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          Agnolo Bronzino, 1503 – 1572

          Schilderijen van Agnolo Bronzino: De 100 beroemdste werken, gerangschikt

          Het beroemdste schilderij van Agnolo Bronzino is Venus, Cupid en Tijd (Allegorie van Verlangen) (1540), in het National Gallery, Londen. Met Portrait of Eleonora da Toledo (1555) en Venus, Cupido and Satyr wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 189 werken van Agnolo Bronzino; de 100 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.

          Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

          Portret van Agnolo Bronzino
          Agnolo Bronzino · 1503 – 1572
          Geboren · overleden
          1503 – 1572, Florence
          Stroming
          Maniërisme
          Werken in onze catalogus
          189
          Meest bekend
          Venus, Cupid en Tijd (Allegorie van Verlangen) (1540)
          Meeste werken in
          Galleria degli Uffizi

          De 10 beroemdste schilderijen van Agnolo Bronzino

          Venus, Cupid en Tijd (Allegorie van Verlangen) (1540) door Agnolo Bronzino
          1

          Venus, Cupid en Tijd (Allegorie van Verlangen)

          1540 · Olieverf op canvas · National Gallery, Londen

          Stap binnen in de fascinerende wereld van Agnolo Bronzino's "Venus, Cupid en Tijd (Allegorie van Verlangen)", een meesterwerk uit de 16e eeuw dat mythologische vertellingen naadloos combineert met artistieke innovatie. Dit prachtige kunstwerk nodigt de kijker uit om de rijke symboliek, levendige kleuren en dynamische compositie te verkennen, waardoor het een tijdloze toevoegende waarde vormt aan elke kunstcollectie of verfijnd interieur.

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          Portrait of Eleonora da Toledo (1555) door Agnolo Bronzino
          2

          Portrait of Eleonora da Toledo

          1555 · Oil On Panel

          To gaze upon Agnolo Bronzino's Portrait of Eleonora da Toledo is to step directly into the rarefied atmosphere of High Renaissance Florence. This painting, executed in 1555, transcends a mere likeness; it is a carefully constructed monument to status, power, and exquisite refinement. The subject, Eleonora da Toledo, radiates an almost palpable aura of aristocratic dignity. Bronzino captures her not just as a woman, but as a symbol of Medici…

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          Venus, Cupido and Satyr door Agnolo Bronzino
          3

          Venus, Cupido and Satyr

          Oil

          A pale, reclining figure occupies the center of the frame, her skin possessing the cool, polished sheen of marble. This is Venus, the goddess of love, draped in a way that emphasizes the tension between soft flesh and the hard edges of the composition. Beside her, Cupid clings to her form, a small, fleshy presence that embodies the sudden, sharp sting of passion. Their limbs are elongated, stretching toward one…

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          Portrait of Andrea Doria as Neptune (1550) door Agnolo Bronzino
          4

          Portrait of Andrea Doria as Neptune

          1550 · Oil On Canvas · Pinacoteca di Brera, Milaan

          In the grand theater of the Italian Mannerist period, few images command the eye with such authoritative grace as Agnolo Bronzino’s Portrait of Andrea Doria as Neptune. This is not merely a portrait of a man, but a profound exercise in political allegory and divine projection. The subject, the legendary Genoese admiral Andrea Doria, is stripped of the heavy silks and velvet doublets typical of sixteenth-century aristocratic portraiture. Instead, Bronzino…

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          St. John the Baptist (1542) door Agnolo Bronzino
          5

          St. John the Baptist

          1542 · Oil On Panel · J. Paul Getty Museum, Los Angeles

          The figure of St. John the Baptist emerges from the shadows, rendered with a muscular intensity by the Florentine master Bronzino. This depiction captures the patron saint of Florence in a moment of profound spiritual tension. Created about 1542 - 1545, the work possesses a striking verticality that speaks to its original purpose. It does not exist in isolation but remains a fragment of a larger sacred narrative, having once…

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          Deposition (1565) door Agnolo Bronzino
          6

          Deposition

          1565 · Oil On Canvas · Galleria dell'Accademia di Firenze, Florence

          “Deposition,” painted in 1565 by the Florentine master Agnolo Bronzino, is not merely a religious scene; it's a meticulously crafted tableau of restrained emotion and profound psychological depth. Commissioned for the Observant Monastery in Cosmopoli, this work transcends simple narrative to become a meditation on grief, loss, and the delicate balance between earthly sorrow and divine grace. Bronzino, renowned for his “reserved elegance,” achieved this through an almost unnervingly controlled…

