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Number 28 (Still Life)

Navn Klasse Dato

Albert Eugene Gallatin, Number 28 (Still Life) (1940). Felleseie.

Fakta om verket

Kunstner
Albert Eugene Gallatin wahooart.com/no/artists/albert-eugene-gallatin/
Kunstnerens datoer
1881 – 1952
Malt
1940
Opprinnelig størrelse
61 x 51 cm
Bevegelse
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

I sammenheng

Number 28 (Still Life) — Albert Eugene Gallatin

Hvor stor er den?

Originalen måler 61 × 51 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Skyggelagt: livsløpet til Albert Eugene Gallatin (1881–1952) ▲ dette verket, 1940

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Espresso #34241c

    Katalogisert palett

    • #34241C
    • #A49C85
    • #715B46
    • #E9ECF2
    Palett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Espresso
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Statement Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Balanced Harmony Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    Albert Eugene Gallatin

    Født i Villanova, United States of America

    Albert Eugene Gallatin: A Pioneer of American Modern Art

    Early Life and Family Background

    Born: Villanova, Pennsylvania, 1881.

    Gallatin came from a wealthy and socially prominent family. His great-grandfather was Albert Gallatin, a Swiss-American ethnologist, linguist, politician, and diplomat who served as the United States Secretary of the Treasury.

    He developed an early interest in art and literature, beginning to collect works by artists like Max Beerbohm and James McNeill Whistler while still a teenager.

    Artistic Development and Influences

    Initially drawn to the decorative qualities of Beardsley and Whistler’s work, Gallatin focused on elegance of line and aesthetic value over narrative content.

    Around 1910, his interests shifted towards American artists associated with the Ashcan School – Everett Shinn, William Glackens, Ernest Lawson, and John Sloan.

    He was also influenced by artists like John Marin and Boardman Robinson.

    Gallatin’s exposure to European modernism, particularly Cubism, proved pivotal in shaping his artistic vision.

    Artistic Style and Key Works

    Park Avenue Cubism: Gallatin developed a distinctive style often referred to as “Park Avenue Cubism,” characterized by geometric forms, muted tones, and a sophisticated aesthetic.

    Notable works include "Compostion Painting" and "Number 28 (Still Life)", exemplifying his Synthetic Cubist approach.

    He also created “Map of the Indian tribes of North America”, showcasing diverse artistic interests.

    Gallatin’s paintings often reflect a balance between abstraction and recognizable forms, demonstrating his unique interpretation of Cubism.

    Contributions to the American Art Scene

    Collector & Writer: Gallatin was not only an artist but also a prolific writer and collector. He authored numerous articles and monographs on modern art, advocating for its acceptance and understanding.

    Gallery of Living Art: In 1936, he founded the Gallery of Living Art at New York University (NYU), providing a platform for showcasing contemporary American artists and fostering dialogue about abstract art.

    He actively promoted the work of emerging artists and played a crucial role in establishing a vibrant modern art community in New York City.

    Legacy and Historical Significance

    Donations to Museums: Gallatin’s extensive collection of modern art was generously donated to the Philadelphia Museum of Art and the Museum of Modern Art (MoMA) in New York, enriching their holdings and contributing to the preservation of artistic heritage.

    He is remembered as a visionary figure who championed abstract art at a time when it faced resistance and skepticism.

    His contributions helped pave the way for the acceptance and appreciation of modern art in America, leaving an enduring impact on the world of contemporary art.

    Gallatin died in New York City in 1952, leaving behind a legacy as one of the great figures in early 20th-century American culture.

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Number 28 (Still Life)

    wahooart.com/no/art/download/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

    Kildehenvisning for dette kunstverket

    MLA
    Gallatin, Albert Eugene. Number 28 (Still Life). 1940, https://wahooart.com/no/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    APA
    Gallatin, Albert Eugene (1940). Number 28 (Still Life) [Painting]. https://wahooart.com/no/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    Chicago
    Albert Eugene Gallatin. Number 28 (Still Life). 1940. https://wahooart.com/no/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    Harvard
    Gallatin, Albert Eugene (1940) Number 28 (Still Life). Available at: https://wahooart.com/no/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

    Se nøye etter

    Number 28 (Still Life) — Albert Eugene Gallatin

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: still life, geometric art, cubism. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Compostion Painting (1940), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Hvor kan du se dette i dette verket?

    Ditt svar

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