Cephas Thompson, 1775 – 1856

Schilderijen van Cephas Thompson: De 55 beroemdste werken, gerangschikt

Het beroemdste schilderij van Cephas Thompson is Mrs. Cephas Thompson (Olivia Leonard) (1810), in het Metropolitan Museum of Art, New York. Met The Frightened Girl (1810) en Maria De Wolf (Mrs. Robert Rogers) (1805) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 55 werken van Cephas Thompson; de 55 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

Portret van Cephas Thompson
Cephas Thompson · 1775 – 1856
Geboren · overleden
1775 – 1856, Middleborough
Stroming
Impressionism
Werken in onze catalogus
55
Meest bekend
Mrs. Cephas Thompson (Olivia Leonard) (1810)
Meeste werken in
National Gallery of Canada

De 10 beroemdste schilderijen van Cephas Thompson

Mrs. Cephas Thompson (Olivia Leonard) (1810) door Cephas Thompson
1

Mrs. Cephas Thompson (Olivia Leonard)

1810 · Oil On Canvas · Metropolitan Museum of Art, New York

The portrait titled Mrs. Cephas Thompson (Olivia Leonard) captures a quiet moment of presence. It was painted by Cephas Thompson, an American artist born in Middleborough, Massachusetts. The subject of this work is Olive Leonard, the wife of the painter. Their connection is etched into the very intent of the brushwork, turning a formal likeness into a private record of a shared life.

Handgeschilderde olieverfreproductie vanaf $181 26 × 39 cm Zelfde formaat als het origineel $447 80 × 122 cm Bestel in de originele afmetingen →
The Frightened Girl (1810) door Cephas Thompson
2

The Frightened Girl

1810 · Oil On Canvas · Museum of Fine Arts, Boston

The Frightened Girl is an oil on canvas work by the American painter Cephas Thompson. Executed about 1810, the portrait captures a woman positioned within a landscape. Thompson, born in Middleborough, Massachusetts, was a prominent figure in early nineteenth-century American portraiture, known for his ability to navigate both intimate miniatures and larger-scale compositions.

Handgeschilderde olieverfreproductie vanaf $206 29 × 35 cm Zelfde formaat als het origineel $324 64 × 76 cm Bestel in de originele afmetingen →
Maria De Wolf (Mrs. Robert Rogers) (1805) door Cephas Thompson
3

Maria De Wolf (Mrs. Robert Rogers)

1805 · Oil On Canvas · Museum of Fine Arts, Boston

In this vertically oriented portrait from about 1805, Cephas Thompson captures Maria De Wolf (Mrs. Robert Rogers) in a quiet, three-quarter view. She is positioned slightly to the left of center, her presence anchored by the weight of an open book held in her hands. The subject rests within a muted, architectural setting where the straight lines of a window frame and a table provide a structured geometry to the…

Handgeschilderde olieverfreproductie vanaf $181 29 × 35 cm Zelfde formaat als het origineel $268 56 × 69 cm Bestel in de originele afmetingen →
Giant's Tomb, Georgian Bay door Cephas Thompson
4

Giant's Tomb, Georgian Bay

Oil

Giant's Tomb, Georgian Bay is a work by the American painter Cephas Thompson. Born in 1775, Thompson established a presence in the American art landscape during the early nineteenth century. His practice was characterized by a transition from the precision of portraiture toward the expansive study of natural environments.

Handgeschilderde olieverfreproductie vanaf $181 35 × 28 cm

Cephas Thompson, schilderijen 11 tot 55

De onderwerpen die Cephas Thompson het meest schilderde

De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

Waar u de schilderijen van Cephas Thompson kunt bekijken

De 3 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Cephas Thompson Schilderijen uit deze lijst
National Gallery of Canada, OttawaNational Gallery of Canada Ottawa 5 Spring, French River, Lumber Dam, Split Rock, Georgian Bay
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 The Frightened Girl, Maria De Wolf (Mrs. Robert Rogers)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mrs. Cephas Thompson (Olivia Leonard)

De beroemdste schilderijen van Cephas Thompson, jaar voor jaar

Cephas Thompson was slechts 6 jaar actief, van 1805 tot 1810. Hier is die korte carrière jaar voor jaar, aan de hand van de beroemdste schilderijen.

