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Veiledning for studentkunst

'The Twa Corbies'

Navn Klasse Dato

campbell lindsay smith, 'The Twa Corbies' (1901). Felleseie.

Fakta om verket

Kunstner
campbell lindsay smith wahooart.com/no/artists/campbell-lindsay-smith/
Kunstnerens datoer
1879 – 1915
Malt
1901
Opprinnelig størrelse
83 x 98 cm

I sammenheng

'The Twa Corbies' — campbell lindsay smith

Hvor stor er den?

Originalen måler 83 × 98 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910

Skyggelagt: livsløpet til campbell lindsay smith (1879–1915) ▲ dette verket, 1901

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/campbell-lindsay-smith-the-twa-corbies-AR27AE-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Putty #cecbb2

    Katalogisert palett

    • #CECBB2
    • #8C8957
    • #963C20
    • #494323
    Palett
    Dark Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Putty
    Intensitet
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    campbell lindsay smith

    Campbell Lindsay Smith: A Scottish Portraitist of the Early 20th Century

    Campbell Lindsay Smith (1879-1915) emerges from the misty landscapes of late Victorian and early Edwardian Scotland as a quietly significant figure in portraiture. His work, characterized by an intimate understanding of light, texture, and psychological nuance, offers a glimpse into the lives and sensibilities of his era – particularly through his evocative depictions of prominent figures like Professor John Harrower and Lady Geddes. While not achieving widespread fame during his tragically short lifetime, Smith’s paintings possess a timeless quality, revealing a talent for capturing both outward appearance and inner character with remarkable sensitivity.

    Born in Kelly Castle, Arbirlot, Forfarshire, in 1879, Smith's artistic journey began within a family steeped in Scottish heritage. His father, Major General John Smith, served in the Bengal Army, exposing him to diverse cultures and broadening his perspective – an influence subtly reflected in the quiet dignity of many of his subjects. Early training at the Royal Academy Schools provided a foundational understanding of technique, but it was through independent study and observation that Smith truly honed his distinctive style. He demonstrated a particular aptitude for capturing the subtleties of human expression, evident in the way he rendered the fleeting emotions conveyed by a glance or a gesture.

    The Art of Portraiture: Technique and Influence

    Smith’s portraiture is distinguished by a masterful command of light and shadow, reminiscent of the Northern European masters. He employed a layered approach to paint application, building up tones gradually to create a sense of depth and volume. His brushwork is often loose and expressive, particularly in capturing the texture of fabrics and the play of light on skin. Unlike some of his contemporaries who embraced bold, theatrical styles, Smith favored a more restrained palette – typically muted earth tones and subtle blues and greens – allowing his subjects’ personalities to emerge organically.

    The influence of Walter Lindsay of Balgavie, a prominent Scottish artist and family member, is subtly present in Smith's work. Lindsay’s emphasis on capturing the essence of his subjects through careful observation and psychological insight clearly resonated with Smith. Furthermore, the artistic milieu of Edinburgh during this period – a vibrant center for art and intellectual discourse – undoubtedly shaped his development. The works of artists like John Lavery and Sir John Everett Millais, both prominent figures in British portraiture at the time, likely served as sources of inspiration.

    Notable Works and Commissions

    Among Smith’s most celebrated portraits are those of Professor John Harrower (a distinguished scholar and antiquarian) and Lady Geddes. These works exemplify his ability to convey not only physical likeness but also a sense of the subject's character, intellect, and social standing. His paintings often depict subjects engaged in quiet contemplation or involved in everyday activities – scenes that reveal a deep appreciation for the beauty of ordinary life. While specific details about commissions are scarce, it’s believed he worked extensively with members of Scottish society, capturing the faces of prominent academics, industrialists, and local dignitaries.

    The Stirling Smith Art Gallery & Museum in Scotland holds several examples of his work, offering a valuable opportunity for viewers to appreciate the breadth and depth of his artistic talent. His paintings are characterized by an understated elegance and a remarkable ability to capture the essence of his subjects – a testament to his skill as a portraitist and a keen observer of human nature.

    A Tragic End and Lasting Legacy

    Campbell Lindsay Smith’s life was tragically cut short in 1915 during World War I. Serving with the Gordon Highlanders, he fell in action near Kortevilde, Belgium, at the age of 36. Despite his untimely death, Smith's artistic legacy endures through his evocative portraits and his contribution to the rich tapestry of Scottish art history. His paintings offer a poignant reminder of the lives and times of those who lived through a period of profound social and political change – a testament to the enduring power of portraiture to capture both the beauty and the complexity of the human experience.

    Further research into his life reveals connections to other notable figures, including Walter Lindsay of Balgavie, highlighting a network of artistic influence within Scottish society. His work continues to be studied and appreciated for its quiet dignity, technical skill, and profound understanding of the human spirit.

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    QR-kode som lenker til nedlastingssiden for 'The Twa Corbies'

    wahooart.com/no/art/download/campbell-lindsay-smith-the-twa-corbies-AR27AE-en/

    Kildehenvisning for dette kunstverket

    MLA
    smith, campbell lindsay. 'The Twa Corbies'. 1901, https://wahooart.com/no/art/campbell-lindsay-smith-the-twa-corbies-AR27AE-en/
    APA
    smith, campbell lindsay (1901). 'The Twa Corbies' [Painting]. https://wahooart.com/no/art/campbell-lindsay-smith-the-twa-corbies-AR27AE-en/
    Chicago
    campbell lindsay smith. 'The Twa Corbies'. 1901. https://wahooart.com/no/art/campbell-lindsay-smith-the-twa-corbies-AR27AE-en/
    Harvard
    smith, campbell lindsay (1901) 'The Twa Corbies'. Available at: https://wahooart.com/no/art/campbell-lindsay-smith-the-twa-corbies-AR27AE-en/

    Se nøye etter

    'The Twa Corbies' — campbell lindsay smith

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Catherine Antonia Mary Booth (1895–1974) (later Mrs Brooks) (1900), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. campbell lindsay smith var omtrent 22 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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