Adolf Eberle, 1843 – 1914

Adolf Eberle: De 21 beroemdste schilderijen

A futile attempt (1880) is het beroemdste schilderij van Adolf Eberle. Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886) zijn de volgende twee werken die de wereld het beste kent. Van de 21 werken van Adolf Eberle in onze catalogus zijn dit de 21 meest bekeken werken door verzamelaars en museumbezoekers, inclusief het jaar, het museum en het verhaal achter elk werk.

Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.

Portret van Adolf Eberle
Adolf Eberle · 1843 – 1914
Geboren · overleden
1843 – 1914, Munich
Stroming
Realism
Werken in onze catalogus
21
Meest bekend
A futile attempt (1880)
Meeste werken in
Petit Palais

Top 10: de bekendste schilderijen van Adolf Eberle

A futile attempt (1880) door Adolf Eberle
1

A futile attempt

1880 · Lithograph

The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source, perhaps a doorway or a window, casting long, heavy shadows across the floorboards. An elderly man sits at the center, his presence anchored by the gravity of age. Around him, three figures—a young girl and two women—gather in a silent circle. They…

Handgeschilderde olieverfreproductie vanaf $256 28 × 36 cm
Return from the Hunt (1886) door Adolf Eberle
2

Return from the Hunt

1886 · Oil

A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's catch upon a table. He holds a rifle, his presence anchoring the composition. Beside him, a woman and a young boy observe the bounty, while a young man to the right holds both a rifle and a fox. The room is filled…

Handgeschilderde olieverfreproductie vanaf $256 36 × 28 cm Zelfde formaat als het origineel $358 71 × 61 cm Bestel in de originele afmetingen →
Two Hunters with Girl in the Room and Gemsbok (1886) door Adolf Eberle
3

Two Hunters with Girl in the Room and Gemsbok

1886 · Oil On Canvas

The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right side of the frame, three figures occupy the space: two men are seated at a table, while a young woman stands nearby. To the left, the scene shifts toward the results of a hunt, featuring a dead gemsbok lying on the floor…

Handgeschilderde olieverfreproductie vanaf $231 36 × 28 cm Zelfde formaat als het origineel $302 65 × 51 cm Bestel in de originele afmetingen →

De rest van de Adolf Eberle ranglijst, van 11 tot 21

De onderwerpen die Adolf Eberle het meest schilderde

De vier onderwerpen die het meest voorkomen in deze meesterwerken, met van elk het mooiste voorbeeld.

Waar u de schilderijen van Adolf Eberle kunt bekijken

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van Adolf Eberle Schilderijen uit deze lijst
Petit Palais, ParijsPetit Palais Parijs 1 Whose Dinner is it

Adolf Eberle door de jaren heen: de meesterwerken van elk jaar

Adolf Eberle was 18 jaar actief, van 1869 tot 1886: hier is die lange carrière jaar voor jaar, aan de hand van de bekendste schilderijen.

  1. 1869
  2. 1869
  3. 1880
    A futile attempt (1880) door Adolf Eberle
    #1 van 21

    A futile attempt

    Leeftijd 37

    The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source,…

  4. 1886
    Return from the Hunt (1886) door Adolf Eberle
    #2 van 21

    Return from the Hunt

    Leeftijd 43

    A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's…

  5. 1886
    Two Hunters with Girl in the Room and Gemsbok (1886) door Adolf Eberle
    Rang 3 / 21

    Two Hunters with Girl in the Room and Gemsbok

    Leeftijd 43

    The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right…

Veelgestelde vragen over de schilderijen van Adolf Eberle

Wat is het beroemdste schilderij van Adolf Eberle?Toon het antwoord

A futile attempt (1880). Daarna volgen Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886).

Op welke leeftijd schilderde Adolf Eberle A futile attempt?Toon het antwoord

37 jaar oud: A futile attempt dateert uit 1880 en Adolf Eberle werd geboren in 1843.

Wat zijn de 10 beroemdste schilderijen van Adolf Eberle?Toon het antwoord

A futile attempt, Return from the Hunt, Two Hunters with Girl in the Room and Gemsbok, A bedtime story, Thatched barn, Breakfast Time, The natural history lesson, The successful letter, The Day's Bag en Happy family in a barn interior. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen van Adolf Eberle zijn er?Toon het antwoord

Onze catalogus bevat 21 werken van Adolf Eberle, gedateerd van 1869 tot 1886.

