Basawan, 1560 – 1600

Schilderijen van Basawan: De 13 beroemdste werken, gerangschikt

Het beroemdste schilderij van Basawan is Mihrdukht aims her arrow at the ring (1570), in het Metropolitan Museum of Art, New York. Met The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) en The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) wordt de trilogie van de drie werken die iedereen herkent voltooid. Onze catalogus bevat 13 werken van Basawan; de 13 hieronder zijn de werken die de wereld het meest bekijkt, elk met het jaartal, het museum waar het zich bevindt en de reden waarom het belangrijk is.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

Portret van Basawan
Basawan · 1560 – 1600
Geboren · overleden
1560 – 1600, Uttar Pradesh
Werken in onze catalogus
13
Meest bekend
Mihrdukht aims her arrow at the ring (1570)
Meeste werken in
Cleveland Museum of Art

De 10 beroemdste schilderijen van Basawan

Mihrdukht aims her arrow at the ring (1570) door Basawan
1

Mihrdukht aims her arrow at the ring

1570 · Tempera · Metropolitan Museum of Art, New York

The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture that freezes the very pulse of the court. Below her, the world unfolds in layers of architectural precision and organic life. Attendants and observers gather in the shadows of the structure, their eyes drawn upward to the woman and her task. The…

Handgeschilderde olieverfreproductie vanaf $406 28 × 36 cm Zelfde formaat als het origineel $484 52 × 68 cm Bestel in de originele afmetingen →

Basawan, schilderijen 11 tot 13

Waar u de schilderijen van Basawan kunt bekijken

De 6 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Basawan Schilderijen uit deze lijst
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 8 The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Mihrdukht aims her arrow at the ring
Victoria and Albert Museum, LondenVictoria and Albert Museum Londen 1 Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama
San Diego Museum of Art, San DiegoSan Diego Museum of Art San Diego 1 The Virgin and Child
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 A Mughal and a Rajput Converse at Dusk

Het beroemdste schilderij van Basawan uit elk decennium

  1. 1570s
    Mihrdukht aims her arrow at the ring (1570) door Basawan
    Nr. 1 van 13

    Mihrdukht aims her arrow at the ring

    Leeftijd 10 – 19 · Metropolitan Museum of Art

    The air holds its breath as Mihrdukht leans over the balcony, her focus narrowing to a single, slender point. She aims her arrow at the ring, a gesture…

  2. 1580s
  3. 1590s

Vragen over de schilderijen van Basawan

Wat is het beroemdste schilderij van Basawan?Toon het antwoord

Mihrdukht aims her arrow at the ring (1570), Metropolitan Museum of Art, New York. Daarna volgen The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) en The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).

Hoe oud was Basawan toen Mihrdukht aims her arrow at the ring werd geschilderd?Toon het antwoord

10 jaar oud: Mihrdukht aims her arrow at the ring dateert uit 1570 en Basawan werd geboren in 1560.

Wat zijn de top 10 schilderijen van Basawan?Toon het antwoord

Mihrdukht aims her arrow at the ring, The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night, The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur), Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer, The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, The Virgin and Child, The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) en Page from Tales of a Parrot (Tuti-nama): text page. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Basawan gemaakt?Toon het antwoord

Onze catalogus bevat 13 werken van Basawan, gedateerd van 1570 tot 1596.

Waar zijn de beroemdste schilderijen van Basawan?Toon het antwoord

De meeste bevinden zich in Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (New York) en Victoria and Albert Museum (Londen). De bovenstaande tabel somt de musea één voor één op.

Wanneer schilderde Basawan de beroemdste werken?Toon het antwoord

In 1590s: 4 van de 13 werken op deze pagina dateren uit die periode, waaronder Akbar visits the tomb of Khwajah Mu'in ad-Din Chishti at Ajmer.

Wat zijn de vroegste en de meest recente beroemde schilderijen van Basawan?Toon het antwoord

De oudste op deze pagina is Mihrdukht aims her arrow at the ring (1570), de nieuwste The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318) (1596).