  1. 1805
    Maria De Wolf (Mrs. Robert Rogers) (1805) door Cephas Thompson
    Rang 3 / 55

    Maria De Wolf (Mrs. Robert Rogers)

    Leeftijd 30 · Museum of Fine Arts

    In this vertically oriented portrait from about 1805, Cephas Thompson captures Maria De Wolf (Mrs. Robert Rogers) in a quiet, three-quarter view. She is positioned slightly to the…

  2. 1810
    Mrs. Cephas Thompson (Olivia Leonard) (1810) door Cephas Thompson
    Nr. 1 van 55

    Mrs. Cephas Thompson (Olivia Leonard)

    Leeftijd 35 · Metropolitan Museum of Art

    The portrait titled Mrs. Cephas Thompson (Olivia Leonard) captures a quiet moment of presence. It was painted by Cephas Thompson, an American artist born in Middleborough, Massachusetts. The…

  3. 1810
    The Frightened Girl (1810) door Cephas Thompson
    Rang 2 / 55

    The Frightened Girl

    Leeftijd 35 · Museum of Fine Arts

    The Frightened Girl is an oil on canvas work by the American painter Cephas Thompson. Executed about 1810, the portrait captures a woman positioned within a landscape. Thompson,…

Vragen over de schilderijen van Cephas Thompson

Wat is het beroemdste schilderij van Cephas Thompson?Toon het antwoord

Mrs. Cephas Thompson (Olivia Leonard) (1810), Metropolitan Museum of Art, New York. Daarna volgen The Frightened Girl (1810) en Maria De Wolf (Mrs. Robert Rogers) (1805).

Hoe oud was Cephas Thompson toen Mrs. Cephas Thompson (Olivia Leonard) werd geschilderd?Toon het antwoord

35 jaar oud: Mrs. Cephas Thompson (Olivia Leonard) dateert uit 1810 en Cephas Thompson werd geboren in 1775.

Wat zijn de top 10 schilderijen van Cephas Thompson?Toon het antwoord

Mrs. Cephas Thompson (Olivia Leonard), The Frightened Girl, Maria De Wolf (Mrs. Robert Rogers), Giant's Tomb, Georgian Bay, Nicholas Robinson -, Reverend William Bruce, Lake In Algonquin Park, Lake, Shore And Sky, Autumn, Algonquin Park en James Ingram. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Cephas Thompson gemaakt?Toon het antwoord

Onze catalogus bevat 55 werken van Cephas Thompson, gedateerd van 1805 tot 1810.

Waar zijn de beroemdste schilderijen van Cephas Thompson?Toon het antwoord

De meeste bevinden zich in National Gallery of Canada (Ottawa), Museum of Fine Arts (Boston) en Metropolitan Museum of Art (New York). De bovenstaande tabel somt de musea één voor één op.

Wanneer schilderde Cephas Thompson de beroemdste werken?Toon het antwoord

In 1810: 2 van de 55 werken op deze pagina dateren uit die periode, waaronder Mrs. Cephas Thompson (Olivia Leonard).

Wat zijn de vroegste en de meest recente beroemde schilderijen van Cephas Thompson?Toon het antwoord

De oudste op deze pagina is Maria De Wolf (Mrs. Robert Rogers) (1805), de nieuwste Mrs. Cephas Thompson (Olivia Leonard) (1810).

Wat schilderde Cephas Thompson het vaakst?Toon het antwoord

Sky (6), Landscape (5) en Lakes (5), van de 55 werken op deze pagina.

Welk medium gebruikte Cephas Thompson het meest?Toon het antwoord

Oil On Canvas: 3 van de 55 werken op deze pagina.

Bij welke kunststroming behoort Cephas Thompson?Toon het antwoord

Impressionism, zoals de schilderijen op deze pagina laten zien.

