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Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks

Naam Klas Datum

wilfred stanley haines, Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks (1945). Publiek domein

De feiten

Kunstenaar
wilfred stanley haines wahooart.com/nl/artists/wilfred-stanley-haines/
Geboortedatum en -overlijden kunstenaar
1905 – 1905
Geschilderd
1945
Afmetingen origineel werk
61 x 46 cm

In context

Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks — wilfred stanley haines

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 61 × 46 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Shaded: het leven van wilfred stanley haines (1905–1905) ▲ dit werk, 1945

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/wilfred-stanley-haines-night-air-raid-with-anti-aircraft-shells-exploding-AR2AY8-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #596163

    Gecatalogiseerd palet

    • #596163
    • #3D4243
    • #9CA7A4
    • #798787
    Naam hoofdkleur
    Gray
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    wilfred stanley haines

    Wilfred Stanley Haines: A Chronicle of London’s Blitz

    Wilfred Stanley Haines (1905-1905) remains a profoundly enigmatic figure in 20th-century British art, a painter whose life was tragically cut short and whose artistic output is both intensely personal and powerfully historical. Born in Surrey, his early life suggests an affinity for the visual arts – his father, William C Haines, was a tapestry restorer, exposing young Wilfred to meticulous craftsmanship and detailed observation. This familial connection to textile work subtly informs the precision of Haines’s brushstrokes and his ability to render textures with remarkable accuracy, particularly evident in his depictions of damaged buildings and the flickering light of fires.

    Haines's artistic journey truly began during World War II, a period that indelibly shaped both his life and his art. He enlisted in the Auxiliary Fireman Service (AFS), a vital but often overlooked component of Britain’s wartime defense. It was within this demanding role – patrolling London’s streets and battling raging fires – that Haines discovered his unique artistic voice. Unlike many artists who sought to glorify war, Haines chose instead to document its brutal reality with unflinching honesty. He wasn't commissioned to paint heroic scenes; he painted what he saw—the devastation, the fear, and the resilience of Londoners caught in the relentless onslaught of the Blitz.

    The Art of Observation: Capturing the Blitz

    Haines’s paintings are not romanticized depictions of wartime heroism. Instead, they offer a visceral experience of the Blitz – a chaotic blend of destruction, smoke, and human drama. His most celebrated works, such as “Fire Blitz on Bath” and “Fires Seen over Pulteney Bridge During the Blitz,” capture the terrifying spectacle of aerial bombardments with startling immediacy. These canvases are dominated by intense colors—fiery reds, bruised purples, and smoky grays—that convey both the destructive power of the bombs and the emotional impact on those who witnessed them. The figures in his paintings – often ordinary Londoners, including a fireman as depicted in “Wilfred Haines, Fireman in the Cities of Bath and London”– are rendered with remarkable sensitivity, conveying their fear, exhaustion, and determination to survive.

    A particularly poignant example is "Seventh September 1940," a painting created on the night of a devastating flying bomb attack. The scene depicts two firewatchers stationed in a Union Street observation post, illuminated by the explosions of V1 rockets. This work is not merely a record of an event; it’s a testament to Haines's ability to capture the psychological intensity of war—the sense of vulnerability and the constant threat of death. The painting itself bears witness to this trauma, with damage sustained during the attack adding another layer of historical significance.

    Technique and Influences

    Haines’s artistic technique was remarkably unconventional for a painter working under such stressful conditions. He reportedly painted directly onto his canvases using hot coals and ash, creating a textured surface that mirrored the ravaged landscape he depicted. This method not only reflected the immediacy of his subject matter but also imbued his paintings with a raw, almost tactile quality. His style is often compared to that of Jan Morris, whose work similarly captures the atmosphere and emotion of urban environments. The influence of Turner’s atmospheric landscapes is also apparent in Haines's use of light and color, particularly in conveying the dramatic effects of fire and smoke.

    A Tragic Legacy

    Wilfred Stanley Haines’s life was tragically cut short on June 19th, 1944, when a flying bomb struck his observation post in Union Street, Southwark. He died alongside 44 other firefighters, becoming a symbol of the sacrifices made by ordinary citizens during the Blitz. Despite his untimely death, Haines's paintings continue to resonate with viewers today, offering a powerful and enduring record of London’s wartime experience. His work stands as a testament to the courage, resilience, and artistic vision of an artist who found beauty and truth amidst destruction.

    Further Exploration

    For further research into Wilfred Stanley Haines's life and art, consider exploring these resources:

    Imperial War Museum Collection: Search the IWM collection

    Art UK Profile: Explore his Art UK profile

    Travelswithmyart Blog Post: Read the article on Travelswithmyart

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks

    wahooart.com/nl/art/download/wilfred-stanley-haines-night-air-raid-with-anti-aircraft-shells-exploding-AR2AY8-en/

    Bronvermelding voor dit kunstwerk

    MLA
    haines, wilfred stanley. Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks. 1945, https://wahooart.com/nl/art/wilfred-stanley-haines-night-air-raid-with-anti-aircraft-shells-exploding-AR2AY8-en/
    APA
    haines, wilfred stanley (1945). Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks [Painting]. https://wahooart.com/nl/art/wilfred-stanley-haines-night-air-raid-with-anti-aircraft-shells-exploding-AR2AY8-en/
    Chicago
    wilfred stanley haines. Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks. 1945. https://wahooart.com/nl/art/wilfred-stanley-haines-night-air-raid-with-anti-aircraft-shells-exploding-AR2AY8-en/
    Harvard
    haines, wilfred stanley (1945) Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks. Available at: https://wahooart.com/nl/art/wilfred-stanley-haines-night-air-raid-with-anti-aircraft-shells-exploding-AR2AY8-en/

    Kijk goed naar

    Night Air Raid with Anti Aircraft Shells Exploding over Oil Tanks — wilfred stanley haines

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Fire Blitz on Bath (1942), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.