Welke schilderijen van Basawan kan ik zien in het Cleveland Museum of Art?Toon het antwoord

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night, The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night en The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night behoren tot de 8 werken op deze pagina die in het Cleveland Museum of Art, Cleveland worden bewaard.

Kan ik een reproductie kopen van een schilderij van Basawan?Toon het antwoord

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

Over Basawan

Basawan: The Pioneer of Mughal Portraiture

Basawan (flourished 1580–1600), a name whispered with reverence in Indian art history, stands as one of the foremost figures of the Mughal miniature tradition. Though shrouded in obscurity—details about his life remain scant—his legacy endures through his breathtaking depictions of human subjects within the monumental Akbarnama, cementing his place as an innovator who elevated portraiture to unprecedented heights. Born in New Delhi during a period of significant cultural exchange between Persia and India, Basawan’s artistic journey began amidst the opulent courts of Akbar the Great. His formative years were spent under the tutelage of Abd al-Samad, a renowned artist whose influence profoundly shaped Basawan's stylistic sensibilities. This mentorship instilled within him a meticulous observation of human anatomy and expression—a hallmark that distinguishes his work from contemporaries.
  • Akbarnama Influence: Basawan’s contribution to the Akbarnama is arguably his most celebrated achievement. Unlike previous chronicles, Akbar commissioned a series of portraits capturing not merely royal figures but also individuals representing diverse social strata – scholars, musicians, and artisans. This bold decision signaled a departure from conventional artistic practices and established Basawan as a trailblazer in portraying human character with remarkable realism.
  • Color Palette & Technique: Basawan’s mastery lay primarily in his exceptional color palette and technique. Utilizing opaque watercolor pigments combined with gold leaf—a practice considered revolutionary at the time—he achieved luminous hues and textural depth that captivated viewers. His meticulous layering of colors created an illusionistic effect, mirroring the subtleties of light and shadow and conveying a profound sense of atmosphere.
  • Family Legacy: Basawan’s artistic lineage continued through his son Manohar Das, who carried on the family tradition as a court painter. Today, the Das family maintains a thriving manufacturing business specializing in handcrafted carpets—a tangible connection to their ancestral heritage and a testament to the enduring influence of Basawan's artistic vision.

Exploring His Artistic Output: Beyond Akbarnama Illustrations

While the Akbarnama undoubtedly represents Basawan’s magnum opus, evidence suggests he engaged in diverse artistic endeavors extending beyond royal commissions. Fragments of manuscripts depicting scenes from Hindu mythology—particularly those featuring Tara Kalan—offer glimpses into his versatility and willingness to explore different thematic concerns. These works demonstrate a keen understanding of symbolism and narrative complexity, reflecting the broader intellectual currents of the Mughal era.
  • Notable Works: Among Basawan’s surviving paintings are depictions of angels (Peri) riding composite camels—a striking visual representation of Islamic cosmology—and portraits capturing the dignity and solemnity of royal figures.

Connections to Western Artistic Traditions

Basawan's artistic development coincided with the arrival of Jesuit missionaries in India, bringing with them European paintings that profoundly impacted Mughal artists. This exposure fostered a dialogue between Eastern and Western aesthetics—a pivotal moment in Indian art history—and Basawan’s oeuvre bears subtle traces of this influence. His meticulous attention to detail and his masterful use of perspective foreshadowed developments occurring across the ocean, marking him as an artist attuned to global artistic trends.

Historical Significance: A Reflection of Mughal Patronage

Basawan's success is inextricably linked to Akbar’s enlightened patronage—a royal commitment to fostering artistic excellence and promoting cultural enrichment. Akbar recognized Basawan’s talent and entrusted him with monumental commissions, securing his place as one of the most influential artists of his time. His work serves as a poignant reminder of the transformative power of royal support in shaping artistic innovation and preserving cultural heritage for posterity.