Welke schilderijen van Cephas Thompson kan ik zien in het National Gallery of Canada?Toon het antwoord

Spring, French River, Lumber Dam en Split Rock, Georgian Bay behoren tot de 5 werken op deze pagina die in het National Gallery of Canada, Ottawa worden bewaard.

Kan ik een reproductie kopen van een schilderij van Cephas Thompson?Toon het antwoord

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

Over Cephas Thompson

The Luminescent Legacy of Thomas Clement Thompson

In the grand tapestry of nineteenth-century art, few threads are as delicately woven as those left by Thomas Clement Thompson. A master of both the intimate and the expansive, Thompson’s career serves as a bridge between the meticulous precision of Georgian portraiture and the atmospheric, emotive depths of the Luminist movement. Born in Belfast in 1780, his life was shaped by the intellectual and artistic currents of an era defined by transition. His early training at the Dublin Society Schools, which began in 1796, provided him with a rigorous academic foundation, instilling a profound command over draughtsmanship and tonal manipulation that would remain the hallmark of his artistry throughout his long and distinguished life.

Thompson first rose to prominence through the delicate medium of portrait miniatures. These small-scale works, characterized by their remarkable sensitivity, allowed him to capture the very essence of his subjects with a precision that enchanted the high society of Belfast and Dublin. There is an inherent intimacy in the miniature, a quiet dialogue between the artist and the sitter, which Thompson navigated with unparalleled grace. His ability to render nuanced expressions and the subtle textures of skin and fabric made him a sought-after chronicler of the era's most notable figures, including royalty such as George IV.

A Transition Toward the Sublime

As the nineteenth century progressed, Thompson underwent a profound artistic metamorphosis. Between 1803 and 1809, he made the deliberate and daring decision to pivot from the miniature format toward large-scale portraiture and landscape painting. This shift was not merely a change in scale, but a fundamental evolution in his aesthetic philosophy. Influenced by the monumental styles of Joshua Reynolds and Benjamin West, Thompson began to explore the concept of the sublime—the idea that art should evoke awe through the depiction of nature's grandeur and the play of light.

This period saw him embracing the principles of Luminism, a style that prioritizes the effects of light and atmosphere. In his landscapes, such as the evocative Early Snow, Algonquin Park or the dynamic Thunder Cloud, one can witness his mastery of atmospheric perspective. He utilized soft, diffused light and muted color palettes to create immersive vistas where the boundaries between earth and sky seem to dissolve. Through these works, Thompson did not merely paint scenery; he captured the ephemeral, fleeting moments of weather and light that define the human experience of the natural world.

Legacy and Historical Significance

Thompson’s influence extended far beyond the borders of Ireland. By 1817, his burgeoning success led him to establish a new studio in London, where he became a regular fixture at the prestigious Royal Academy exhibitions. His presence in the London art scene solidified his reputation as an international figure of significant merit. His commitment to the institutionalization of art was equally profound; as a founding member of the Royal Hibernian Academy, he played a crucial role in shaping the artistic landscape of Ireland for generations to come.

The later years of his life saw him settling in Cheltenham, where he continued to refine his craft until his passing in 1857. When reflecting on his body of work, several key achievements emerge:

  • Mastery of Scale: His seamless transition from the microscopic detail of miniatures to the sweeping vistas of landscape painting.
  • Luminist Innovation: His ability to use light as a primary subject, creating atmospheric depth and emotional resonance.
  • Institutional Impact: His foundational role in the Royal Hibernian Academy, fostering a structured environment for Irish artists.
  • Societal Connection: His skill in capturing the likenesses of the political and social elite, preserving the visual history of the Georgian and Victorian eras.

Today, the works of Thomas Clement Thompson remain vital touchstones for students of art history. They stand as a testament to an artist who could move effortlessly between the quietest whisper of a portrait and the thunderous roar of a storm-swept sky, leaving behind a legacy of light, shadow, and enduring beauty.