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Gids voor studentenkunst

Self Portrait

Naam Klas Datum

William Aiken Walker, Self Portrait (1914). Publiek domein

De feiten

Kunstenaar
William Aiken Walker wahooart.com/nl/artists/william-aiken-walker_nl/
Geboortedatum en -overlijden kunstenaar
1839 – 1921
Geschilderd
1914
Beweging
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Self Portrait — William Aiken Walker

Wanneer is dit geschilderd?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Shaded: het leven van William Aiken Walker (1839–1921) ▲ dit werk, 1914

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/william-aiken-walker-self-portrait-8DP9RE-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #653c33

    Gecatalogiseerd palet

    • #653C33
    • #D3B491
    • #201519
    • #AE815E
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    William Aiken Walker

    Geboren in Charleston, Verenigde Staten van Amerika

    William Aiken Walker: A Life in Paint

    William Aiken Walker (March 11, 1839 – January 3, 1921) was an American artist renowned for his genre paintings, particularly those capturing the lives of African Americans in the post-Reconstruction South. His work offers a poignant glimpse into a pivotal period of American history.

    Early Life and Influences

    Born in Charleston, South Carolina, to an Irish Protestant father and a mother with deep roots in South Carolina society, Walker’s early life was marked by relocation following his father's death in 1842. The family moved to Baltimore, Maryland, before returning to Charleston in 1848. This exposure to different environments likely shaped his artistic perspective.

    Artistic Development and Career

    Walker’s artistic journey began with formal training, though details remain scarce. He is primarily self-taught. During the American Civil War, he enlisted in the Confederate Army, serving under General Wade Hampton. Wounded at the Battle of Seven Pines in 1862, his subsequent assignment to picket duty unexpectedly provided him with time to paint.

    He became celebrated for his depictions of everyday life, focusing particularly on the experiences of Black sharecroppers and laborers. His paintings are characterized by a realistic style and an empathetic portrayal of his subjects. Two of his most recognized works – depicting scenes from rural Southern life – were reproduced as chromolithographs by Currier and Ives, significantly expanding their reach.

    Notable Works

    Bombardment of Fort Sumter, Charleston Harbor, Charleston, South Carolina, 1863: A powerful depiction of a key event initiating the Civil War. Walker meticulously rendered the siege fortifications and the anxious faces of the defenders, conveying the tension and drama of this momentous occasion.

    St. Finebar's Church, Broad Street, Charleston: Showcasing Walker’s skill in architectural painting and capturing the essence of Charleston’s cityscape. He skillfully captured the grandeur of St. Finebar’s Cathedral, utilizing light and shadow to create a sense of depth and atmosphere.

    Cotton Gin, Adams County, Mississippi: A representative example of his genre scenes focusing on agricultural labor. Walker's portrayal of cotton gin workers is notable for its sensitivity to their physical toil and emotional resilience.

    Cabin Scene 1: Illustrating the living conditions of Black sharecroppers with striking realism. This painting exemplifies Walker’s commitment to portraying the dignity and hardship of ordinary African Americans, capturing details of domestic life that reveal much about the social realities of the time.

    Themes and Style

    Walker’s work is distinguished by its focus on genre painting, a style that depicts scenes from everyday life. He masterfully captured the dignity and resilience of his subjects, offering a nuanced perspective on post-Reconstruction Southern society. His paintings often portray the hardships faced by African Americans while also highlighting their strength and community spirit.

    Historical Significance & Legacy

    Walker’s art provides valuable historical documentation of a complex period in American history. He offers insights into the social, economic, and racial dynamics of the post-Civil War South that are often absent from more formal historical accounts. His paintings serve as visual testimonies to the lives of those who lived through this era.

    He continued painting until his death on January 3, 1921, in Charleston, where he is buried in the family plot at Magnolia Cemetery. Today, his work can be found in museums such as the Gibbes Museum of Art in Charleston, South Carolina, ensuring that his legacy continues to inspire and inform future generations.

    Influences

    While specific artistic influences are not extensively documented, Walker’s realism suggests an awareness of contemporary American genre painters. His focus on social commentary aligns with a broader trend in 19th-century art towards addressing issues of class and inequality.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Self Portrait

    wahooart.com/nl/art/download/william-aiken-walker-self-portrait-8DP9RE-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Walker, William Aiken. Self Portrait. 1914, https://wahooart.com/nl/art/william-aiken-walker-self-portrait-8DP9RE-en/
    APA
    Walker, William Aiken (1914). Self Portrait [Painting]. https://wahooart.com/nl/art/william-aiken-walker-self-portrait-8DP9RE-en/
    Chicago
    William Aiken Walker. Self Portrait. 1914. https://wahooart.com/nl/art/william-aiken-walker-self-portrait-8DP9RE-en/
    Harvard
    Walker, William Aiken (1914) Self Portrait. Available at: https://wahooart.com/nl/art/william-aiken-walker-self-portrait-8DP9RE-en/

    Kijk goed naar

    Self Portrait — William Aiken Walker

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: portrait, dignified gentleman, mustache. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Still LIfe with Cheese, Bottle of Wine and Mouse (1876), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.