Still Life with Green Bowl (1935) is het beroemdste schilderij van Hermann Euler, in de collectie van het Bayerische Staatsgemäldesammlungen in München. Van de 2 werken van Hermann Euler in onze catalogus zijn dit de 2 meest bekeken werken door verzamelaars en museumbezoekers, inclusief het jaar, het museum en het verhaal achter elk werk.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in oktober 2026.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Hermann Euler | Schilderijen uit deze lijst |
|---|---|---|---|
 Bayerische Staatsgemäldesammlungen |
München | 2 | Still Life with Green Bowl, Strauss |
1935 is het jaar van elk gedateerd Hermann Euler meesterwerk op deze pagina: hier zijn ze, in volgorde van bekendheid.
Still Life with Green Bowl (1935)
35 jaar oud: Still Life with Green Bowl dateert uit 1935 en Hermann Euler werd geboren in 1900.
Onze catalogus bevat 2 werken van Hermann Euler.
De meeste bevinden zich in Bayerische Staatsgemäldesammlungen (München). De bovenstaande tabel somt de musea één voor één op.
In 1935: 2 van de 2 werken op deze pagina dateren uit die periode, waaronder Still Life with Green Bowl.
Still Life with Green Bowl en Strauss behoren tot de 2 werken op deze pagina die in het Bayerische Staatsgemäldesammlungen, München worden bewaard.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.