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          Portrait of a Young Man (1555) door Agnolo Bronzino
          7

          Portrait of a Young Man

          1555 · Oil On Canvas · Nelson-Atkins Museum of Art, Kansas City

          To gaze upon this portrait is to step directly into the rarefied atmosphere of mid-sixteenth-century Florence, a world governed by the subtle power plays and exquisite tastes of the Medici court. Agnolo Bronzino, the master chronicler of such elite circles, captured not merely a likeness, but an entire social stratum. The sitter, though anonymous to us today, embodies the controlled elegance expected of those who moved within the gilded cage…

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          Cosimo de Medici in Armour (1545) door Agnolo Bronzino
          8

          Cosimo de Medici in Armour

          1545 · Oil On Panel · Thyssen-Bornemisza Museum, Madrid

          The gaze of the Grand Duke of Tuscany, Cosimo I de' Medici, meets the viewer through the work titled Cosimo de Medici in Armour. Created by the Florentine artist Bronzino, this portrait captures the ruler in a moment of poised authority. The image emerges from the mid-16th century, dated about 1545, and presents a commanding presence through its structured composition. It exists as a significant version of the painting held…

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          Portrait of Cosimo I de' Medici as Orpheus (1537) door Agnolo Bronzino
          9

          Portrait of Cosimo I de' Medici as Orpheus

          1537 · Oil On Panel · Philadelphia Museum of Art, Philadelphia

          In this portrait, we encounter Cosimo I de' Medici, not merely as a ruler, but as the mythological musician Orpheus. He is positioned in a three-quarter view from behind, turning his gaze back toward us with a sense of psychological alertness. His body, rendered with a polished, marble-like texture, possesses an idealized beauty that speaks to the High Mannerist style. A single splash of crimson red drapery provides a sharp…

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          Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici (1549) door Agnolo Bronzino
          10

          Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici

          1549 · Oil On Panel · Cincinnati Art Museum, Cincinnati

          In this vertical half-length portrait, we encounter the Duchess of Florence, Eleonora of Toledo, and her son, Francesco de' Medici. The composition is defined by a controlled, almost sculptural stillness. Eleonora stands slightly behind the young boy, her hand resting upon his shoulder in a gesture that is both protective and formal. There is a certain aristocratic detachment in their expressions, a cool composure that characterizes the Florentine Mannerist style.…

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          Agnolo Bronzino, schilderijen 11 tot 100

          Portrait of Eleonora di Toledo, Bust (1560) door Agnolo Bronzino
          #11

          Portrait of Eleonora di Toledo, Bust

          1560 · Staatliche Kunstsammlungen Dresden

          This oil on panel portrait presents a three-quarter view of Eleonora di Toledo, focusing on the head, shoulders, and upper chest. The subject is positioned against a neutral…

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          Eleonora di Toledo (1560) door Agnolo Bronzino
          #12

          Eleonora di Toledo

          1560 · National Gallery of Art

          A woman stands in a red dress, her hand resting upon her hip with a quiet, unyielding confidence. The fabric of her gown is a heavy, structured thing,…

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          Venus cupid time door Agnolo Bronzino
          #13

          Venus cupid time

          National Gallery

          The painting depicts a bedroom setting centered on two naked figures, Venus and Cupid. One woman lies down while another stands over her; they are holding hands and…

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          Pierantonio Bandini (1555) door Agnolo Bronzino
          #14

          Pierantonio Bandini

          1555 · National Gallery of Canada

          Agnolo Bronzino’s “Portrait of Pierantonio Bandini,” painted circa 1550-1555, is not merely a likeness; it's an exquisitely crafted distillation of Renaissance ideals – a study in dignified composure…

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          Holy Family (1540) door Agnolo Bronzino
          #16

          Holy Family

          1540 · Galleria degli Uffizi

          Agnolo Bronzino's "Holy Family," painted around 1540, isn’t merely a depiction of a biblical scene; it’s a carefully constructed tableau of serenity and profound familial love. Emerging from…

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          Eleonora di Toledo (1543) door Agnolo Bronzino
          #17

          Eleonora di Toledo

          1543 · Národní galerie Praha

          In the quiet corridors of the Národní Galerie in Prague, there exists a window into the opulent heart of the sixteenth century. Agnolo Bronzino’s Eleonora di Toledo is…

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          Ugolino Martelli (1535) door Agnolo Bronzino
          #20

