Het schilderij dat A. Patrick beroemd maakte is Mrs. Benajah Johnson (1830); het hangt in het Smithsonian American Art Museum, Washington, D.C.. Van de 2 werken van A. Patrick in onze catalogus zijn dit de 2 meest bewonderde, elk gepresenteerd met de datum, het museum en wat het uniek maakt.
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Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van A. Patrick | Schilderijen uit deze lijst |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Elk gedateerd meesterwerk van A. Patrick op deze pagina behoort tot 1830: hier zijn ze.
Mrs. Benajah Johnson (1830)
Onze catalogus bevat 2 werken van A. Patrick.
De meeste bevinden zich in Smithsonian American Art Museum (Washington, D.C.). De bovenstaande tabel somt de musea één voor één op.
In 1830: 2 van de 2 werken op deze pagina dateren uit die periode, waaronder Mrs. Benajah Johnson.
Mrs. Benajah Johnson en Benajah Johnson behoren tot de 2 werken op deze pagina die in het Smithsonian American Art Museum, Washington, D.C. worden bewaard.
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.