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Blessed Bridget
Handgeschilderde olieverfreproductie vanaf $181 25 × 40 cm
Zelfde formaat als het origineel $583 96 × 149 cm Bestel in de originele afmetingen →
Het beroemdste schilderij van Jerónimo Cosida is Blessed Bridget (1550), in het University of Navarra Museum, Pamplona. Met The birth of John the Baptist (1578) en Noli Me Tangere (1570) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 3 werken van Jerónimo Cosida; de 3 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.
The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment of spiritual encounter. The painting presents a biblical episode that many interpret as the Resurrection, specifically the moment Jesus meets Mary Magdalene. There is a palpable tension in the air as the figures interact within this sacred narrative.
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Jerónimo Cosida | Schilderijen uit deze lijst |
|---|---|---|---|
 University of Navarra Museum |
Pamplona | 1 | Blessed Bridget |
 Saragossa Museum |
Zaragoza | 1 | The birth of John the Baptist |
 Museo del Prado |
Madrid | 1 | Noli Me Tangere |
29 jaar aan werk van Jerónimo Cosida, van 1550 tot 1578, jaar voor jaar: de beroemdste schilderijen van elk jaar, in chronologische volgorde.
The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment…
Blessed Bridget (1550), University of Navarra Museum, Pamplona. Daarna volgen The birth of John the Baptist (1578) en Noli Me Tangere (1570).
40 jaar oud: Blessed Bridget dateert uit 1550 en Jerónimo Cosida werd geboren in 1510.
Onze catalogus bevat 3 werken van Jerónimo Cosida, gedateerd van 1550 tot 1578.
De meeste bevinden zich in University of Navarra Museum (Pamplona), Saragossa Museum (Zaragoza) en Museo del Prado (Madrid). De bovenstaande tabel somt de musea één voor één op.
De oudste op deze pagina is Blessed Bridget (1550), de nieuwste The birth of John the Baptist (1578).
Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.
In the golden era of the Spanish Renaissance, few figures commanded as much versatility and devotion as Jerónimo Vicente Vallejo Cósida. Born into a noble family around 1510, Cósida was far more than a mere painter; he was a true polymath of the sixteenth century, weaving his creative spirit through the disciplines of sculpture, goldsmithing, and architecture. His life, spanning nearly sixty years of tireless artistic production, was deeply rooted in the province of Zaragoza, where he became a cornerstone of the Aragonese Renaissance. As an artist who never traveled to Italy, his mastery was not born of direct pilgrimage to the heart of the Renaissance, but rather through a profound ability to absorb and translate the most sophisticated European currents into a uniquely Spanish vernacular.
The evolution of Cósida’s hand is a journey from the meticulous precision of his early training to the sweeping, emotive grandeur of Mannerism. Having studied in Valencia under the guidance of Vicente Masip, he began his career with a focus on the intricate details of altarpieces and mural paintings. His early works, such as the Altarpiece of San Juan Bautista for the Tarazona Cathedral, reveal a craftsman obsessed with the delicate nuances of form. As his career matured, Cósida became a pioneer of innovation in Aragon, working alongside the Italian master Tomás Peliguet to introduce a new level of sophistication to the region's sacred art. His style eventually blossomed into a sophisticated Mannerism, where he drew inspiration from the divine grace of Raphael and the subtle, atmospheric shadows of Leonardo da Vinci.
To gaze upon a work by Cósida is to witness a profound dialogue between technical rigor and spiritual elegance. He possessed an extraordinary capacity for detail, particularly in his treatment of the feminine figure and the delicate textures of drapery. His compositions were often elaborate, utilizing complex spatial arrangements that guided the viewer's eye through sacred narratives with a sense of rhythmic grace. This meticulousness was not merely decorative; it served to elevate the theological weight of his subjects, making the divine feel tangibly present within the earthly realm.
His professional life was marked by significant patronage and monumental achievements that left an indelible mark on Spanish ecclesiastical history:
Though much of his physical output has been dispersed or destroyed, the historical significance of Jerónimo Cosida remains unshakeable. He was a bridge between eras, a man who took the burgeoning influences of the High Renaissance and anchored them firmly in the soil of Spain. Through his work, the elegance of gesture, the intricacy of detail, and the majesty of sacred composition found a permanent home in the heart of Aragon, ensuring that his name would forever be linked to the dawn of Spanish modern painting.