          Ugolino Martelli

          1535

          To stand before Agnolo Bronzino's Ugolino Martelli is to encounter the very essence of High Renaissance self-possession. Painted in 1535, this portrait transcends a mere likeness; it is…

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          Cosimo I de' Medici in Armour (1550) door Agnolo Bronzino
          #21

          Cosimo I de' Medici in Armour

          1550 · Museo degli Argenti

          In the heart of the Florentine Mannerist tradition, Agnolo Bronzino’s Cosimo I de' Medici in Armour emerges as more than a mere portrait; it is a profound psychological…

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          Pope Leo X (1555) door Agnolo Bronzino
          #22

          Pope Leo X

          1555 · Galleria degli Uffizi

          To gaze upon this portrait of Pope Leo X is to encounter a moment suspended in the opulent grandeur of the Italian Renaissance. Agnolo Bronzino, master chronicler of…

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          Saint Sebastian (1533) door Agnolo Bronzino
          #23

          Saint Sebastian

          1533 · The Salvador Dalí Museum

          To stand before Agnolo Bronzino's depiction of Saint Sebastian is to encounter an embodiment of refined restraint—a hallmark of the High Renaissance transitioning into the sophisticated drama of…

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          Venus, Cupid and Jealousy (1550) door Agnolo Bronzino
          #24

          Venus, Cupid and Jealousy

          1550 · Szépművészeti Múzeum

          The world of Renaissance Florence was a crucible of artistic innovation, yet within its vibrant heart resided a figure renowned for his profound restraint – Agnolo di Cosimo,…

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          Venus, Cupid and Time (detail) (1540) door Agnolo Bronzino
          #26

          Venus, Cupid and Time (detail)

          1540 · National Gallery

          Agnolo Bronzino's "Venus, Cupid, and Time," painted in 1540, isn’t merely a depiction of mythological figures; it’s an exquisitely crafted allegory—a visual poem brimming with ambiguity and profound…

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          Don Garcia de' Medici (1550) door Agnolo Bronzino
          #27

          Don Garcia de' Medici

          1550 · Museo del Prado

          To gaze upon Agnolo Bronzino’s portrait, Don Garcia de' Medici, is to encounter an exquisite moment suspended in the amber glow of the Italian Renaissance. This depiction of…

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          Eleonora da Toledo (1543) door Agnolo Bronzino
          #28

          Eleonora da Toledo

          1543 · National Gallery Prague

          To gaze upon Agnolo Bronzino's depiction of Eleonora da Toledo is to encounter a moment suspended in the rarefied air of Renaissance aristocracy. This portrait, executed in 1543,…

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          Portrait of Eleanora di Toledo (1560) door Agnolo Bronzino
          #29

          Portrait of Eleanora di Toledo

          1560 · National Gallery of Art

          In the heart of the Italian Renaissance, where power was as much about visual splendor as it was about political maneuvering, Agnolo Bronzino captured a moment of eternal…

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          Miracle of the Brazen Serpent (1542) door Agnolo Bronzino
          #30

          Miracle of the Brazen Serpent

          1542 · Palazzo Vecchio

          In the heart of Florence’s Palazzo Vecchio, tucked within the sacred stillness of the Cappella di Eleonora, resides one of the most arresting spectacles of the Mannerist era:…

          Portrait of a Young Man (1540) door Agnolo Bronzino
          #32

          Portrait of a Young Man

          1540 · Metropolitan Museum of Art

          Agnolo Bronzino's “Portrait of a Young Man,” painted circa 1540, stands as an emblem of Florentine Mannerism—a stylistic movement that prioritized elegance and restraint over the exuberant naturalism…

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          Martyrdom of St Lawrence (1569) door Agnolo Bronzino
          #33

          Martyrdom of St Lawrence

          1569 · Basilica di San Lorenzo

          Agnolo Bronzino’s “Martyrdom of St. Lawrence,” painted in 1569, isn't merely a depiction of a historical event; it’s a profound meditation on faith, suffering, and the enduring spirit…

          Galatea and Pygmalion (1530) door Agnolo Bronzino
          #38

          Galatea and Pygmalion

          1530

          A sculptor’s hands once held a dream of stone. In this work from c.1530, the boundary between the inanimate and the living dissolves under a soft, transformative light.…

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          Portrait of Cosimo I de' Medici (1545) door Agnolo Bronzino
          #40

          Portrait of Cosimo I de' Medici

          1545 · Galleria degli Uffizi

          A Portrait of Regal Dignity: Agnolo Bronzino’s Emblematic Representation of Cosimo I Agnolo di Cosimo, universally recognized as Bronzino, stands as a cornerstone of Mannerist art—a movement that…

