Edward Lear, 1812 – 1888

Schilderijen van Edward Lear: De 100 beroemdste werken, gerangschikt

Het beroemdste schilderij van Edward Lear is Cogoleto, Italy. Met Crescenza en Blue And Yellow Macaw wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 419 werken van Edward Lear; de 100 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

Portret van Edward Lear
Edward Lear · 1812 – 1888
Geboren · overleden
1812 – 1888, Highgate
Stroming
Romanticism
Werken in onze catalogus
419
Meest bekend
Cogoleto, Italy
Meeste werken in
Yale Center for British Art

De 10 beroemdste schilderijen van Edward Lear

Cogoleto, Italy door Edward Lear
1

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

Handgeschilderde olieverfreproductie vanaf $181 39 × 26 cm
Crescenza door Edward Lear
2

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

Handgeschilderde olieverfreproductie vanaf $181 46 × 22 cm
Blue And Yellow Macaw door Edward Lear
3

Blue And Yellow Macaw

Watercolor

The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.

Handgeschilderde olieverfreproductie vanaf $181 26 × 39 cm
View of Taormina in Sicily with Etna in the distance (1852) door Edward Lear
4

View of Taormina in Sicily with Etna in the distance

1852 · Oil On Canvas

This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…

Handgeschilderde olieverfreproductie vanaf $181 40 × 25 cm Zelfde formaat als het origineel $278 82 × 51 cm Bestel in de originele afmetingen →
View of Bethlehem (1859) door Edward Lear
5

View of Bethlehem

1859 · Oil On Canvas · Israël Museum, Jeruzalem

The scene known as View of Bethlehem emerges from the brush of Edward Lear. This oil on canvas captures a specific moment in time, dated 1861. The work stretches across a surface measuring 71 x 115 cm, offering a wide window into a quiet, rural existence. One feels the weight of the atmosphere through the medium of oil, which allows for a delicate layering of color and light.

Handgeschilderde olieverfreproductie vanaf $181 39 × 26 cm
The Pyramids of Ghizeh (1873) door Edward Lear
6

The Pyramids of Ghizeh

1873 · Watercolor

In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…

Handgeschilderde olieverfreproductie vanaf $206 45 × 22 cm
The Temple of Apollo at Bassae (1855) door Edward Lear
7

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Handgeschilderde olieverfreproductie vanaf $181 40 × 25 cm Zelfde formaat als het origineel $1159 230 × 146 cm Bestel in de originele afmetingen →
Plains Of Ashdod, Israel door Edward Lear
8

Plains Of Ashdod, Israel

Watercolor

Plains Of Ashdod, Israel is a landscape painting by Edward Lear. The work depicts the Plains of Ashdod in Israel, focusing on the specific geography of the region. The scene presents a wide, flat expanse of land that characterizes the local terrain. This landscape captures the essential physical features of the area through a series of horizontal planes.

Handgeschilderde olieverfreproductie vanaf $181 49 × 20 cm
View Of Eze, Italy door Edward Lear
9

View Of Eze, Italy

Watercolor

View Of Eze, Italy is a landscape painting by Edward Lear. The work captures a coastal scene in Italy, focusing on a village perched amidst rugged cliffs. The Mediterranean Sea extends toward the horizon, providing a vast backdrop to the terrestrial features. A distant castle sits atop one of the peaks, adding a sense of history to the topography.

Handgeschilderde olieverfreproductie vanaf $181 39 × 26 cm
Ithaca, Ionian Islands door Edward Lear
10

Ithaca, Ionian Islands

Watercolor

Ithaca, Ionian Islands is a watercolor sketch by Edward Lear, executed in April 1863. The work captures a landscape scene of Ithaca, one of the Ionian Islands, focusing on the region's topography and vegetation. It was produced during a period when Lear was documenting the natural beauty of the Mediterranean through intimate observations of place.

Handgeschilderde olieverfreproductie vanaf $181 38 × 26 cm

Edward Lear, schilderijen 11 tot 100

Philae, Egypt (1863) door Edward Lear
#14

Philae, Egypt

1863 · Yale Center for British Art

Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

Bestel een reproductie vanaf $181 →
Thermopylae (1872) door Edward Lear
#45

Thermopylae

1872 · The Ashmolean Museum of Art and Archaeology

In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

Haal het in huis vanaf $181 →

De onderwerpen die Edward Lear het meest schilderde

De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

Waar u de schilderijen van Edward Lear kunt bekijken

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Edward Lear Schilderijen uit deze lijst
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondenGovernment Art Collection Londen 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art and Archaeology, OxfordThe Ashmolean Museum of Art and Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israël Museum, JeruzalemIsraël Museum Jeruzalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 De Bergen van Thermopylae
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Het beroemdste schilderij van Edward Lear uit elk decennium

