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Sir Charles, Alias Willie Harris

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barkley leonnard hendricks, Sir Charles, Alias Willie Harris (1972). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
barkley leonnard hendricks wahooart.com/no/artists/barkley-leonnard-hendricks/
Kunstnerens levetid
1945 – 2017
Malt
1972
Opprinnelig størrelse
214 x 183 cm

I sammenheng med

Sir Charles, Alias Willie Harris — barkley leonnard hendricks

Dimensjoner

Originalen måler 214 × 183 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde. Verket er for stort til å vises i riktig skala på denne siden.

Når ble dette malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Skyggelagt: livsløpet til barkley leonnard hendricks (1945–2017) ▲ dette verket, 1972

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/barkley-leonnard-hendricks-sir-charles-alias-willie-harris-D39PPQ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Putty #c8c6bf

    Lagret palett

    • #C8C6BF
    • #170F0E
    • #66050F
    • #885D51
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Putty
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Bright Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Sir Charles, Alias Willie Harris — barkley leonnard hendricks

    A man with dark brown skin, a black afro, mustache, and goatee, and wearing a cardinal-red coat over a black suit, is shown three times in this vertical portrait painting. The version at the center stands with his back to us and those to each side face the left and right edges of the canvas, respectively. They stand close enough for their shoulders to touch, and all three views of the man float against a paper-white background. The man has a deep-set eyes under black brows and high cheekbones. His thin mustache frames full lips, which are closed in all three views, and a line of black hair grows down his pointed chin. He wears a jet-black suit over a bright-white turtleneck shirt, and honey-brown and ivory-white wingtip dress shoes. The collar of his shin-length, red coat is popped up, and the belt hangs loose. In the version to our left, he faces that direction in profile with his eyes closed as he pulls the coat back to tuck his left hand, closer to us, into the pocket of his suit jacket. At the center of the canvas, the man turns his face to our left so we see the side of his cheekbone, the tip of his nose, and his eyelashes outlined against the white background. In the view to our right, his body faces that direction with the hand closer to us tucked into the coat pocket. He turns his head to look toward or at us with shadowed eyes. The artist signed and dated the painting in the upper right corner: “B. Hendricks 72.”

    Kunstner og museum

    Kunstner

    barkley leonnard hendricks

    Født i Philadelphia, United States of America

    Early Life and Education

    Born: April 16, 1945, in Philadelphia, Pennsylvania

    Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

    Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

    Artistic Development and Influences

    European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

    Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

    Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

    Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

    Notable Works and Exhibitions

    Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

    Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

    Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

    Legacy and Historical Significance

    Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

    Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

    Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

    Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

    Further Information

    Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

    AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

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    QR-kode som lenker til nedlastingssiden for Sir Charles, Alias Willie Harris

    wahooart.com/no/art/download/barkley-leonnard-hendricks-sir-charles-alias-willie-harris-D39PPQ-en/

    Kildehenvisning for dette kunstverket

    MLA
    hendricks, barkley leonnard. Sir Charles, Alias Willie Harris. 1972, https://wahooart.com/no/art/barkley-leonnard-hendricks-sir-charles-alias-willie-harris-D39PPQ-en/
    APA
    hendricks, barkley leonnard (1972). Sir Charles, Alias Willie Harris [Painting]. https://wahooart.com/no/art/barkley-leonnard-hendricks-sir-charles-alias-willie-harris-D39PPQ-en/
    Chicago
    barkley leonnard hendricks. Sir Charles, Alias Willie Harris. 1972. https://wahooart.com/no/art/barkley-leonnard-hendricks-sir-charles-alias-willie-harris-D39PPQ-en/
    Harvard
    hendricks, barkley leonnard (1972) Sir Charles, Alias Willie Harris. Available at: https://wahooart.com/no/art/barkley-leonnard-hendricks-sir-charles-alias-willie-harris-D39PPQ-en/

    Se nærmere etter

    Sir Charles, Alias Willie Harris — barkley leonnard hendricks

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Self Portrait (2013), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. barkley leonnard hendricks var omtrent 27 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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