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          Costanza da Sommaia (1540) door Agnolo Bronzino
          #41

          Costanza da Sommaia

          1540 · Detroit Institute of Arts

          A young woman emerges from a deep, blue shadow, her presence defined by a stillness that feels almost sculptural. She is turned in a three-quarter view, her skin…

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          Crossing of the Red Sea (1542) door Agnolo Bronzino
          #42

          Crossing of the Red Sea

          1542 · Palazzo Vecchio

          The fresco titled Crossing of the Red Sea was executed by the Florentine artist Agnolo Bronzino. This work, completed around 1542, utilizes the fresco technique to depict a…

          St John the Baptist (1550) door Agnolo Bronzino
          #43

          St John the Baptist

          1550 · Galleria Borghese

          Agnolo Bronzino's "St. John the Baptist," painted in 1550 and currently residing within the Galleria Borghese in Rome, is a masterful embodiment of Mannerist artistry—a period characterized by…

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          Portrait of a Lady in Red (detail) (1530) door Agnolo Bronzino
          #44

          Portrait of a Lady in Red (detail)

          1530 · Städelsche Kunstinstitut Und Städtische Galerie

          The year is 1530, and Florence pulses with the vibrant energy of the High Renaissance. Amidst this flourishing artistic landscape emerges Agnolo Bronzino – not merely a painter,…

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          Portrait of a boy (1540) door Agnolo Bronzino
          #45

          Portrait of a boy

          1540 · Bode-Museum

          This painting, titled Portrait of a boy, is a work by the Florentine artist Bronzino. It belongs to the genre of portraiture, capturing a singular youthful figure with…

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          Don Giovanni de’Medici (1551) door Agnolo Bronzino
          #49

          Don Giovanni de’Medici

          1551 · Toledo Museum of Art

          This portrait of Don Giovanni de’Medici offers a quiet glimpse into the lineage of the Medici family. Executed by the Florentine master Bronzino, the work captures a young…

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          Portrait of an Elderly Lady (1540) door Agnolo Bronzino
          #50

          Portrait of an Elderly Lady

          1540 · Fine Arts Museums of San Francisco

          The artwork is titled Portrait of an Elderly Lady. It was executed by the artist Bronzino, who was born in Florence, Italy, in 1503. This oil on poplar…

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          Portrait of a Young Man (1550) door Agnolo Bronzino
          #52

          Portrait of a Young Man

          1550 · National Gallery

          A young man sits with a stillness that feels carved from stone. His face, smooth and pale as fine porcelain, meets the viewer with a gaze that is…

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          Guidobaldo della Rovere (1531) door Agnolo Bronzino
          #60

          Guidobaldo della Rovere

          1531

          The portrait presents a man positioned in the center of the composition, viewed from the waist up. He wears highly detailed armor that reflects light in sharp, localized…

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          View of the Chapel of Eleonora da Toledo (1440) door Agnolo Bronzino
          #64

          View of the Chapel of Eleonora da Toledo

          1440 · Palazzo Vecchio

          The painting presents a view of a chapel featuring a fresco that depicts the life of Christ. Within this sacred setting, the scene is populated by numerous figures,…

          Portrait of Bartolomeo Panciatichi (1540) door Agnolo Bronzino
          #73

          Portrait of Bartolomeo Panciatichi

          1540 · Galleria degli Uffizi

          Agnolo Bronzino’s “Portrait of Bartolomeo Panciatichi,” painted in 1540, is more than just a likeness; it's a meticulously crafted distillation of Renaissance ideals – a testament to the…

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          Moses strikes water from the wall rocks (1544) door Agnolo Bronzino
          #75

          Moses strikes water from the wall rocks

          1544

          The air feels heavy with anticipation as Moses raises his staff against the rugged, unyielding face of the rock. In this mid-sixteenth century fresco, a sudden, life-giving force…

          Altarpiece (1540) door Agnolo Bronzino
          #76

          Altarpiece

          1540 · Palazzo Vecchio

          The year is 1540, and Florence pulses with the ambition of the Medici court. Within the private chapel of Eleonora di Toledo, Duchess of Florence, a masterpiece emerges…

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          Venus, Cupid and Envy (1548) door Agnolo Bronzino
          #78

          Venus, Cupid and Envy

          1548 · Szépművészeti Múzeum

          Painted in 1548 by the Florentine master Agnolo Bronzino, *Venus, Cupid and Envy* is a captivating embodiment of Mannerist aesthetics – a style characterized by its deliberate artifice,…

