Ben Nicholson, 1894 – 1982

De 100 beroemdste schilderijen van Ben Nicholson

Het schilderij dat Ben Nicholson beroemd maakte is 1946 (Cerulee Abstractie) (1946); het hangt in het Pallant House Gallery, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) en 1934 (painted relief) (1934) volgen in de harten van verzamelaars en museumbezoekers. Van de 127 werken van Ben Nicholson in onze catalogus zijn dit de 100 meest bewonderde, elk gepresenteerd met de datum, het museum en wat het uniek maakt.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026.

Portret van Ben Nicholson
Ben Nicholson · 1894 – 1982
Geboren · overleden
1894 – 1982, Buckinghamshire
Stroming
Cubism
Werken in onze catalogus
127
Meest bekend
1946 (Cerulee Abstractie) (1946)
Meeste werken in
Kettle's Yard

Ben Nicholson: de tien meesterwerken

1946 (Cerulee Abstractie) (1946) door Ben Nicholson
1

1946 (Cerulee Abstractie)

1946 · Acryl op canvas · Pallant House Gallery, Chichester

Een Gebroken Harmonie van Blauw en Licht: Een Analyse van ‘1946’ door Ben Nicholson Ben Nicholson OM staat bekend om zijn baanbrekende abstracte kunstpraktijk, waarin hij natuurlijke vormen transformeerde tot geometrische composities die een prachtige balans vinden tussen eenvoud en complexiteit. Zijn werk wordt vaak beschouwd als een essentieel onderdeel van de Britse Modernistische beweging en biedt een fascinerende kijk op het artistieke denken van zijn tijd. Een bijzonder belangrijk…

1934 (painted relief) (1934) door Ben Nicholson
3

1934 (painted relief)

1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

1932–33 (musical instruments) (1933) door Ben Nicholson
7

1932–33 (musical instruments)

1933 · Oil On Canvas · Kettle's Yard, Cambridge

A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

Meer meesterwerken van Ben Nicholson, van 11 tot 100

May 1956 (hendrifter) (1956) door Ben Nicholson
#12

May 1956 (hendrifter)

1956 · Arts Council Collection

To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

c.1922 (Balearic Islands) (1924) door Ben Nicholson
#13

c.1922 (Balearic Islands)

1924 · Kettle's Yard

Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…

1927 (Winifred and Jake) (1928) door Ben Nicholson
#14

1927 (Winifred and Jake)

1928 · Pallant House Gallery

The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…

1938 (1938) door Ben Nicholson
#15

1938

1938 · National Gallery of Victoria

is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…

1930 (Christmas night) (1930) door Ben Nicholson
#16

1930 (Christmas night)

1930 · Kettle's Yard

The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…

1925 (landschap) (1925) door Ben Nicholson
#17

1925 (landschap)

1925 · Pallant House Gallery

Ben Nicholson OM (1894-1982) stands as a cornerstone of British Modernism, celebrated for his pioneering exploration of abstraction and his profound engagement with the natural world. “Desert Edge,”…

1925 (jar and goblet) (1925) door Ben Nicholson
#19

1925 (jar and goblet)

1925 · Kettle's Yard

Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…

1944–5 (painted relief) (1945) door Ben Nicholson
#22

1944–5 (painted relief)

1945 · The Pier Arts Centre

In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…

Exhibition Sign (1933) door Ben Nicholson
#74

Exhibition Sign

1933 · Kettle's Yard

The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…

1933 (design) (1933) door Ben Nicholson
#89

1933 (design)

1933 · Laing Art Gallery

In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…

1945 (still life with flag) (1945) door Ben Nicholson
#90

1945 (still life with flag)

1945 · The Ashmolean Museum of Art and Archaeology

In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…

1928 (foothills, Cumberland) (1928) door Ben Nicholson
#91

1928 (foothills, Cumberland)

1928

In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…

1932 (Talc de Coty) (1932) door Ben Nicholson
#92

1932 (Talc de Coty)

1932 · The Pier Arts Centre

In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…

c.1930 (framed lid) (1930) door Ben Nicholson
#93

c.1930 (framed lid)

1930 · Pallant House Gallery

The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…

November 3 1950 (still life winter) (1950) door Ben Nicholson
#94

November 3 1950 (still life winter)

1950 · The Phillips Collection

We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…

March 1949 (Trencrom) (1949) door Ben Nicholson
#95

March 1949 (Trencrom)

