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Veiledning for studentkunst

Evie

Navn Klasse Dato

arthur royce bradbury, Evie (1927). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
arthur royce bradbury wahooart.com/no/artists/arthur-royce-bradbury/
Kunstnerens datoer
1892 – 1977
Malt
1927
Opprinnelig størrelse
25 x 17 cm

I sammenheng

Evie — arthur royce bradbury

Hvor stor er den?

Originalen måler 25 × 17 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Skyggelagt: livsløpet til arthur royce bradbury (1892–1977) ▲ dette verket, 1927

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/arthur-royce-bradbury-evie-AQUF4Q-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Celadon #bcbb9e

    Katalogisert palett

    • #BCBB9E
    • #425827
    • #1C2B1A
    • #7F8A70
    Hovedfargenavn
    Celadon
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Balanced Soft Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    arthur royce bradbury

    Arthur Royce Bradbury: A Painter of Light and Sea

    Arthur Royce Bradbury, a Canadian artist born in Preston, Lancashire, in 1892, carved out a distinctive place for himself within the landscape of early twentieth-century British art. His career, spanning nearly eight decades, was marked by a profound connection to the sea – not merely as a subject, but as an intrinsic element shaping his artistic vision and deeply informing his emotional response to the world. Bradbury’s legacy rests on a body of work characterized by luminous watercolors, evocative oils, and meticulously rendered etchings, all imbued with a palpable sense of atmosphere and a subtle yet powerful exploration of light and shadow.

    Bradbury's artistic journey began with formal training at the St. John’s Wood School of Art before he was accepted into the prestigious Royal Academy Schools in London. This foundation provided him with essential technical skills, but it was his experiences beyond the studio – particularly his time spent as a merchant marine cadet aboard the “Waterwitch,” a last trading square rigger in British service – that truly ignited his artistic spirit. The rugged beauty of the coastline, the ever-changing moods of the sea, and the rhythms of maritime life became central themes in his work, offering a counterpoint to the increasingly urbanized world around him.

    Early Years and Artistic Development

    Bradbury’s early career saw him exhibiting at the Royal Academy as early as 1913 with “Iris,” a portrait that demonstrated an emerging talent for capturing subtle nuances of form and color. He continued to exhibit regularly throughout his life, showcasing his diverse range of subjects – portraits, landscapes, and marine scenes – at prestigious venues such as the Walker Art Gallery in Liverpool, the Royal West of England Academy, and the Royal Society of British Artists. His work during this period reflects a growing confidence and experimentation with technique, particularly evident in his use of watercolor to capture the ephemeral qualities of light on water.

    A pivotal moment in Bradbury’s artistic development occurred when he spent considerable time living and painting in Sark, a tiny island in the Channel Islands. This isolated environment profoundly influenced his work, fostering a deep appreciation for the dramatic coastal scenery and the timeless rhythms of island life. It was during this period that he produced some of his most celebrated landscapes, characterized by their atmospheric depth and masterful rendering of light and shadow. The influence of the Impressionists is clearly visible in his approach to capturing fleeting moments of beauty, while his work also possesses a distinctly British sensibility – a quiet dignity and understated elegance.

    Technique and Style

    Bradbury’s artistic style can be described as a harmonious blend of observation, emotion, and technical skill. He was particularly adept at using watercolor to create luminous washes of color that captured the shimmering effects of light on water and sky. His brushwork is often loose and expressive, conveying a sense of movement and spontaneity, yet his compositions are carefully balanced and meticulously rendered. In his oil paintings, he employed a similar approach, layering colors to build up rich textures and atmospheric depth.

    His etchings, though less frequently exhibited than his paintings, represent another important facet of his artistic practice. These works demonstrate a remarkable level of detail and precision, capturing the intricate patterns of waves, rocks, and foliage with astonishing accuracy. Bradbury’s ability to translate three-dimensional forms onto a two-dimensional surface is truly impressive.

    Later Years and Legacy

    Despite facing challenges during World War I, serving in the Mercantile Marines, Bradbury continued to paint throughout his life, producing a substantial body of work that reflects his evolving artistic sensibilities. In later years, he established a home on Sandbanks, Poole, where he remained until his death in 1977. His paintings and etchings are now held in public collections across Britain, including the Guernsey Museum & Art Gallery, the National Maritime Museum, and the Russell-Cotes Art Gallery & Museum.

    Arthur Royce Bradbury’s legacy extends beyond the individual works he created. He represents a significant voice within British art of the early twentieth century – an artist who found inspiration in the natural world, particularly the sea, and whose work continues to resonate with viewers today through its beauty, atmosphere, and quiet dignity.

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    QR-kode som lenker til nedlastingssiden for Evie

    wahooart.com/no/art/download/arthur-royce-bradbury-evie-AQUF4Q-en/

    Kildehenvisning for dette kunstverket

    MLA
    bradbury, arthur royce. Evie. 1927, https://wahooart.com/no/art/arthur-royce-bradbury-evie-AQUF4Q-en/
    APA
    bradbury, arthur royce (1927). Evie [Painting]. https://wahooart.com/no/art/arthur-royce-bradbury-evie-AQUF4Q-en/
    Chicago
    arthur royce bradbury. Evie. 1927. https://wahooart.com/no/art/arthur-royce-bradbury-evie-AQUF4Q-en/
    Harvard
    bradbury, arthur royce (1927) Evie. Available at: https://wahooart.com/no/art/arthur-royce-bradbury-evie-AQUF4Q-en/

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    Evie — arthur royce bradbury

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Jehanne Beaumont (1919–1988), in Sark Militia Uniform, tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    4. arthur royce bradbury var omtrent 35 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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