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          Portrait of Pope Clement VII (1564) door Agnolo Bronzino
          #81

          Portrait of Pope Clement VII

          1564 · Galleria degli Uffizi

          A Portrait of Dignified Majesty: Agnolo Bronzino’s Pope Clement VII The Portrait of Pope Clement VII, executed by Agnolo Bronzino in 1564, stands as a cornerstone of Mannerist…

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          untitled (4490) (1532) door Agnolo Bronzino
          #82

          untitled (4490)

          1532

          In the quiet, commanding presence of Agnolo Bronzino’s "untitled (4490)", we are transported back to the height of the Italian Renaissance, a period where portraiture served as both…

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          The Holy Family (1545) door Agnolo Bronzino
          #83

          The Holy Family

          1545

          The Holy Family by Agnolo Bronzino is a renowned oil painting that showcases the artist's skill in capturing dramatic scenes with incredible detail. Created in 1545, this tempera…

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          Lucrezia Panciatichi (1540) door Agnolo Bronzino
          #85

          Lucrezia Panciatichi

          1540

          In the grand tapestry of the Italian Renaissance, few portraits capture the poised sophistication of the Mannerist era as exquisitely as Agnolo Bronzino’s Lucrezia Panciatichi. Painted around 1540,…

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          Portrait of Guidubaldo della Rovere (1532) door Agnolo Bronzino
          #99

          Portrait of Guidubaldo della Rovere

          1532 · Galleria Palatina

          In the quiet, commanding presence of Agnolo Bronzino’s Portrait of Guidubaldo della Rovere, we encounter the very essence of the High Renaissance transitioning into the sophisticated artifice of…

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          Schilderijen van Agnolo Bronzino per periode

          Early Period

          1526 – 1528 · 4 werken in deze lijst
          Virgin and Child with the Young Saint John the Baptist (1528), Agnolo Bronzino #55 Virgin and Child with the Young Saint John the Baptist 1528 · Art Institute of Chicago Portrait of a young Man in black with a book (1526), Agnolo Bronzino #56 Portrait of a young Man in black with a book 1526 portrait of a gentleman with his dog (1527), Agnolo Bronzino #57 portrait of a gentleman with his dog 1527 Portrait of Francesco I de Medici (1527), Agnolo Bronzino #58 Portrait of Francesco I de Medici 1527

          Mature Period

          1530 – 1569 · 58 werken in deze lijst
          Portrait of Eleonora da Toledo (1555), Agnolo Bronzino #2 Portrait of Eleonora da Toledo 1555 Venus, Cupido and Satyr, Agnolo Bronzino #3 Venus, Cupido and Satyr Portrait of Andrea Doria as Neptune (1550), Agnolo Bronzino #4 Portrait of Andrea Doria as Neptune 1550 · Pinacoteca di Brera St. John the Baptist (1542), Agnolo Bronzino #5 St. John the Baptist 1542 · J. Paul Getty Museum Portrait of a Young Man (1555), Agnolo Bronzino #7 Portrait of a Young Man 1555 · Nelson-Atkins Museum of Art

          Mature Style

          1539 – 1555 · 5 werken in deze lijst
          Portrait of Lucrezia Panciatichi (1540), Agnolo Bronzino #18 Portrait of Lucrezia Panciatichi 1540 · Galleria degli Uffizi Pope Leo X (1555), Agnolo Bronzino #22 Pope Leo X 1555 · Galleria degli Uffizi Eleonora of Toledo with her son Giovanni de' Medici (1544), Agnolo Bronzino #25 Eleonora of Toledo with her son Giovanni de' Medici 1544 · Galleria degli Uffizi Portrait of Ludovico Capponi (1551), Agnolo Bronzino #39 Portrait of Ludovico Capponi 1551 · The Frick Collection Adoration of the Shepherds (detail) (11) (1539), Agnolo Bronzino #93 Adoration of the Shepherds (detail) (11) 1539 · Szépművészeti Múzeum

          De onderwerpen die Agnolo Bronzino het meest schilderde

          De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

          Renaissance 35 werken

          Venus, Cupid en Tijd (Allegorie van Verlangen) (1540), Agnolo Bronzino #1 Venus, Cupid en Tijd (Allegorie van Verlangen) 1540 · National Gallery Portrait of Andrea Doria as Neptune (1550), Agnolo Bronzino #4 Portrait of Andrea Doria as Neptune 1550 · Pinacoteca di Brera Portrait of a Young Man (1555), Agnolo Bronzino #7 Portrait of a Young Man 1555 · Nelson-Atkins Museum of Art Pierantonio Bandini (1555), Agnolo Bronzino #14 Pierantonio Bandini 1555 · National Gallery of Canada

