John Mare, 1739 – 1803

Schilderijen van John Mare: De 3 beroemdste werken, gerangschikt

Het beroemdste schilderij van John Mare is Dr. Benjamin Youngs Prime (1733-1791) (1774), in het New York Historical Society, New York City. Met John Keteltas (1739-1766) (1767) en Jeremiah Platt (1767) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 3 werken van John Mare; de 3 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

Portret van John Mare
John Mare · 1739 – 1803
Geboren · overleden
1739 – 1803, New York City
Werken in onze catalogus
3
Meest bekend
Dr. Benjamin Youngs Prime (1733-1791) (1774)
Meeste werken in
New York Historical Society

De 10 beroemdste schilderijen van John Mare

Dr. Benjamin Youngs Prime (1733-1791) (1774) door John Mare
1

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, New York City

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

Handgeschilderde olieverfreproductie vanaf $181 27 × 37 cm
John Keteltas (1739-1766) (1767) door John Mare
2

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, New York City

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

Handgeschilderde olieverfreproductie vanaf $181 29 × 35 cm
Jeremiah Platt (1767) door John Mare
3

Jeremiah Platt

1767 · Metropolitan Museum of Art, New York

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

Handgeschilderde olieverfreproductie vanaf $181 28 × 36 cm Zelfde formaat als het origineel $516 98 × 123 cm Bestel in de originele afmetingen →

De onderwerpen die John Mare het meest schilderde

De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

Waar u de schilderijen van John Mare kunt bekijken

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van John Mare Schilderijen uit deze lijst
New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

De beroemdste schilderijen van John Mare, jaar voor jaar

John Mare schilderde slechts 8 jaar lang, van 1767 tot 1774: volg dat decennium jaar voor jaar, aan de hand van de schilderijen die de naam groot maakten.

  1. 1767
    John Keteltas (1739-1766) (1767) door John Mare
    #2 van 3

    John Keteltas (1739-1766)

    Leeftijd 28 · New York Historical Society

    A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

  2. 1767
    Jeremiah Platt (1767) door John Mare
    Nr. 3 van 3

    Jeremiah Platt

    Leeftijd 28 · Metropolitan Museum of Art

    Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

  3. 1774
    Dr. Benjamin Youngs Prime (1733-1791) (1774) door John Mare
    Nr. 1 van 3

    Dr. Benjamin Youngs Prime (1733-1791)

    Leeftijd 35 · New York Historical Society

    The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

Vragen over de schilderijen van John Mare

Wat is het beroemdste schilderij van John Mare?Toon het antwoord

Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Daarna volgen John Keteltas (1739-1766) (1767) en Jeremiah Platt (1767).

Hoe oud was John Mare toen Dr. Benjamin Youngs Prime (1733-1791) werd geschilderd?Toon het antwoord

35 jaar oud: Dr. Benjamin Youngs Prime (1733-1791) dateert uit 1774 en John Mare werd geboren in 1739.

Hoeveel schilderijen heeft John Mare gemaakt?Toon het antwoord

Onze catalogus bevat 3 werken van John Mare, gedateerd van 1767 tot 1774.

Waar zijn de beroemdste schilderijen van John Mare?Toon het antwoord

De meeste bevinden zich in New York Historical Society (New York City) en Metropolitan Museum of Art (New York). De bovenstaande tabel somt de musea één voor één op.

Wanneer schilderde John Mare de beroemdste werken?Toon het antwoord

In 1767: 2 van de 3 werken op deze pagina dateren uit die periode, waaronder John Keteltas (1739-1766).

Wat zijn de vroegste en de meest recente beroemde schilderijen van John Mare?Toon het antwoord

De oudste op deze pagina is John Keteltas (1739-1766) (1767), de nieuwste Dr. Benjamin Youngs Prime (1733-1791) (1774).

Wat schilderde John Mare het vaakst?Toon het antwoord

Man (2), Wig (2) en Cravat (2), van de 3 werken op deze pagina.

Welke schilderijen van John Mare kan ik zien in het New York Historical Society?Toon het antwoord

Dr. Benjamin Youngs Prime (1733-1791) en John Keteltas (1739-1766) behoren tot de 2 werken op deze pagina die in het New York Historical Society, New York City worden bewaard.

Kan ik een reproductie kopen van een schilderij van John Mare?Toon het antwoord

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

Over John Mare

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.