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          John Simpson, 1782 – 1847

          Schilderijen van John Simpson: De 20 beroemdste werken, gerangschikt

          Het beroemdste schilderij van John Simpson is The Duke of Wellington (1769–1852), in het Het Koninklijk Hospitaal Chelsea, Londen. Met Clarkson Frederick Stanfield (1829) en D. Maria II, Queen of Portugal (1819-1853) (1837) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 22 werken van John Simpson; de 20 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.

          Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

          Portret van John Simpson
          John Simpson · 1782 – 1847
          Geboren · overleden
          1782 – 1847, London
          Werken in onze catalogus
          22
          Meest bekend
          The Duke of Wellington (1769–1852)
          Meeste werken in
          National Portrait Gallery

          De 10 beroemdste schilderijen van John Simpson

          The Duke of Wellington (1769–1852) door John Simpson
          1

          The Duke of Wellington (1769–1852)

          Oil On Canvas · Het Koninklijk Hospitaal Chelsea, Londen

          To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

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          Clarkson Frederick Stanfield (1829) door John Simpson
          2

          Clarkson Frederick Stanfield

          1829 · Oil · National Portrait Gallery, Londen

          A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

          Handgeschilderde olieverfreproductie vanaf $181 29 × 35 cm Zelfde formaat als het origineel $299 64 × 77 cm Bestel in de originele afmetingen →
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          D. Maria II, Queen of Portugal (1819-1853) (1837) door John Simpson
          3

          D. Maria II, Queen of Portugal (1819-1853)

          1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

          The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

          Handgeschilderde olieverfreproductie vanaf $181 28 × 36 cm
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          Retrato de D. Pedro, Duque de Bragança (1834) door John Simpson
          4

          Retrato de D. Pedro, Duque de Bragança

          1834 · Oil On Canvas

          This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

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          Portrait of the Duke of Terceira (1832) door John Simpson
          5

          Portrait of the Duke of Terceira

          1832 · Oil · Soares dos Reis National Museum, Porto

          John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

          Handgeschilderde olieverfreproductie vanaf $181 29 × 35 cm Zelfde formaat als het origineel $301 64 × 77 cm Bestel in de originele afmetingen →
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          Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) door John Simpson
          6

          Prince Auguste de Beauharnais, Duke of Leuchtenberg

          1834 · Oil On Canvas

          The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

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          Captain Peter Heywood (1773–1831) (1822) door John Simpson
          7

          Captain Peter Heywood (1773–1831)

          1822 · Oil On Canvas · National Maritime Museum, Londen

          The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

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          William IV (1765–1837) (1830) door John Simpson
          8

          William IV (1765–1837)

          1830 · Oil On Canvas

          In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

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          Head of a Man ( Ira Frederick Aldridge) (1827) door John Simpson
          9

          Head of a Man ( Ira Frederick Aldridge)

          1827 · Oil

          The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

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          Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) door John Simpson
          10

          Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

          1826 · Oil On Canvas

          In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

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          John Simpson, schilderijen 11 tot 20

          De onderwerpen die John Simpson het meest schilderde

          De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

          Man 13 werken

          Clarkson Frederick Stanfield (1829), John Simpson #2 Clarkson Frederick Stanfield 1829 · National Portrait Gallery Retrato de D. Pedro, Duque de Bragança (1834), John Simpson #4 Retrato de D. Pedro, Duque de Bragança 1834 Portrait of the Duke of Terceira (1832), John Simpson #5 Portrait of the Duke of Terceira 1832 · Soares dos Reis National Museum Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834), John Simpson #6 Prince Auguste de Beauharnais, Duke of Leuchtenberg 1834

          Dark background 5 werken

          Captain Peter Heywood (1773–1831) (1822), John Simpson #7 Captain Peter Heywood (1773–1831) 1822 · National Maritime Museum The Captive Slave (1827), John Simpson #19 The Captive Slave 1827 · Art Institute of Chicago Clarkson Frederick Stanfield (1829), John Simpson #2 Clarkson Frederick Stanfield 1829 · National Portrait Gallery Retrato de D. Pedro, Duque de Bragança (1834), John Simpson #4 Retrato de D. Pedro, Duque de Bragança 1834

          Portrait 4 werken

          Head of a Man ( Ira Frederick Aldridge) (1827), John Simpson #9 Head of a Man ( Ira Frederick Aldridge) 1827 Frederick Marryat (engraved 1826) (1826), John Simpson #11 Frederick Marryat (engraved 1826) 1826 · National Portrait Gallery Clarkson Frederick Stanfield (1829), John Simpson #2 Clarkson Frederick Stanfield 1829 · National Portrait Gallery Portrait of the Duke of Terceira (1832), John Simpson #5 Portrait of the Duke of Terceira 1832 · Soares dos Reis National Museum

