Het beroemdste schilderij van Edward Steichen is Le Tournesol (The Sunflower) (1920), in het National Gallery of Art, Washington. Met Behind-the-scenes photograph, Paying the Piper (1921) en Portrait, Osgood Perkins (1923) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 47 werken van Edward Steichen; de 47 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026.
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…
Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…
To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…
Edward Steichen's "The Kid," produced in 1921 for the film starring Charles Chaplin and Jackie Coogan, stands as a quintessential example of Art Deco poster design—a bold declaration of cinematic excitement frozen in time. More than just an advertisement, it’s a meticulously crafted visual narrative that captures the spirit of its era.
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…
This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…
To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…
In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…
In the quiet, silvered depths of Edward Steichen’s 1933 masterpiece, Paul Robeson as “The Emperor Jones”, we encounter more than a mere photographic record; we witness a profound…
The scene unfolds within Lobby card, The Love Special, a work that carries the unmistakable touch of Edward Steichen. Created in 1921, this piece captures a specific moment…
In the quietude of Edward Steichen’s “In Memoriam,” one does not merely observe a photograph; one enters a sanctuary of shared sorrow. Created in 1906, this profound work…
A Window into Pictorialism and Early Cinema Edward Steichen's "Lobby Card, The Heart of the North," produced in 1921 by George H. Davis and Harry Review Productions, transcends…
Steichen’s leven werd een uitzonderlijke reis van Europese wortels naar het worden van een van Amerika's meest invloedrijke kunstenaars – niet alleen als fotograaf, maar ook als schilder,…
Edward Steichen’s 1920 painting, "Sunflower," isn’t merely a depiction of a flower; it's a poignant distillation of memory, displacement, and the enduring search for belonging. Born in the…
Preview slide, Hunting Big Game in Africa is a preview slide created by Edward Steichen in 1922. This work emerged during a period of significant cultural change, coinciding…
Isadora Duncan in the Parthenon, Athens is a photograph by Edward Steichen. Captured in 1921, the work features the dancer Isadora Duncan positioned against the architectural ruins of…
This evocative lobby card for "The Green Temptation" transports us directly into the vibrant, dramatic atmosphere of early 20th-century cinema. It is more than a mere advertisement; it…
Een Dramatische Stilte: Een Onderzoek naar Film Still, Footlights van Edward Steichen De afbeelding die voor ons ligt – een zwart-wit fotografie waarop een vrouw zit in een…
This evocative lobby card for "Java Head," dating back to 1923, transports us directly into the vibrant, dramatic heart of early cinema. It is more than just a…
To gaze upon the Advertising slide, Paramount Pictures is to step through a temporal portal, transported back to the vibrant, flickering dawn of the motion picture era. This…
The poster presents Harold Lloyd seated upon a metal bucket, his legs crossed with a quiet stillness. He wears glasses and a red shirt that pulls the eye…
Lobby card, The Blue Fox, Episode 10 is a photographic work by Edward Steichen. This piece dates to 1921. It captures a frozen moment of cinematic tension, a…
Visual Composition and Physicality Special message slide, is a vintage slide dating from 1915. The image presents a dark background that provides a high-contrast setting for the central…
In the delicate, sepia-toned realm of early twentieth-century cinema, few artifacts capture the evocative essence of storytelling quite like this lobby card for The Man from Lost River.…
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…
In this evocative black and white photograph from 1922, we are transported back to the industrial heart of early Hollywood. The image captures a profound moment within the…
The image presents a central figure of a man positioned in the foreground, looking directly forward. He wears a dark suit and a tie, topped with a wide-brimmed…
In this mesmerizing black and white portrait from 1920, the legendary photographer Edward Steichen captures more than just a face; he captures the very essence of an era.…
In this mesmerizing preview slide for the 1917 production of Cleopatra, we are transported not merely to an ancient era, but to the dawn of cinematic spectacle. The…
In this evocative film still from 1914, titled Behind the Scenes, we are transported into the golden, flickering era of early cinema. Captured through the lens of the…
Een Programma voor het Orpheum Theater: Een Kijkje Achter de Schermen van Edward Steichen’s Kunst Het programma voor het Orpheum Theater in Philadelphia uit 1915 biedt een fascinerende…
In the hauntingly silent expanse of Edward Steichen’s Aerial View of Trenches (37), the viewer is transported back to the visceral landscape of 1918. This profound photographic composition…
Een Gebroken Zonneschijn van Nostalgie: Een Analyse van Edward Steichen’s Lobby Card voor ‘Rosita’ Edward Steichen's werk staat symbool voor een tijd waarin kunstenaars de grenzen van hun…
Een Moment Vastgelegd: Een Fotografie van Edward Steichen Deze prachtige zwart-wit fotografie, getiteld "Studio site photograph, Thomas H. Ince Studios, Culver City, CA," biedt een fascinerende blik op…
#15 Studio site photograph, Famous Players-Lasky, Hollywood, CA - Foto van een studio omgeving met een acteur die recht voor je staat en zijn handen op zijn heupen heeft. Een andere acteur staat naast hem en kijkt weg naar de centrale figuur. De achtergrond l
#22 Film still, Experience
#47 Fotograaf Thomas H. Ince Studios, Culver City, CA
De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.
#9 Lobby card, Blood and Sand
#15 Studio site photograph, Famous Players-Lasky, Hollywood, CA - Foto van een studio omgeving met een acteur die recht voor je staat en zijn handen op zijn heupen heeft. Een andere acteur staat naast hem en kijkt weg naar de centrale figuur. De achtergrond l
#17 Voorbeeldslide, Jacht op Groot Wilde Dieren in Afrika
#19 Lobby card, The Green Temptation
De 6 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Edward Steichen | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum of the Moving Image |
Astoria | 32 | Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Preview slide, The Kid |
 Denver Art Museum |
Denver | 2 | Portrait of Clarence White, In Memoriam |
 George Eastman Museum |
Rochester | 2 | Paul Robeson, Sunflower |
 New Orleans Museum of Art |
New Orleans | 2 | Aerial View of Trenches, Aerial View of Trenches (37) |
 National Gallery of Art |
Washington | 1 | Le Tournesol (The Sunflower) |
 Toledo Museum of Art |
Toledo | 1 | Isadora Duncan in the Parthenon, Athens |
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to…
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting…
Le Tournesol (The Sunflower) (1920), National Gallery of Art, Washington. Daarna volgen Behind-the-scenes photograph, Paying the Piper (1921) en Portrait, Osgood Perkins (1923).
20 jaar oud: Le Tournesol (The Sunflower) dateert uit 1920 en Edward Steichen werd geboren in 1900.
Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Preview slide, The Kid, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand en Preview slide, The Immigrant. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 47 werken van Edward Steichen, gedateerd van 1909 tot 1927.
De meeste bevinden zich in Museum of the Moving Image (Astoria), Denver Art Museum (Denver) en George Eastman Museum (Rochester). De bovenstaande tabel somt de musea één voor één op.
In 1920s: 29 van de 47 werken op deze pagina dateren uit die periode, waaronder Le Tournesol (The Sunflower).
De oudste op deze pagina is The Lotus Screen, S.S.S (1909), de nieuwste Herald, The Kid Brother (1927).
Black and white (8), Early 20th century (7) en Portrait (6), van de 47 werken op deze pagina.
Black and White Photography: 8 van de 47 werken op deze pagina.
Pictorialism, zoals de schilderijen op deze pagina laten zien.
Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins en Preview slide, The Kid behoren tot de 32 werken op deze pagina die in het Museum of the Moving Image, Astoria worden bewaard.