          Portrait 17 werken

          Portrait of Eleonora da Toledo (1555), Agnolo Bronzino #2 Portrait of Eleonora da Toledo 1555 Cosimo de Medici in Armour (1545), Agnolo Bronzino #8 Cosimo de Medici in Armour 1545 · Thyssen-Bornemisza Museum Allegorical Portrait of Dante (1530), Agnolo Bronzino #19 Allegorical Portrait of Dante 1530 Ugolino Martelli (1535), Agnolo Bronzino #20 Ugolino Martelli 1535

          Woman 13 werken

          Venus, Cupido and Satyr, Agnolo Bronzino #3 Venus, Cupido and Satyr Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici (1549), Agnolo Bronzino #10 Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici 1549 · Cincinnati Art Museum Portrait of Eleonora di Toledo, Bust (1560), Agnolo Bronzino #11 Portrait of Eleonora di Toledo, Bust 1560 · Staatliche Kunstsammlungen Dresden Eleonora di Toledo (1560), Agnolo Bronzino #12 Eleonora di Toledo 1560 · National Gallery of Art

          Man 11 werken

          St. John the Baptist (1542), Agnolo Bronzino #5 St. John the Baptist 1542 · J. Paul Getty Museum Portrait of Cosimo I de' Medici as Orpheus (1537), Agnolo Bronzino #9 Portrait of Cosimo I de' Medici as Orpheus 1537 · Philadelphia Museum of Art Venus cupid time, Agnolo Bronzino #13 Venus cupid time National Gallery Galatea and Pygmalion (1530), Agnolo Bronzino #38 Galatea and Pygmalion 1530

          Waar u de schilderijen van Agnolo Bronzino kunt bekijken

          De 8 musea met de meeste schilderijen op deze pagina.

          Museum Stad Werken van Agnolo Bronzino Schilderijen uit deze lijst
          Galleria degli Uffizi, FlorenceGalleria degli Uffizi Florence 18 Holy Family, Portrait of Lucrezia Panciatichi, Pope Leo X
          Palazzo Vecchio, FlorencePalazzo Vecchio Florence 11 Miracle of the Brazen Serpent, The Miracle of the Spring, Gathering of the Manna
          Szépművészeti Múzeum, BoedapestSzépművészeti Múzeum Boedapest 8 Venus, Cupid and Jealousy, Adoration of the Shepherds, Venus, Cupid and Envy
          National Gallery, LondenNational Gallery Londen 5 Venus, Cupid en Tijd (Allegorie van Verlangen), Venus cupid time, Venus, Cupid and Time (detail)
          National Gallery of Art, WashingtonNational Gallery of Art Washington 4 Eleonora di Toledo, Portrait of Eleanora di Toledo, A Young Woman and Her Little Boy
          Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Costanza da Sommaia, Madonna and Child with Saint John the Baptist
          Walters Art Museum, BaltimoreWalters Art Museum Baltimore 2 The Feast Given by Joseph for His Brothers, Portrait of a Baby Boy
          Royal Collection, LondenRoyal Collection Londen 2 Portrait of a Lady in Green, Portrait of a Lady in Green

          Het beroemdste schilderij van Agnolo Bronzino uit elk decennium

          1. 1520s
            Virgin and Child with the Young Saint John the Baptist (1528) door Agnolo Bronzino
            #55 van 100

            Virgin and Child with the Young Saint John the Baptist

            Leeftijd 17 – 26 · Art Institute of Chicago

            In this Mannerist oil painting, three figures occupy a vertical, tightly cropped arrangement against a dark, near-black background. The Virgin Mary is positioned centrally, her form defined by…

          2. 1530s
            Portrait of Cosimo I de' Medici as Orpheus (1537) door Agnolo Bronzino
            Rang 9 / 100

            Portrait of Cosimo I de' Medici as Orpheus

            Leeftijd 27 – 36 · Philadelphia Museum of Art

            In this portrait, we encounter Cosimo I de' Medici, not merely as a ruler, but as the mythological musician Orpheus. He is positioned in a three-quarter view from…

          3. 1540s
            Venus, Cupid en Tijd (Allegorie van Verlangen) (1540) door Agnolo Bronzino
            #1 van 100