1949 · British Council Collection

In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…

c.1928 (Cumbrian landscape) (1928) door Ben Nicholson
#96

c.1928 (Cumbrian landscape)

1928 · Kettle's Yard

Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…

August 1956 (Val d'Orcia) (1956) door Ben Nicholson
#97

August 1956 (Val d'Orcia)

1956 · Tate Modern

Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…

1946 (venster in Cornwall) (1946) door Ben Nicholson
#98

1946 (venster in Cornwall)

1946 · The Whitworth

Ben Nicholson’s “1946 (window in Cornwall)” is more than just a depiction of a landscape; it's an invitation to contemplate the very essence of perception and the interplay…

date unknown (king III) door Ben Nicholson
#99

date unknown (king III)

Pallant House Gallery

In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…

1926 (still life with fruit – version 2) (1926) door Ben Nicholson
#100

1926 (still life with fruit – version 2)

1926 · British Council Collection

Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…

Schilderijen van Ben Nicholson per periode

De onderwerpen die Ben Nicholson het meest schilderde

De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

Waar u de schilderijen van Ben Nicholson kunt bekijken

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Ben Nicholson Schilderijen uit deze lijst
Kettle's Yard, CambridgeKettle's Yard Cambridge 17 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
The Pier Arts Centre, StromnessThe Pier Arts Centre Stromness 9 1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
Pallant House Gallery, ChichesterPallant House Gallery Chichester 8 1946 (Cerulee Abstractie), 1927 (Winifred and Jake), 1925 (landschap)
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 5 December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
British Council Collection, LondenBritish Council Collection Londen 4 March 1949 (Trencrom), 1926 (still life with fruit – version 2)
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 1932 (crowned head the queen), 1930–1936 (composition still life)
Dudmaston HallDudmaston Hall 2 Composition, Four Squares, Two Circles
Arts Council Collection, LondenArts Council Collection Londen 3 May 1956 (hendrifter)

Ben Nicholson, decennium voor decennium: het iconische schilderij van elk tijdperk

  1. 1910s
  2. 1920s
  3. 1930s
  4. 1940s
    1946 (Cerulee Abstractie) (1946) door Ben Nicholson
    Nr. 1 van 100

    1946 (Cerulee Abstractie)

    Leeftijd 46 – 55 · Pallant House Gallery

    Een Gebroken Harmonie van Blauw en Licht: Een Analyse van ‘1946’ door Ben Nicholson Ben Nicholson OM staat bekend om zijn baanbrekende abstracte kunstpraktijk, waarin hij natuurlijke vormen…

  5. 1950s
    May 1956 (hendrifter) (1956) door Ben Nicholson
    #12 van 100

    May 1956 (hendrifter)

    Leeftijd 56 – 65 · Arts Council Collection

    To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

  6. 1960s

Meesterwerken van Ben Nicholson: vragen en antwoorden

Waar is Ben Nicholson het meest bekend om?Toon het antwoord

1946 (Cerulee Abstractie) (1946), Pallant House Gallery, Chichester. Daarna volgen 1933 (St Rémy self portrait with Barbara Hepworth) (1933) en 1934 (painted relief) (1934).

Hoe oud was Ben Nicholson bij het schilderen van 1946 (Cerulee Abstractie)?Toon het antwoord

52 jaar oud: 1946 (Cerulee Abstractie) dateert uit 1946 en Ben Nicholson werd geboren in 1894.

Wat zijn de tien grootste schilderijen van Ben Nicholson?Toon het antwoord

1946 (Cerulee Abstractie), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 en 1932 (Auberge de la Sole Dieppoise). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Ben Nicholson geschilderd?Toon het antwoord

Onze catalogus bevat 127 werken van Ben Nicholson, gedateerd van 1914 tot 1969.

In welke musea kan ik de meesterwerken van Ben Nicholson bewonderen?Toon het antwoord

De meeste bevinden zich in Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) en Pallant House Gallery (Chichester). De bovenstaande tabel somt de musea één voor één op.

Wanneer schilderde Ben Nicholson de meesterwerken?Toon het antwoord

In 1930s: 40 van de 100 werken op deze pagina dateren uit die periode, waaronder 1933 (St Rémy self portrait with Barbara Hepworth).

Wat zijn de eerste en laatste beroemde schilderijen van Ben Nicholson?Toon het antwoord

De oudste op deze pagina is 1914 (the striped jug) (1914), de nieuwste 1969 (Holkham Sands No. 1) (1969).

