Het schilderij dat Raquel Forner beroemd maakte is Retablo del dolor (1942); het hangt in het National Museum of Fine Arts, Buenos Aires. El drama (1942) en Untitled (342) volgen in de harten van verzamelaars en museumbezoekers. Van de 30 werken van Raquel Forner in onze catalogus zijn dit de 30 meest bewonderde, elk gepresenteerd met de datum, het museum en wat het uniek maakt.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026.
De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Raquel Forner | Schilderijen uit deze lijst |
|---|---|---|---|
 National Museum of Fine Arts |
Buenos Aires | 6 | Retablo del dolor, El drama, Composición |
Retablo del dolor (1942), National Museum of Fine Arts, Buenos Aires. Daarna volgen El drama (1942) en Untitled (342).
40 jaar oud: Retablo del dolor dateert uit 1942 en Raquel Forner werd geboren in 1902.
Retablo del dolor, El drama, Untitled (342), Untitled (282), Untitled (104), Untitled (352), Untitled (563), Untitled (937), Untitled (954) en Untitled (995). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 30 werken van Raquel Forner, gedateerd van 1934 tot 1979.
De meeste bevinden zich in National Museum of Fine Arts (Buenos Aires). De bovenstaande tabel somt de musea één voor één op.
In 1940s: 2 van de 30 werken op deze pagina dateren uit die periode, waaronder Retablo del dolor.
De oudste op deze pagina is Composición (1934), de nieuwste Futuro acontecer (1979).
Female figure (2) en Surreal landscape (2), van de 30 werken op deze pagina.
Expressionism en Surrealism, zoals de schilderijen op deze pagina laten zien.
Retablo del dolor, El drama en Composición behoren tot de 6 werken op deze pagina die in het National Museum of Fine Arts, Buenos Aires worden bewaard.
Raquel Forner (1902–1988) stands as a monumental figure in the landscape of Latin American modernism, an artist whose brushstrokes did not merely capture light, but rather channeled the profound tremors of a century defined by upheaval. Born in Buenos Aires to a family of Basque heritage, Forner’s artistic consciousness was ignited at the tender age of thirteen during a transformative journey to Spain. This early encounter with the Iberian landscape and its cultural depth planted the seeds for a lifelong preoccupation with themes of identity, struggle, and the human condition. Her formal training at the Academia Nacional de Bellas Artes provided her with a rigorous technical foundation, yet it was her restless spirit that would eventually lead her far beyond the confines of traditional academicism.
The trajectory of Forner’s career was irrevocably shaped by her immersion in the vibrant, avant-garde atmosphere of interwar Europe. Moving to Paris in the late 1920s, she became a vital participant in the "Paris Group," a collective of Argentine artists who sought to bridge the gap between South American sensibilities and European innovation. In the studios of France, she forged deep intellectual and personal bonds with luminaries such as Antonio Berni and Horacio Butler, and married the esteemed sculptor Alfredo Bigatti. These years were not merely about stylistic refinement; they were a period of intense cross-pollination where the echoes of Surrealism and Expressionism began to coalesce within her work, creating a visual language that was uniquely her own.
As the shadows of global conflict lengthened across the 1930s and 40s, Forner’s art transitioned from personal exploration to a searing commentary on socio-political tragedy. The Spanish Civil War, in particular, left an indelible mark on her psyche, manifesting in powerful series such as España and El Drama. In these works, she moved away from the dreamlike distortions of pure Surrealism toward a more visceral, Expressionist mode of communication. Her canvases became battlegrounds of emotion, where thick, tactile impasto and jagged, angular forms served to mirror the fragmentation of a world at war. She utilized symbolism not as mere decoration, but as a profound tool to articulate the despair, loss, and resilience of humanity in the face of fascism and destruction.
Yet, Forner’s vision was never confined to the terrestrial tragedies of her era. One of her most breathtaking contributions to modern art was her "Space Series," a collection that demonstrated an extraordinary foresight into the possibilities of interplanetary travel. In these works, she blended the cosmic with the psychological, creating vast, enigmatic landscapes that contemplated the infinite. This duality—the ability to pivot from the raw, blood-stained realities of war to the silent, awe-inspiring reaches of the cosmos—is what defines her greatness. Her art functioned as a bridge between the immediate agony of the human experience and the eternal mysteries of the universe.
Throughout her long and illustrious career, Raquel Forner achieved significant recognition that solidified her place in the pantheon of great twentieth-century artists. Her accolades were numerous, including prestigious awards from the Argentine National Salon and the Konex Awards, reflecting both domestic respect and international relevance. Her ability to navigate the complexities of being a woman artist in a male-dominated era allowed her to pioneer a space where female figures could embody strength, trauma, and cosmic agency.
The enduring significance of Forner’s work lies in its profound emotional honesty. To look upon a Forner painting is to witness a dialogue between the individual and history. Her legacy is characterized by several key artistic pillars:
Today, Raquel Forner remains a cornerstone of Argentine art history, an artist whose work continues to resonate with anyone seeking to understand the intersection of personal memory and global destiny.