            Venus, Cupid en Tijd (Allegorie van Verlangen)

            Leeftijd 37 – 46 · National Gallery

            Stap binnen in de fascinerende wereld van Agnolo Bronzino's "Venus, Cupid en Tijd (Allegorie van Verlangen)", een meesterwerk uit de 16e eeuw dat mythologische vertellingen naadloos combineert met…

          4. 1550s
            Portrait of Eleonora da Toledo (1555) door Agnolo Bronzino
            Nr. 2 van 100

            Portrait of Eleonora da Toledo

            Leeftijd 47 – 56

            To gaze upon Agnolo Bronzino's Portrait of Eleonora da Toledo is to step directly into the rarefied atmosphere of High Renaissance Florence. This painting, executed in 1555, transcends…

          5. 1560s
            Deposition (1565) door Agnolo Bronzino
            #6 van 100

            Deposition

            Leeftijd 57 – 66 · Galleria dell'Accademia di Firenze

            “Deposition,” painted in 1565 by the Florentine master Agnolo Bronzino, is not merely a religious scene; it's a meticulously crafted tableau of restrained emotion and profound psychological depth.…

          Vragen over de schilderijen van Agnolo Bronzino

          Wat is het beroemdste schilderij van Agnolo Bronzino?Toon het antwoord

          Venus, Cupid en Tijd (Allegorie van Verlangen) (1540), National Gallery, Londen. Daarna volgen Portrait of Eleonora da Toledo (1555) en Venus, Cupido and Satyr.

          Hoe oud was Agnolo Bronzino toen Venus, Cupid en Tijd (Allegorie van Verlangen) werd geschilderd?Toon het antwoord

          37 jaar oud: Venus, Cupid en Tijd (Allegorie van Verlangen) dateert uit 1540 en Agnolo Bronzino werd geboren in 1503.

          Wat zijn de top 10 schilderijen van Agnolo Bronzino?Toon het antwoord

          Venus, Cupid en Tijd (Allegorie van Verlangen), Portrait of Eleonora da Toledo, Venus, Cupido and Satyr, Portrait of Andrea Doria as Neptune, St. John the Baptist, Deposition, Portrait of a Young Man, Cosimo de Medici in Armour, Portrait of Cosimo I de' Medici as Orpheus en Portrait of Eleonora of Toledo and Her Son, Francesco de'Medici. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

          Hoeveel schilderijen heeft Agnolo Bronzino gemaakt?Toon het antwoord

          Onze catalogus bevat 189 werken van Agnolo Bronzino, gedateerd van 1525 tot 1569.

          Waar zijn de beroemdste schilderijen van Agnolo Bronzino?Toon het antwoord

          De meeste bevinden zich in Galleria degli Uffizi (Florence), Palazzo Vecchio (Florence) en Szépművészeti Múzeum (Boedapest). De bovenstaande tabel somt de musea één voor één op.

          Wanneer schilderde Agnolo Bronzino de beroemdste werken?Toon het antwoord

          In 1540s: 36 van de 100 werken op deze pagina dateren uit die periode, waaronder Venus, Cupid en Tijd (Allegorie van Verlangen).

          Wat zijn de vroegste en de meest recente beroemde schilderijen van Agnolo Bronzino?Toon het antwoord

          De oudste op deze pagina is St Matthew (1525), de nieuwste Martyrdom of St Lawrence (1569).

          Wat schilderde Agnolo Bronzino het vaakst?Toon het antwoord

          Renaissance (35), Portrait (17) en Woman (13), van de 100 werken op deze pagina.

          Welk medium gebruikte Agnolo Bronzino het meest?Toon het antwoord

          Oil On Panel: 28 van de 100 werken op deze pagina.

          Bij welke kunststroming behoort Agnolo Bronzino?Toon het antwoord

          Maniërisme, zoals de schilderijen op deze pagina laten zien.

          Welke schilderijen van Agnolo Bronzino kan ik zien in het Galleria degli Uffizi?Toon het antwoord

          Holy Family, Portrait of Lucrezia Panciatichi en Pope Leo X behoren tot de 8 werken op deze pagina die in het Galleria degli Uffizi, Florence worden bewaard.

