periode

1. Cottage Interior (also known as Interior at Jersey) — Berthe Morisot, 1886
2. Mill Interior — Belgrad Bymuseum, 1885
3. Old John's Cottage, Connemara — William Orpen

bevegelse

stemning

1. Kitchen Range at 'The Hare and Hounds', Godstone, Surrey — Ernest C. Christie, 1917
2. Mill Interior — Belgrad Bymuseum, 1885

emner

nøkkelord

1. Mill Interior — Belgrad Bymuseum, 1885

tone

1. Kitchen Range at 'The Hare and Hounds', Godstone, Surrey — Ernest C. Christie, 1917
2. Old John's Cottage, Connemara — William Orpen

hovedfarge

1. Kitchen Range at 'The Hare and Hounds', Godstone, Surrey — Ernest C. Christie, 1917
2. Interior of an Italian Cottage — rubens santoro
3. Interior of Burns Cottage — Norman Wilkinson
4. A Jersey Cider Press — richard goldie crawford, 1898
5. ARTISTS FIRST STUDIO — Benjamin Williams Leader
6. Cottage Interior — william whitehead ratcliffe, 1920
7. Kitchen Range at 'The Hare and Hounds', Godstone, Surrey — Ernest C. Christie, 1917
8. My room in Wiedensahl (also known as Mein Stubenplatz in Wiedensahl) — wilhelm busch, 1865
9. Cottage Interior, Benderloch — thomas mcewan
10. Mill Interior — Belgrad Bymuseum, 1885
11. Stable With Chickens — Jan Hendrik Weissenbruch
12. Cottage interior — alfred provis
13. Kitchen Still Life — Thomas Stuart Smith, 1866
14. Interior — eliphalet frazer andrews
15. Interior — eliphalet frazer andrews
16. Old John's Cottage, Connemara — William Orpen
17. Cottage Interior — thomas wade
18. Interior, Ancrum — Charles Martin Hardie, 1916
19. Interior of a Sheffield Grinder's Hull — Godfrey Sykes
20. Saying Grace, Cottage Interior — George Smith
21. Cottage Interior — frederick trevelyan goodall, 1844
22. Cottage Interior (also known as Interior at Jersey) — Berthe Morisot, 1886
23. Interior of a Welsh Cottage — William James Müller

annet

1. Wall drawing #338: Two part drawing. The wall is divided vertically into two parts. Each part is divided horizontally and vertically into four equal parts. 1st part: Lines in four directions, one direction in each quarter. 2nd part: Lines in four dir.... — Solomon Lewitt, 1971