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The blasphemous Capaneus

Naam Groep Datum

William Blake, The blasphemous Capaneus. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
William Blake wahooart.com/nl/artists/william-blake_nl/
Levensdata kunstenaar
1757 – 1827
Artistic style
Symbolic
Influences
Blake's own imagination
Notable elements or techniques
Complex etching and aquatint printing
Subject or theme
Biblical allegory

In context

The blasphemous Capaneus — William Blake

Wanneer zou dit geschilderd kunnen zijn?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 70 bij het overlijden.

Shaded: het leven van William Blake (1757–1827) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1800 Belangrijkste werkjaren: 1800–1820 Late werken: vanaf 1820

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/william-blake-the-blasphemous-capaneus-8EWSDJ-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Quinacridone Magenta #714a4c

    Gecatalogiseerd palet

    • #714A4C
    • #3D2027
    • #E3B6AA
    • #AA7A77

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Quinacridone Magenta
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van William Blake over de afgelopen twaalf maanden — in totaal 48 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 41,9%
    2. 2 Verenigde Staten van Amerika 9,9%
    3. 3 Roemenië 8,9%
    4. 4 Singapore 5,3%
    5. 5 Hongkong 4,2%
    6. 6 Italië 3,3%
    7. 7 Spanje 3,2%
    8. 8 Brazilië 2,3%
    9. 9 Frankrijk 2,3%
    10. 10 Mexico 1,6%
    11. · 38 overige landen 17,1%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van William Blake

    1. 1 Het Oude Koninkrijk, 1794 11,4%
    2. 2 De Grote Rode Draak en de Vrouw gekleed in Zon, 1806 4,8%
    3. 3 El gran dragón rojo y la mujer vestida de sol 3,2%
    4. 4 Newton 2,3%
    5. 5 The Body of Abel Found by Adam and Eve 2,3%
    6. 6 De Grote Draak en de vrouw gekleed in het zonlicht, 1805 2,2%
    7. 7 Satan Exulting over Eve, 1795 2,0%
    8. 8 The Great Red Dragon and the Woman Clothed with Sun 1,8%
    9. 9 Hecate 1,6%
    10. 10 Isaac Newton, 1795 1,5%
    11. 11 De Wervelwind van de Geliefden, Francesca da Rimini en Paolo Malatesta, 1824 1,3%
    12. 12 Elohim Creëert Adam, 1795 1,3%
    13. 13 Liederen van Onschuld (Titelpagina), 1825 1,3%
    14. 14 Jacob's Ladder, 1806 1,2%
    15. 15 De Olijfboom 1,2%
    16. 16 Whirlwind of Lovers 1,1%
    17. 17 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 1,0%
    18. 18 The Temptation and Fall of Eve, 1808 0,9%
    19. 19 Christus Op de Kruisgenagelde In Het Derde Uur, 1803 0,9%
    20. — The blasphemous Capaneus dit schilderij 0,0%

    Samen maken deze werken 43,3% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 283 werken van deze kunstenaar, waarvan 207 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    The blasphemous Capaneus — William Blake

    The Blasphemous Capaneus: A Visionary Confrontation

    William Blake’s “The Blasphemous Capaneus” isn't merely a painting; it’s an embodiment of Romantic idealism wrestling with biblical transgression, rendered in a style that anticipates Surrealism decades before its formal emergence. Created around 1814-15 during Blake’s intensely productive period—a time marked by feverish creativity and profound spiritual exploration—the artwork transcends simple depiction, striving instead to convey a complex tapestry of psychological and symbolic resonance.

    Subject Matter & Narrative: The painting confronts viewers with the biblical tale of Capaneus, King of Corinth, who defiantly challenged God’s authority by demanding that he allow him to ascend heaven and pronounce judgment upon his fellow monarchs. Blake eschews literal representation, opting for a dreamlike tableau that captures the essence of this audacious defiance rather than its precise visual details.