Waar kan ik de beroemdste schilderijen van Adolf Eberle bekijken?Toon het antwoord

De meeste bevinden zich in Petit Palais (Parijs). De bovenstaande tabel somt de musea één voor één op.

In welke periode schilderde Adolf Eberle de bekendste werken?Toon het antwoord

In 1869: 2 van de 21 werken op deze pagina dateren uit die periode, waaronder A bedtime story.

Wat is het vroegste beroemde schilderij van Adolf Eberle, en het laatste?Toon het antwoord

De oudste op deze pagina is A bedtime story (1869), de nieuwste Return from the Hunt (1886).

Welke onderwerpen schilderde Adolf Eberle?Toon het antwoord

Woman (3), Table (3) en Man (2), van de 21 werken op deze pagina.

Bij welke stroming behoort het werk van Adolf Eberle?Toon het antwoord

Realism, zoals de schilderijen op deze pagina laten zien.

Waar kan ik een reproductie van Adolf Eberle kopen?Toon het antwoord

Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.

Adolf Eberle: biografie

Early Life and Artistic Training

Adolf Eberle was born in Munich, Germany, on January 11, 1843, into a family deeply rooted in the artistic tradition of Bavaria. His father, Robert Eberle, himself a painter, instilled in young Adolf a passion for visual art from an early age—a formative influence that would shape his entire career trajectory. Recognizing his son’s talent, Robert ensured he received a comprehensive education encompassing both academic pursuits and practical artistic training. Notably, Eberle enrolled at the Academy of Fine Arts in Munich in 1860, where he studied under Karl von Piloty, a respected instructor known for fostering realism and meticulous observation within the landscape genre. This mentorship proved invaluable, equipping Eberle with the foundational skills necessary to excel as a painter.

Emergence as Genre Painter

Eberle’s artistic focus quickly crystallized around genre painting—a tradition particularly prominent in Bavaria during the latter half of the 19th century. Unlike historical or mythological subjects, genre painters sought to depict everyday life, capturing scenes from rural communities and portraying the customs, traditions, and occupations of ordinary people. Eberle skillfully captured the essence of Bavarian and Tyrolean society, depicting farmers tending their fields, huntsmen pursuing game in mountainous terrain, and families engaging in domestic activities—subjects that resonated deeply with audiences of his time. His early works demonstrated a remarkable ability to convey atmosphere and emotion through precise detail and nuanced color palettes. The engraving of *Pfändung der letzten Kuh* (Mortgaging the Last Cow), created by William Unger in 1861, established him as a rising talent within the artistic landscape and garnered critical acclaim for its realism and evocative portrayal of rural life.

Notable Paintings and Artistic Style

Eberle’s oeuvre comprises numerous paintings that exemplify his distinctive artistic style—characterized by meticulous observation, tonal harmony, and an unwavering commitment to portraying authentic human experience. Among his most celebrated pieces are *Erster Rehbock* (First Stag), completed in 1879, which vividly captures the thrill of the hunt amidst the Bavarian Alps; *Feldschule in Wallensteins Lager*(Field School in Wallenstein’s Camp), depicting a classroom setting within a military encampment—a testament to his versatility as an artist; and *Die verunglückte Musikprobe*(Music Test Gone Wrong)—a poignant depiction of youthful ambition thwarted by circumstance. His paintings are imbued with warmth and luminosity, achieved through masterful use of color and light—techniques honed during his studies under Piloty. Furthermore, Eberle’s meticulous attention to detail—evident in the rendering of textures, costumes, and facial expressions—elevated his work beyond mere representation, transforming it into emotionally resonant narratives that convey a profound understanding of human psychology.

Recognition and Legacy

Adolf Eberle achieved considerable recognition during his lifetime for his contributions to Bavarian art history. His paintings were exhibited extensively in Munich and internationally, attracting critical acclaim from prominent art critics and collectors alike. The sale of *Childhood Fun* at Bonhams in 2007—fetching $16,800—demonstrated the enduring appeal of his work and underscored its significance within the broader context of Impressionist aesthetics. Similarly, the auction of *The Day's Bag* at Christie’s in London in 2012 garnered £7,500, affirming Eberle’s reputation as a master of genre painting. Beyond his artistic achievements, Eberle’s legacy extends to the naming of Solln’s Eberlestraße after him—a symbolic tribute to his enduring influence on Bavarian culture and artistic heritage. His paintings continue to inspire admiration for their ability to capture the spirit of a bygone era and convey timeless themes of rural life, family values, and human emotion.