  1. 1830s
  2. 1840s
    Between Olavano and Civitella (1842) door Edward Lear
    #16 van 100

    Between Olavano and Civitella

    Leeftijd 28 – 37 · Yale Center for British Art

    Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

  3. 1850s
    View of Taormina in Sicily with Etna in the distance (1852) door Edward Lear
    Nr. 4 van 100

    View of Taormina in Sicily with Etna in the distance

    Leeftijd 38 – 47

    This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of…

  4. 1860s
    Philae, Egypt (1863) door Edward Lear
    #14 van 100

    Philae, Egypt

    Leeftijd 48 – 57 · Yale Center for British Art

    Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

  5. 1870s
    The Pyramids of Ghizeh (1873) door Edward Lear
    Rang 6 / 100

    The Pyramids of Ghizeh

    Leeftijd 58 – 67

    In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong…

  6. 1880s
    The Plains of Lombardy from Monte Generoso (1880) door Edward Lear
    Rang 15 / 100

    The Plains of Lombardy from Monte Generoso

    Leeftijd 68 – 76 · The Ashmolean Museum of Art and Archaeology

    In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

Vragen over de schilderijen van Edward Lear

Wat is het beroemdste schilderij van Edward Lear?Toon het antwoord

Cogoleto, Italy. Daarna volgen Crescenza en Blue And Yellow Macaw.

Wat zijn de top 10 schilderijen van Edward Lear?Toon het antwoord

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy en Ithaca, Ionian Islands. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Edward Lear gemaakt?Toon het antwoord

Onze catalogus bevat 419 werken van Edward Lear, gedateerd van 1839 tot 1882.

Waar zijn de beroemdste schilderijen van Edward Lear?Toon het antwoord

De meeste bevinden zich in Yale Center for British Art (New Haven), Government Art Collection (Londen) en The Ashmolean Museum of Art and Archaeology (Oxford). De bovenstaande tabel somt de musea één voor één op.

Wanneer schilderde Edward Lear de beroemdste werken?Toon het antwoord

In 1860s: 14 van de 100 werken op deze pagina dateren uit die periode, waaronder Philae, Egypt.

Wat zijn de vroegste en de meest recente beroemde schilderijen van Edward Lear?Toon het antwoord

De oudste op deze pagina is Civita Castellana (1839), de nieuwste The Marble Rocks - Nerbudda Jubbolpore (1882).

Wat schilderde Edward Lear het vaakst?Toon het antwoord

Landscape (12), Scenes (10) en Italy (10), van de 100 werken op deze pagina.

Welk medium gebruikte Edward Lear het meest?Toon het antwoord

Watercolor: 8 van de 100 werken op deze pagina.

Bij welke kunststroming behoort Edward Lear?Toon het antwoord

Romanticism, zoals de schilderijen op deze pagina laten zien.

Welke schilderijen van Edward Lear kan ik zien in het Yale Center for British Art?Toon het antwoord

Philae, Egypt, Between Olavano and Civitella en A Study of Ferns, Civitella behoren tot de 14 werken op deze pagina die in het Yale Center for British Art, New Haven worden bewaard.

Kan ik een reproductie kopen van een schilderij van Edward Lear?Toon het antwoord

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

Over Edward Lear

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked to whimsical verse and delightfully peculiar illustrations, was far more than simply the creator of limericks and fantastical creatures. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a chaotic yet vibrant microcosm of Victorian life – his early years were marked by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, surprisingly, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape, qualities that profoundly shaped his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating an extraordinary eye for detail and anatomical accuracy. This early work wasn’t merely technical; it was imbued with a deep respect for the natural world – a fascination that would become central to his later landscape paintings. His illustrations were meticulously rendered, capturing the subtle nuances of plumage and form with astonishing realism. This dedication brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to document the exotic creatures residing within his private menagerie at Knowsley Hall near Liverpool. These years spent amongst lions, tigers, and parrots weren’t just a job; they fostered a profound connection with the animal kingdom – a connection that would inform his later artistic vision. However, failing eyesight and increasingly debilitating respiratory issues eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not just for its beauty but also for its perceived healing qualities. His landscapes, characterized by delicate watercolors and an atmospheric sensitivity, often depicted the subtle shifts of light and shadow, revealing a remarkable understanding of color and composition.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. He wasn’t simply writing jokes; he was exploring themes of loneliness, longing, and the inherent absurdity of existence – all wrapped in a veneer of whimsicality. His work challenged established poetic conventions, prioritizing playful experimentation over rigid structure.

Influences and Artistic Development

Lear's artistic development was shaped by a complex interplay of influences:
  • Early Influences: Lear’s initial training focused on scientific illustration, demanding precision and observation. This foundation instilled in him a meticulous attention to detail, which he carried through his later work.
  • Travel & Landscape Painting: His extensive travels throughout Europe and Asia profoundly influenced his landscape style. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive approach characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.