          Kan ik een reproductie kopen van een schilderij van Agnolo Bronzino?Toon het antwoord

          Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

          Over Agnolo Bronzino

          Agnolo Bronzino: The Sculptor's Touch in Florentine Portraiture

          Agnolo di Cosimo, known to history as Bronzino, emerged from the vibrant artistic landscape of Renaissance Florence in 1503, a period already brimming with genius. Born the son of a butcher, his path diverged sharply from familial trade, guided instead by an innate talent that would see him become one of the most sought-after portraitists of his era and a defining figure of Mannerism. His early training began with Raffaellino del Garbo, but it was under the tutelage of Jacopo da Pontormo that Bronzino’s artistic sensibilities truly took shape. While absorbing Pontormo's innovative style—characterized by expressive distortions and dramatic lighting—he ultimately forged his own distinct voice—one characterized by a cool composure and refined detail markedly different from his teacher’s often emotionally charged works. This early period was also influenced by studies with Andrea del Sarto, exposing him to the legacies of Michelangelo and Leonardo da Vinci, foundational influences that would subtly permeate his mature style. The young Bronzino quickly demonstrated an aptitude for capturing not just physical likeness but a certain psychological depth, even in his earliest commissions.

          Early Influences and Artistic Formation

          Pontormo’s impact on Bronzino's artistic development was profound. Recognizing Pontormo’s pioneering use of expressive distortion—a technique that would become synonymous with Mannerism—Bronzino skillfully adapted it to create a brilliant, precisely linear style of his own. This stylistic choice wasn’t merely an imitation; it represented a deliberate rejection of the prevailing humanist aesthetic of the High Renaissance, favoring instead a more cerebral and emotionally restrained approach. Furthermore, Bronzino's exposure to Michelangelo’s monumental sculptures—particularly *David*—and Leonardo da Vinci’s meticulous anatomical studies instilled in him a deep understanding of human form and perspective. These influences shaped his artistic vision and informed his technique throughout his career. He wasn’t interested in portraying emotion; rather, he sought to convey an idealized sense of dignity and composure—a hallmark of Mannerist portraiture.

          The Medici Patronage and Artistic Flourishing

          Bronzino's ascent to prominence coincided with the ascendancy of Cosimo I de’ Medici, Duke of Tuscany, who recognized his exceptional talent and bestowed upon him the prestigious role of court painter. This patronage provided Bronzino with unparalleled access to resources and opportunities—allowing him to undertake ambitious commissions that solidified his reputation as Florence’s foremost artistic innovator. The wedding celebrations of Cosimo and Eleonora di Toledo in 1539 served as a catalyst for Bronzino's creative output, resulting in lavish decorations that showcased his mastery of fresco painting and sculptural modeling. These projects demanded meticulous attention to detail—reflecting Bronzino’s unwavering commitment to stylistic perfection. He skillfully employed Pontormo’s expressive distortions alongside Leonardo da Vinci’s anatomical precision—creating a visual language that was both intellectually stimulating and aesthetically captivating.

          Venus, Cupid, Folly & Time: A Symbol of Florentine Idealism

          Perhaps Bronzino's most iconic work is *Venus, Cupid, Folly and Time* (c. 1544–45), now housed in London’s National Gallery. This allegorical masterpiece exemplifies the core tenets of Mannerist art—characterized by stylized poses, flattened perspective, and a deliberate avoidance of naturalistic representation. Bronzino skillfully employed Pontormo's expressive distortions to convey an idealized vision of beauty and desire—a reflection of Florentine humanist ideals during Cosimo’s reign. The painting’s composition is meticulously balanced—creating a harmonious visual experience despite its inherent complexity. Furthermore, the incorporation of mythological symbolism—drawing upon classical traditions—elevates *Venus, Cupid, Folly & Time* beyond mere portraiture—transforming it into a profound meditation on human nature and artistic aspiration.

          Legacy and Enduring Influence

          Bronzino’s influence extended far beyond his own lifetime, shaping the trajectory of European art for decades to come. His cool composure and refined technique became models for subsequent generations of portraitists—establishing Mannerist aesthetics as dominant in aristocratic circles across Europe. He championed a stylistic approach that prioritized intellectual rigor over emotional expression—challenging the prevailing humanist conventions of the time. Despite criticisms leveled against Mannerism during the Romantic era, Bronzino’s work has experienced a resurgence in appreciation in recent decades—scholars recognizing his innovative technique and profound artistic vision. His legacy as Florence's premier portraitist continues to inspire artists today—demonstrating the enduring power of stylistic refinement and intellectual complexity. He passed away in Florence in 1572, leaving behind a body of work that embodies the spirit of Mannerism—a testament to his singular genius and lasting contribution to art history.

          Alle 189 werken van Agnolo Bronzino →