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The Arrest of Joan of Arc
Handgeschilderde olieverfreproductie vanaf $256 27 × 36 cm
Zelfde formaat als het origineel $515 85 × 112 cm Bestel in de originele afmetingen →
The Arrest of Joan of Arc (1835) is het beroemdste schilderij van Adèle Martin. Van de 1 werken van Adèle Martin in onze catalogus zijn dit de 1 meest bekeken werken door verzamelaars en museumbezoekers, inclusief het jaar, het museum en het verhaal achter elk werk.
Gerangschikt op basis van onze populariteitsscore, die de zoekopdrachten, bezoeken en bestellingen voor elk werk combineert. Bijgewerkt in november 2026. Elk meesterwerk op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting.
1835 is het jaar van elk gedateerd Adèle Martin meesterwerk op deze pagina: hier zijn ze, in volgorde van bekendheid.
The Arrest of Joan of Arc (1835)
34 jaar oud: The Arrest of Joan of Arc dateert uit 1835 en Adèle Martin werd geboren in 1801.
Onze catalogus bevat 1 werken van Adèle Martin.
Ja. Elk schilderij op deze pagina kan worden besteld als een handgeschilderde olieverfreproductie van museumkwaliteit of als een fine art print, in de door u gekozen afmeting, via de eigen pagina van het schilderij.
Born in Dijon, France, in 1801, Joséphine Adèle Marie Martin lived a life that saw her move from the quietude of her birthplace to the bustling energy of Paris. Known to many as Adèle Martin or Adèle Dugied, she was a woman who found her voice through the brush. Her presence in the art world was most felt between 1831 and 1847, a period when she established herself as a painter capable of capturing both the dignity of a sitter and the weight of a historical moment.
Her marriage to Pierre Dugied in 1837 marked a chapter in her personal life, yet her identity remained deeply tied to her craft. She navigated the social and professional landscapes of mid-nineteenth-century France, leaving behind works that reflect the era's preoccupation with character and narrative. Her legacy is preserved in collections such as Le musée Magnin de Dijon, where her hand remains visible to those who seek the stories of the past.
Adèle Martin’s work moved between the intimate and the dramatic. She possessed the ability to focus on the subtle nuances of a person's face or the tension of a historical scene. Her repertoire included:
In her portraits, there is a sense of the individual, a way of freezing a moment of quietude or social standing. When she turned her attention to history, as seen in her depiction of Joan of Arc, the scale of her ambition shifted. She sought to translate the gravity of legend into a visual language that her contemporaries could recognize and feel.
Though her active years as a painter were concentrated in a specific window of time, the impact of her work endured. She died in Dijon in 1875, leaving behind a body of work that speaks to the skill of a woman who carved out a space for herself in a demanding profession. Her paintings remain as physical traces of her life, offering a window into the visual culture of nineteenth-century France.