          Military uniform 4 werken

          Retrato de D. Pedro, Duque de Bragança (1834), John Simpson #4 Retrato de D. Pedro, Duque de Bragança 1834 Portrait of the Duke of Terceira (1832), John Simpson #5 Portrait of the Duke of Terceira 1832 · Soares dos Reis National Museum Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834), John Simpson #6 Prince Auguste de Beauharnais, Duke of Leuchtenberg 1834 Captain Peter Heywood (1773–1831) (1822), John Simpson #7 Captain Peter Heywood (1773–1831) 1822 · National Maritime Museum

          Waar u de schilderijen van John Simpson kunt bekijken

          De 8 musea met de meeste schilderijen op deze pagina.

          Museum Stad Werken van John Simpson Schilderijen uit deze lijst
          National Portrait Gallery, LondenNational Portrait Gallery Londen 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
          National Maritime Museum, LondenNational Maritime Museum Londen 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
          Het Koninklijk Hospitaal Chelsea, LondenHet Koninklijk Hospitaal Chelsea Londen 1 The Duke of Wellington (1769–1852)
          Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
          Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 1 Portrait of the Duke of Terceira
          Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
          Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
          English Heritage, LondenEnglish Heritage Londen 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

          Het beroemdste schilderij van John Simpson uit elk decennium

          1. 1820s
            Clarkson Frederick Stanfield (1829) door John Simpson
            Rang 2 / 20

            Clarkson Frederick Stanfield

            Leeftijd 38 – 47 · National Portrait Gallery

            A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

          2. 1830s
            D. Maria II, Queen of Portugal (1819-1853) (1837) door John Simpson
            #3 van 20

            D. Maria II, Queen of Portugal (1819-1853)

            Leeftijd 48 – 57 · Imperial Museum of Brazil

            The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

          3. 1840s
            Sir Charles Napier (1786–1860), Admiral (1841) door John Simpson
            Nr. 15 van 20

            Sir Charles Napier (1786–1860), Admiral

            Leeftijd 58 – 65 · Scottish National Portrait Gallery

            The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

          Vragen over de schilderijen van John Simpson

          Wat is het beroemdste schilderij van John Simpson?Toon het antwoord

          The Duke of Wellington (1769–1852), Het Koninklijk Hospitaal Chelsea, Londen. Daarna volgen Clarkson Frederick Stanfield (1829) en D. Maria II, Queen of Portugal (1819-1853) (1837).

          Wat zijn de top 10 schilderijen van John Simpson?Toon het antwoord

          The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) en Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

          Hoeveel schilderijen heeft John Simpson gemaakt?Toon het antwoord

          Onze catalogus bevat 22 werken van John Simpson, gedateerd van 1822 tot 1841.

          Waar zijn de beroemdste schilderijen van John Simpson?Toon het antwoord

          De meeste bevinden zich in National Portrait Gallery (Londen), National Maritime Museum (Londen) en Het Koninklijk Hospitaal Chelsea (Londen). De bovenstaande tabel somt de musea één voor één op.

          Wanneer schilderde John Simpson de beroemdste werken?Toon het antwoord

          In 1830s: 9 van de 20 werken op deze pagina dateren uit die periode, waaronder D. Maria II, Queen of Portugal (1819-1853).

          Wat zijn de vroegste en de meest recente beroemde schilderijen van John Simpson?Toon het antwoord

          De oudste op deze pagina is Captain Peter Heywood (1773–1831) (1822), de nieuwste Sir Charles Napier (1786–1860), Admiral (1841).

          Wat schilderde John Simpson het vaakst?Toon het antwoord

          Man (13), Dark background (5) en Portrait (4), van de 20 werken op deze pagina.

          Welk medium gebruikte John Simpson het meest?Toon het antwoord

          Oil On Canvas: 10 van de 20 werken op deze pagina.

          Welke schilderijen van John Simpson kan ik zien in het National Portrait Gallery?Toon het antwoord

          Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) en Sir Herbert Taylor behoren tot de 3 werken op deze pagina die in het National Portrait Gallery, Londen worden bewaard.

          Kan ik een reproductie kopen van een schilderij van John Simpson?Toon het antwoord

          Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

          Over John Simpson

          John Simpson: A Life in Portraiture

          Early Life and Training

          • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
          • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
          • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

          Artistic Development and Style

          • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
          • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
          • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

          Major Achievements and Commissions

          • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
          • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
          • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

          ‘The Captive Slave’ and Rediscovery

          • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
          • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
          • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

          Legacy and Historical Significance

          • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
          • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
          • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.
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