Max Klinger, 1857 – 1920

De 100 beroemdste schilderijen van Max Klinger

Het schilderij dat Max Klinger beroemd maakte, is The death peeing. The Isle of the Dead en Presa volgen in de harten van verzamelaars en museumbezoekers. Van de 281 werken van Max Klinger in onze catalogus zijn dit de 100 meest bewonderde, elk gepresenteerd met de datum, het museum en wat het uniek maakt.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

Portret van Max Klinger
Max Klinger · 1857 – 1920
Geboren · overleden
1857 – 1920, Leipzig
Stroming
Symbolism
Werken in onze catalogus
281
Meest bekend
The death peeing
Meeste werken in
Bayerische Staatsgemäldesammlungen

Max Klinger: de tien meesterwerken

The death peeing door Max Klinger
1

The death peeing

Painting

The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

Hand-painted oil reproduction from $181 22 × 46 cm
The Isle of the Dead door Max Klinger
2

The Isle of the Dead

Painting

The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

Hand-painted oil reproduction from $181 41 × 25 cm
Presa door Max Klinger
3

Presa

Lithograph

The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

Hand-painted oil reproduction from $531 26 × 38 cm
Y sin embargo! door Max Klinger
4

Y sin embargo!

Graphite

Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

Hand-painted oil reproduction from $181 27 × 38 cm
Rescue door Max Klinger
5

Rescue

Etching

The artwork titled Rescue (also known as Rettung) is a significant work by the German artist Max Klinger. It exists as the fourth plate within the larger series known as Paraphrase on the Finding of a Glove. This specific piece is part of the Glove (Ein Handschuh) series, a collection that explores the fragmented, dreamlike nature of memory and loss. The work emerged from the artist's creative period between 1878/1880…

Hand-painted oil reproduction from $181 27 × 37 cm

Meer meesterwerken van Max Klinger, van 11 tot 100

Schilderijen van Max Klinger per periode

De onderwerpen die Max Klinger het meest schilderde

De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

Waar u de schilderijen van Max Klinger kunt bekijken

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Max Klinger Schilderijen uit deze lijst
Bayerische Staatsgemäldesammlungen, MünchenBayerische Staatsgemäldesammlungen München 2 At the Beach, Seaside Idyl
Alte Nationalgalerie, BerlijnAlte Nationalgalerie Berlijn 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
National Gallery Prague, PraagNational Gallery Prague Praag 1 Evening
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

Max Klinger, decennium voor decennium: het iconische schilderij van elk tijdperk

  1. 1870s
    Evening (1879) door Max Klinger
    #9 van 100

    Evening

    Leeftijd 13 – 22 · National Gallery Prague
  2. 1880s
  3. 1890s
    At the Beach (1890) door Max Klinger
    Rang 11 / 100

    At the Beach

    Leeftijd 33 – 42 · Bayerische Staatsgemäldesammlungen
  4. 1910s

Meesterwerken van Max Klinger: vragen en antwoorden

Waar is Max Klinger het meest bekend om?Toon het antwoord

The death peeing. Daarna volgen The Isle of the Dead en Presa.

Wat zijn de tien grootste schilderijen van Max Klinger?Toon het antwoord

The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening en Play in the meadow. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Max Klinger geschilderd?Toon het antwoord

Onze catalogus bevat 281 werken van Max Klinger, gedateerd van 1879 tot 1912.

In welke musea kan ik de meesterwerken van Max Klinger bewonderen?Toon het antwoord

De meeste bevinden zich in Bayerische Staatsgemäldesammlungen (München), Alte Nationalgalerie (Berlijn) en National Gallery Prague (Praag). De bovenstaande tabel somt de musea één voor één op.

Wanneer schilderde Max Klinger de meesterwerken?Toon het antwoord

In 1880s: 3 van de 100 werken op deze pagina dateren uit die periode, waaronder Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz.

Wat zijn de eerste en laatste beroemde schilderijen van Max Klinger?Toon het antwoord

De oudste op deze pagina is Evening (1879), de nieuwste Bathing Women (1912).

Wat waren de favoriete onderwerpen van Max Klinger?Toon het antwoord

Gods (7), Symbolic imagery (6) en Man (3), van de 100 werken op deze pagina.

Welke techniek had Max Klinger de voorkeur?Toon het antwoord

Painting: 2 van de 100 werken op deze pagina.

Bij welke kunststroming hoort Max Klinger?Toon het antwoord

Symbolism, zoals de schilderijen op deze pagina laten zien.

Welke meesterwerken van Max Klinger hangen in het Bayerische Staatsgemäldesammlungen?Toon het antwoord

At the Beach en Seaside Idyl behoren tot de 2 werken op deze pagina die in het Bayerische Staatsgemäldesammlungen, München worden bewaard.

Kan ik een reproductie van een meesterwerk van Max Klinger bezitten?Toon het antwoord

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

Het leven van Max Klinger

The Shadowed World of Max Klinger: A Pioneer of Symbolism

Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

From Realism's Embrace to Symbolic Depths

Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level. The plates depict a series of increasingly bizarre and unsettling events surrounding the discovery of the glove—a lost love, a fleeting encounter, and ultimately, an ambiguous sense of longing.

Sculpture, Printmaking and the Exploration of Myth

Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. The sculpture depicts Beethoven as a Greek god on a large alabaster throne, surrounded by musical instruments and symbols of triumph. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

Influences and Artistic Development

Klinger’s artistic development was shaped by a complex interplay of influences. His early training in Karlsruhe instilled in him a respect for traditional techniques, but it was his exposure to the works of Menzel and Goya that awakened his interest in printmaking as a means of conveying psychological depth and narrative complexity. He also drew inspiration from Japanese woodblock prints, which he studied during his time in Paris. Furthermore, Klinger’s intellectual life was profoundly influenced by thinkers such as Arthur Schopenhauer and Friedrich Nietzsche, whose ideas about pessimism, the will to power, and the nature of reality resonated deeply with his artistic vision. The artist's exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte.

Legacy and Influence: A Bridge to Modernity

Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires resonated with audiences worldwide. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

Notable Works & Continued Relevance

Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes—anxiety, alienation, and the search for meaning—continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.