Het schilderij dat James Brooks beroemd maakte is Number 13 (1965); het hangt in het Dallas Museum of Art, Dallas. Untitled (1952) en Black and White (1965) volgen in de harten van verzamelaars en museumbezoekers. Van de 12 werken van James Brooks in onze catalogus zijn dit de 12 meest bewonderde, elk gepresenteerd met de datum, het museum en wat het uniek maakt.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026.
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a profound dialogue between light and shadow, order and chaos. The composition is defined by a striking monochrome palette, where the deep, commanding presence of black paint meets the luminous clarity of white space. Upon first encounter, the viewer is swept into a…
The canvas is a field of deep blue, a heavy sky or a midnight sea. Across this expanse, yellow and orange splashes break the stillness. These are not controlled strokes but sudden interruptions. They appear as liquid bursts, bleeding into the surrounding darkness. The paint moves in drips, long vertical streaks that pull the eye downward. It is a record of gravity and momentum captured in 1952.
The Oran painting, created by James Brooks in 1969, is a remarkable piece of art that showcases the artist's unique style and technique. Measuring 270 x 233 cm, this acrylic on canvas painting is a prime example of Abstract Expressionism. The painting is currently housed at the Smithsonian American Art Museum in the United States. Artistic Style and Technique James Brooks was known for his innovative use of staining, dilution,…
De 4 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van James Brooks | Schilderijen uit deze lijst |
|---|---|---|---|
 Dallas Museum of Art |
Dallas | 3 | Number 13, Ipswich, Quand |
 Parrish Art Museum |
Water Mill | 2 | Untitled, Untitled |
 Pennsylvania Academy of Fine Arts |
Philadelphia | 1 | Mohan |
 Detroit Institute of Arts |
Detroit | 1 | Nado |
Van 1952 tot 1969, 18 jaar aan kunst van James Brooks, jaar voor jaar, via de mooiste schilderijen.
The canvas is a field of deep blue, a heavy sky or a midnight sea. Across this expanse, yellow and orange splashes break the stillness. These are not…
James Brooks grew up in Texas and attended Southern Methodist University from 1923 to 1925. He arrived in New York in the mid-1920s, and supported himself as a…
In the realm of Abstract Expressionism, few works command attention with such stark, visceral intensity as James Brooks's Number 13. Created in 1965, this masterpiece serves as a…
The Oran painting, created by James Brooks in 1969, is a remarkable piece of art that showcases the artist's unique style and technique. Measuring 270 x 233 cm,…
Number 13 (1965), Dallas Museum of Art, Dallas. Daarna volgen Untitled (1952) en Black and White (1965).
59 jaar oud: Number 13 dateert uit 1965 en James Brooks werd geboren in 1906.
Number 13, Untitled, Black and White, Mohan, Nado, Ipswich, Quand, Harmagh, Oran en Ipswich. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 12 werken van James Brooks, gedateerd van 1952 tot 1969.
De meeste bevinden zich in Dallas Museum of Art (Dallas), Parrish Art Museum (Water Mill) en Pennsylvania Academy of Fine Arts (Philadelphia). De bovenstaande tabel somt de musea één voor één op.
In 1965: 2 van de 12 werken op deze pagina dateren uit die periode, waaronder Number 13.
De oudste op deze pagina is Untitled (1952), de nieuwste Quand (1969).
Abstract expressionism, zoals de schilderijen op deze pagina laten zien.
Number 13, Ipswich en Quand behoren tot de 3 werken op deze pagina die in het Dallas Museum of Art, Dallas worden bewaard.