    Style & Technique: Blake's distinctive style—characterized by bold lines, flattened perspective, and vibrant color palettes—is immediately recognizable. He employs engraving techniques honed during his apprenticeship with James Basire, layering intricate linework over colored plates to achieve a stunning textural effect. This meticulous process lends the image an otherworldly luminescence, mirroring the artist’s preoccupation with visionary states.

    Historical Context: Romantic Rebellion Against Divine Order

    “The Blasphemous Capaneus” emerges from the turbulent intellectual landscape of the Romantic era—a movement fueled by disillusionment with Enlightenment rationalism and a fervent yearning for spiritual renewal. Blake’s work reflects the broader anxieties surrounding societal progress and the perceived decline of moral values, positioning Capaneus as a symbol of human arrogance and resistance to divine providence. The painting anticipates the Surrealist fascination with unconscious imagery and dreamlike distortions—a stylistic precursor that underscores Blake's pioneering role in challenging conventional artistic conventions.

    Symbolism: The central figure of Capaneus dominates the composition, sprawled on the ground yet radiating an aura of defiant grandeur. Surrounding him are smaller figures representing angels and demons—a deliberate juxtaposition that symbolizes the battle between faith and impiety. Blake’s masterful use of color—particularly crimson—evokes associations with blood sacrifice and divine retribution, reinforcing the painting's thematic core.

    Emotional Impact & Artistic Legacy

    “The Blasphemous Capaneus” commands attention through its unsettling beauty. Blake’s deliberate manipulation of perspective and color creates a palpable sense of drama and tension—drawing viewers into the artist's psychological realm. The painting speaks to themes of rebellion, transgression, and the confrontation between humanity and divinity—provoking contemplation on questions of morality and faith. Its enduring influence can be seen in subsequent artistic movements—most notably Surrealism—demonstrating Blake’s profound contribution to the history of art and his unwavering commitment to exploring the depths of human consciousness.

    Conclusion: More than just a depiction of biblical lore, “The Blasphemous Capaneus” represents Blake's audacious assertion of artistic freedom—a refusal to conform to societal expectations and an embrace of visionary imagination. It remains a testament to the transformative power of art—inspiring viewers to confront uncomfortable truths and to grapple with existential dilemmas.

    Kunstenaar en museum

    Kunstenaar

    William Blake

    Geboren in Londen, Verenigd Koninkrijk

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Illuminated World: Technique and Innovation

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods, he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then hand-coloring the resulting prints—a laborious but deeply personal approach that allowed for complete artistic control. This wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. His relief etching technique, born from a claimed visionary experience following his brother's death, further distinguished his work, granting it

    A distinctive textural quality

    Greater artistic freedom than traditional methods

    Beyond printmaking, Blake also worked with watercolors and tempera paints, often depicting biblical scenes or fantastical subjects imbued with symbolic weight. A key characteristic of his style was a deliberate rejection of linear perspective in favor of a more emotive, symbolic representation—a flattening of space that drew the viewer into the heart of his visionary world. He believed that true artistic expression demanded an abandonment of rational constraints and embraced instead the realm of dreams and intuition.

    Themes of Innocence, Experience, and Rebellion

    The core of Blake’s artistic output lies in its exploration of profound themes: the duality of innocence and experience, the constraints of reason versus the liberating power of imagination, and a fierce critique of societal norms.

    Songs of Innocence and of Experience (1794), perhaps his most accessible work, presents a contrasting vision of childhood—one idyllic and untainted, the other marked by hardship and corruption.

    The Marriage of Heaven & Hell (1793) is a provocative prose poem that challenges conventional morality, celebrating energy, desire, and rebellion against restrictive doctrines.

    His illustrations for Dante’s Divine Comedy showcase his dramatic vision and ability to translate complex narratives into powerful visual imagery.

    Blake's symbolism is intensely personal yet universally resonant. The tiger, in his famous poem, embodies both the awe-inspiring beauty and terrifying power of creation. Jerusalem, a sprawling epic poem that occupied him for years, reflects his spiritual and political beliefs—a vision of a renewed Albion (ancient name for Britain) free from oppression. He wasn’t merely depicting stories; he was constructing an entire mythology, populated with archetypal figures representing states of mind, forces of nature, and the eternal struggle between good and evil.