Wat waren de favoriete onderwerpen van Ben Nicholson?Toon het antwoord

Geometric shapes (10), British art (6) en Abstract (6), van de 100 werken op deze pagina.

Welke techniek had Ben Nicholson de voorkeur?Toon het antwoord

Oil On Canvas: 14 van de 100 werken op deze pagina.

Bij welke kunststroming hoort Ben Nicholson?Toon het antwoord

Cubism, zoals de schilderijen op deze pagina laten zien.

Welke meesterwerken van Ben Nicholson hangen in het Kettle's Yard?Toon het antwoord

1932–33 (musical instruments), c.1922 (Balearic Islands) en 1930 (Christmas night) behoren tot de 9 werken op deze pagina die in het Kettle's Yard, Cambridge worden bewaard.

Het leven van Ben Nicholson

Ben Nicholson OM: A Life in Abstract Art

Ben Nicholson OM (1894–1982) was a British painter and sculptor whose groundbreaking exploration of abstraction revolutionized the landscape of modern British art. Born Benjamin Lauder Nicholson at Denham, Buckinghamshire, he descended from a family steeped in artistic tradition – his father, Sir William Nicholson, and mother, Mabel Pryde, were both accomplished painters—a lineage that profoundly shaped his own creative trajectory.

Early Life and Artistic Training

Nicholson’s formative years were marked by rigorous academic pursuits. He attended Tyttenhangar Lodge Preparatory School in Seaford, Heddon Court in Hampstead, and Gresham's School in Holt, Norfolk, imbibing a foundational understanding of artistic principles. His formal education culminated at the Slade School of Fine Art (1910–1911), where he forged connections with fellow artists like Paul Nash, Stanley Spencer, Mark Gertler, and Edward Wadsworth—artists who would become pivotal companions in his artistic journey. Anecdotally, Nicholson spent considerable time engrossed in billiards during this period, perceiving within the game’s geometric patterns and dynamic movement a latent aesthetic potential.

Artistic Development and Influences

Nicholson's initial artistic endeavors leaned towards naturalistic still lifes, mirroring his father’s stylistic sensibilities. However, around 1926, he embarked on a transformative voyage into abstraction, decisively influenced by Synthetic Cubism and the pioneering work of Pablo Picasso. This pivotal shift wasn’t merely stylistic; it represented a fundamental reimagining of artistic expression. Further enriching his artistic vision were encounters with Piet Mondrian—whose reductive geometric style championed clarity and order—and Henri Rousseau—whose primitivist approach rekindled an appreciation for raw emotion and instinctive representation. These influences coalesced into a distinctive aesthetic language that would characterize Nicholson’s subsequent oeuvre. He became deeply involved with movements like the Seven and Five Society, Unit One, and Abstraction-Création, actively participating in dialogues about artistic innovation and redefining boundaries within British art.

Major Works and Artistic Style

Nicholson's legacy rests primarily upon his monumental relief sculptures—beginning in 1933—which fused painting with sculptural elements to create immersive visual experiences. The white reliefs of the mid-1930s stand as emblems of Nicholson’s artistic achievement, embodying a masterful synthesis of form and color. Alongside these ambitious undertakings, he produced compelling still lifes and landscapes that incorporated geometric forms and muted palettes—demonstrating his versatility as an artist. Notably, “The Nicholson Wall,” commissioned for Sutton Place in Guildford, Surrey, served as a testament to his conviction that abstract art should transcend elitism and engage a broader audience. He experimented extensively with materials – oil paint, pencil, gravel, masonite – combining them in inventive ways to achieve unprecedented textural and chromatic effects.

Legacy and Historical Significance

Ben Nicholson is recognized as an indispensable figure in modern British art—a catalyst for abstraction and relief sculpture—whose work garnered international acclaim and cemented his place among the foremost artists of his time. Exhibitions at prestigious venues such as the Venice Biennale and retrospectives at major museums worldwide underscored his enduring artistic significance. He received numerous accolades, including the Order of Merit in 1968, acknowledging his contribution to British culture. Nicholson’s paintings command considerable prices at auction—reflecting their intrinsic artistic merit and historical importance; “Sept 53 (Balearic)” fetched $1,650,500 at Christie's New York in 2011, while “Fiddle and Spanish Guitar” achieved €3,313,000 at Christie’s Paris in 2012. Generations of artists have drawn inspiration from Nicholson’s pioneering approach to abstraction—his unwavering dedication to exploring form and space—establishing him as a cornerstone of artistic innovation.

Alle 127 werken van Ben Nicholson →