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On the Coast of France
Handgeschilderde olieverfreproductie vanaf $181 39 × 26 cm
Zelfde formaat als het origineel $271 77 × 51 cm Bestel in de originele afmetingen →
Het beroemdste schilderij van John Appleton Brown is On the Coast of France (1875), in het Museum of Fine Arts, Boston. Met New England Landscape (1887) en A Showery May Morning wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 6 werken van John Appleton Brown; de 6 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van John Appleton Brown | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning |
 Harvard Art Museums |
Cambridge | 1 | Pond in the Woods |
Van 1875 tot 1887 beslaat de carrière van John Appleton Brown 13 jaar, iets meer dan een decennium: hier is het jaar voor jaar, met de beroemdste schilderijen van elk jaar.
On the Coast of France (1875), Museum of Fine Arts, Boston. Daarna volgen New England Landscape (1887) en A Showery May Morning.
31 jaar oud: On the Coast of France dateert uit 1875 en John Appleton Brown werd geboren in 1844.
Onze catalogus bevat 6 werken van John Appleton Brown, gedateerd van 1875 tot 1887.
De meeste bevinden zich in Museum of Fine Arts (Boston) en Harvard Art Museums (Cambridge). De bovenstaande tabel somt de musea één voor één op.
De oudste op deze pagina is On the Coast of France (1875), de nieuwste New England Landscape (1887).
On the Coast of France, New England Landscape en A Showery May Morning behoren tot de 5 werken op deze pagina die in het Museum of Fine Arts, Boston worden bewaard.
Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.