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Portrait of the artist Armand Heins
Handgeschilderde olieverfreproductie vanaf $206 26 × 39 cm
Zelfde formaat als het origineel $231 35 × 52 cm Bestel in de originele afmetingen →
Het beroemdste schilderij van Fernand Scribe is Portrait of the artist Armand Heins (1891), in het Museum voor Schone Kunsten Gent, Gent. Met Interior of the Saint Sebaldus’ Church in Nuremberg (1891) en The Sphinx at Giza (1892) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 5 werken van Fernand Scribe; de 5 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Fernand Scribe | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum voor Schone Kunsten Gent |
Gent | 5 | Portrait of the artist Armand Heins, Interior of the Saint Sebaldus’ Church in Nuremberg, The Sphinx at Giza |
Fernand Scribe schilderde slechts 10 jaar lang, van 1891 tot 1900: volg dat decennium jaar voor jaar, aan de hand van de schilderijen die de naam groot maakten.
Portrait of the artist Armand Heins (1891), Museum voor Schone Kunsten Gent, Gent. Daarna volgen Interior of the Saint Sebaldus’ Church in Nuremberg (1891) en The Sphinx at Giza (1892).
40 jaar oud: Portrait of the artist Armand Heins dateert uit 1891 en Fernand Scribe werd geboren in 1851.
Onze catalogus bevat 5 werken van Fernand Scribe, gedateerd van 1891 tot 1900.
De meeste bevinden zich in Museum voor Schone Kunsten Gent (Gent). De bovenstaande tabel somt de musea één voor één op.
In 1891: 2 van de 5 werken op deze pagina dateren uit die periode, waaronder Portrait of the artist Armand Heins.
De oudste op deze pagina is Portrait of the artist Armand Heins (1891), de nieuwste Landscape in the Provence (1900).
Portrait of the artist Armand Heins, Interior of the Saint Sebaldus’ Church in Nuremberg en The Sphinx at Giza behoren tot de 5 werken op deze pagina die in het Museum voor Schone Kunsten Gent, Gent worden bewaard.
Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.
The industrial wealth of Ghent defines the early landscape of Fernand Scribe. Born in 1851, he carries the lineage of prosperous Flemish industrialists, yet his path diverges sharply from the factories and commerce of his family. He holds a degree in engineering, a technical achievement that sits quietly in the background of a life redirected toward the visual arts. The transition is not sudden but marked by a series of deliberate academic steps.
The Academy of Ghent provides his first formal training between 1873 and 1875. From there, he moves to Brussels, seeking the guidance of Jean-François Portaels and Alfred Cluysenaer. These years in the studios of established masters shape his eye. By the time he reaches the Académie Julian in Paris during the early 1880s, the technical foundation is set. He is no longer merely a student of the academy but a practitioner of light and form.
Scribe finds his subject matter in the movement between places. His brush captures the quietude of landscapes and the structured geometry of townscapes. The Flemish cities offer a familiar backdrop, yet his gaze extends much further. North Africa provides a different light, as seen in works like L'entrée du Bit-el-Mal à Tanger. He documents the world through specific locales, from the dunes of his landscapes to the bustling views of urban life.
His technique remains grounded in the medium of oil, often applied to panel. The scale of his work varies, ranging from intimate studies like Landscape with dunes to larger compositions. His focus remains on the tangible: the texture of a landscape or the specific character of a city view. He does not seek abstraction but rather a precise rendering of the environments he inhabits.
Beyond the easel, Scribe operates within the institutional heart of Ghent. He is a man of committees and foundations. As a member of the board of directors for the Cercle Artistique et Littéraire, he helps steer the local art scene. His influence grows through his role as an organizer of the Ghent Salons, a position he holds starting in 1883. He works to bring artists from both domestic and foreign territories into the fold, ensuring the salon's continued presence.
His commitment to the preservation of art is cemented by his actions as a collector and patron. In 1897, he becomes a founder of the Société des Amis du Musée de Gand. His personal collection, a massive accumulation of both ancient and contemporary works, reflects a deep-seated passion for the history of painting. This collection does not vanish with him; through his bequest, many of these pieces find permanent homes in the Museum of Fine Arts Ghent and the Design Museum Ghent.