    A Legacy Rediscovered: Blake's Enduring Influence

    During his lifetime, William Blake remained largely marginalized, misunderstood by many of his contemporaries. His work was often dismissed as eccentric or even mad. He struggled financially throughout much of his life, relying on commissions and the support of a small circle of patrons like Thomas Butts. However, in the decades following his death on August 12, 1827, Blake’s reputation began to grow steadily. The Pre-Raphaelites, captivated by his visionary style and symbolic imagery, embraced him as a kindred spirit. Later movements—Symbolism and Modernism—found resonance in his emphasis on imagination, subjective experience, and spiritual themes. Blake's influence extends far beyond the realm of art; he inspired writers like Dylan Thomas and poets such as Ted Hughes. Today, William Blake is recognized as a pivotal figure in the Romantic movement, an artist whose work continues to provoke contemplation and inspire creativity—a testament to the enduring power of visionary imagination in confronting societal conventions and exploring the deepest recesses of human consciousness. His unwavering commitment to artistic freedom cemented his place as one of the most original voices of his era.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van The blasphemous Capaneus

    wahooart.com/nl/art/download/william-blake-the-blasphemous-capaneus-8EWSDJ-en/

    Citeer dit kunstwerk

    MLA
    Blake, William. The blasphemous Capaneus. n.d., https://wahooart.com/nl/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/
    APA
    Blake, William (n.d.). The blasphemous Capaneus [Painting]. https://wahooart.com/nl/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/
    Chicago
    William Blake. The blasphemous Capaneus. n.d. https://wahooart.com/nl/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/
    Harvard
    Blake, William (n.d.) The blasphemous Capaneus. Available at: https://wahooart.com/nl/art/william-blake-the-blasphemous-capaneus-8EWSDJ-en/

    Bekijk het van dichtbij

    The blasphemous Capaneus — William Blake

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: biblical story, heaven climb, divine punishment. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Newton, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Terugkerende thema's in het werk van William Blake: blake visionary style, religious mythos, divine justice. Welke daarvan ziet u hier?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    The blasphemous Capaneus — William Blake

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What biblical story does “The Blasphemous Capaneus” depict?

      • A Noah’s Ark
      • B David and Goliath
      • C Moses parting the Red Sea
    2. 2. William Blake is primarily known for his contributions to which artistic movement?

      • A Renaissance
      • B Impressionism
      • C Romantic
    3. 3. The painting utilizes engraving techniques, a method pioneered by Blake. Why was this technique significant during Blake's time?

      • A It allowed for mass production of artworks.
      • B It enabled detailed depictions of textures and surfaces.
      • C It was primarily used for portraiture
    4. 4. What is the overall atmosphere conveyed by “The Blasphemous Capaneus”?

      • A Peaceful and serene
      • B Joyful and celebratory
      • C Dramatic and intense
    5. 5. Blake’s artistic style is characterized by a blend of imagination, symbolism, and visionary imagery. How does this stylistic approach reflect the broader intellectual currents of the Romantic Age?

      • A It emphasized rational thought and scientific observation.
      • B It celebrated classical ideals of beauty and proportion.
      • C It prioritized emotional expression and subjective experience

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2C · 3B · 4C · 5C

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Wat voor soort kunstwerk is "The blasphemous Capaneus"?

    In de catalogus is "The blasphemous Capaneus" door William Blake geclassificeerd als WallArt. Deze categorie helpt bij het vinden van vergelijkbare werken.

    Wat is de aanbevolen afdrukmaat voor "The blasphemous Capaneus"?

    Voor "The blasphemous Capaneus" wordt een afdrukformaat van Large aanbevolen. Andere formaten zijn beschikbaar met dezelfde verhoudingen.

    Hoe kan ik "The blasphemous Capaneus" door William Blake bekijken als een diavoorstelling?

    De diaporama van "The blasphemous Capaneus" is te bekijken op de Diavoorstelling-pagina van het kunstwerk.