Introduction: The Legacy of Nagasaki Printmaking Hariya (針屋), one of the four principal Edo period publishing houses nestled in Nagasaki, stands as a testament to Japan’s fascination with foreign cultures during the Tokugawa era. More than just printers of images—they were curators of experience, capturing the vibrant atmosphere of Nagasaki’s port city and its interactions with Dutch and Chinese traders. Hariya’s contribution to *ukiyo-e* extends beyond mere artistic production; it embodies a crucial chapter in Japanese history, reflecting anxieties about openness versus isolation and markin…