sculpture in Maine and teaches workshops at the Anderson Ranch Art Center in Snowmass, Colorado. He also manages THE END Project Space in Atlanta, a vital platform for emerging artists and experimental practices.

    Drennen’s influence extends beyond his own work; he actively contributes to the artistic community through mentorship and support. His dedication to both creation and education underscores his belief in the transformative power of art and its potential to shape our understanding of the world around us. His ongoing exploration of Shakespeare's Timon of Athens remains a powerful example of sustained artistic inquiry, inviting viewers to engage with complex themes of memory, identity, and the enduring legacy of human experience.

    Museum

    Atlanta Contemporary

    Utstilt i Atlanta, United States of America

    A Beacon of Contemporary Vision: Exploring Atlanta Contemporary

    Atlanta Contemporary stands as a testament to the enduring power of artistic experimentation and community engagement. Founded in 1973 as Nexus, an artist cooperative, it swiftly blossomed into a celebrated institution dedicated to championing emerging voices within the Southeast’s vibrant art scene—a mission that continues to define its ethos today. Unlike many museums prioritizing grand historical narratives, Atlanta Contemporary deliberately cultivates a space for dialogue and discovery, mirroring its founding principle of providing free admission and fostering inclusivity. Visitors entering its Westside neighborhood location are greeted by an understated elegance – a building designed not to dominate but to complement the artworks housed within, reflecting a thoughtful consideration for artistic presentation.

    Architectural Significance:

    The museum’s structure eschews ostentation, favoring clean lines and natural light to maximize engagement with its exhibitions. Its design embodies a commitment to simplicity and functionality, prioritizing the artwork itself as the focal point of experience.

    Historical Roots:

    From Nexus's humble beginnings to its current stature, Atlanta Contemporary has nurtured countless artists through its Studio Artist Program—a legacy rooted in supporting creativity directly and fostering connections within the artistic community.

    A Kaleidoscope of Artistic Voices

    The museum’s collection isn’t assembled according to conventional criteria; rather, it presents a constantly evolving panorama of contemporary expression across diverse mediums. Recent exhibitions have showcased remarkable talent—Adam Golfer's provocative pieces tackling complex social issues with astute observation and Courtney Brooks’ captivating works exploring themes of identity and representation. Notably, the SUBLIME exhibition captivated audiences with its exploration of beauty and awe in modern art practice. Jennifer Bartlett’s ‘Study for Swimmers Atlanta Boat,’ a seminal work from 1979, exemplifies Neo-Expressionism's blend of abstract grids and emotive portraiture—a testament to the museum’s dedication to showcasing intellectually stimulating pieces. Furthermore, Frank Toby Martin’s sculptures – particularly ‘Spiritual Time’ installations – imbue the space with profound artistic vision.

    Medium Diversity:

    Atlanta Contemporary embraces painting, sculpture, digital art, and installation, ensuring visitors encounter a rich tapestry of artistic approaches.

    Artist Spotlight:

    Exhibitions regularly highlight emerging artists like R. Land, bolstering their reputations and contributing to the museum’s role as an incubator for creativity.

    More Than Just an Exhibition Space: Community & Innovation

    Atlanta Contemporary distinguishes itself through its proactive engagement with the wider community—hosting artist talks, educational workshops, and immersive events like Flow State – a harmonious blend of yoga, music, and mindful movement. These initiatives underscore the museum’s belief that art should inspire connection and foster intellectual curiosity beyond the gallery walls. The curatorial team champions experimentation and challenges conventional perspectives, resulting in exhibitions that provoke thought and reward contemplation.

    Community Partnerships:

    Collaborations with local organizations enrich Atlanta Contemporary's offerings and broaden its reach within the city’s cultural landscape.

    Interactive Programming:

    Events like Flow State actively encourage dialogue and promote a holistic understanding of art’s influence on well-being.

    Notable Exhibitions & Artistic Legacy

    Atlanta Contemporary's history is marked by groundbreaking exhibitions that have shaped perceptions of contemporary art—from documenting pivotal moments like 9/11 (“Untitled (27)” by Martin Stupich) to celebrating artistic exploration and innovation. The museum’s unwavering support for artists has cemented its position as a cornerstone of the Southeast’s creative ecosystem, fostering talent and inspiring future generations of artists.

    Located in Atlanta's Westside neighborhood, Atlanta Contemporary invites visitors to immerse themselves in a space where artistic vision flourishes—a place dedicated to sparking dialogue, nurturing creativity, and celebrating the transformative power of contemporary art.

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    QR-kode som lenker til nedlastingssiden for CHIMNEY HOLE

    wahooart.com/no/art/download/craig-drennen-chimney-hole-DD38BX-en/

    Kildehenvisning for dette kunstverket

    MLA
    Drennen, Craig. CHIMNEY HOLE. 2019, Atlanta Contemporary. https://wahooart.com/no/art/craig-drennen-chimney-hole-DD38BX-en/
    APA
    Drennen, Craig (2019). CHIMNEY HOLE [Painting]. Atlanta Contemporary. https://wahooart.com/no/art/craig-drennen-chimney-hole-DD38BX-en/
    Chicago
    Craig Drennen. CHIMNEY HOLE. 2019. Atlanta Contemporary. https://wahooart.com/no/art/craig-drennen-chimney-hole-DD38BX-en/
    Harvard
    Drennen, Craig (2019) CHIMNEY HOLE. Atlanta Contemporary. Available at: https://wahooart.com/no/art/craig-drennen-chimney-hole-DD38BX-en/

    Se nøye etter

    CHIMNEY HOLE — Craig Drennen

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Craig Drennen var omtrent 53 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

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