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Pythagoras Emerging from the Underworld

Naam Klas Datum

Salvator Rosa, Pythagoras Emerging from the Underworld (1662), Kimbell Art Museum. Publiek domein

De feiten

Kunstenaar
Salvator Rosa wahooart.com/nl/artists/salvator-rosa_nl/
Geboortedatum en -overlijden kunstenaar
1615 – 1673
Geschilderd
1662
Techniek
Acryl op canvas
Beweging
Baroque Style
Gehouden in
Kimbell Art Museum wahooart.com/nl/museums/kimbell-art-museum-fort-worth_nl/
Artistic style
Allegorical painting
Influences
Riber,, Poussin
Notable elements or techniques
Dramatic landscape composition
Subject or theme
Mythology; Philosophical allegory

In context

Pythagoras Emerging from the Underworld — Salvator Rosa

Wanneer is dit geschilderd?

  1. 1610
  2. 1620
  3. 1630
  4. 1640
  5. 1650
  6. 1660
  7. 1670

Shaded: het leven van Salvator Rosa (1615–1673) ▲ dit werk, 1662

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/salvator-rosa-pythagoras-emerging-from-the-underworld-D2UND8-nl/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Ftalogroen #312618

    Gecatalogiseerd palet

    • #312618
    • #413524
    • #94784D
    • #5D4E36
    Palet
    Aardse tinten De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Ftalogroen
    Intensiteit
    Monochroom De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Sterke kleurconsistentie De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Diepe schaduwen Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtiele verzadiging Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Pythagoras Emerging from the Underworld — Salvator Rosa

    Pythagoras Emerging from the Underworld: A Baroque Vision of Philosophy and Myth

    Salvator Rosa’s “Pythagoras Emerging from the Underworld,” painted in 1662, stands as a testament to the baroque artistic spirit—a dramatic fusion of philosophical contemplation and mythological narrative. Executed with masterful brushstrokes and imbued with an atmosphere of profound solemnity, this monumental canvas captures a pivotal moment recounted by Plato: Pythagoras’s descent into Hades and his encounter with Homer and Hesiod, poets tormented for daring to transcribe divine secrets. Rosa's depiction isn't merely a visual representation; it’s a carefully crafted allegory designed to provoke reflection on the relationship between reason and imagination, mortality and immortality.

    The painting’s stylistic hallmarks are undeniably baroque—characterized by theatrical lighting, rich color palettes dominated by deep reds and blues, and dynamic compositions that prioritize movement and emotion over strict geometric precision. Rosa skillfully employs chiaroscuro – the interplay of light and shadow – to heighten the dramatic tension, guiding the viewer's gaze towards Pythagoras and his companions as they ascend from the abyss. The figures are rendered with anatomical accuracy yet imbued with expressive gestures, conveying a palpable sense of urgency and spiritual striving.

    Rosa’s technique involved layering thin glazes over an underpainting of earthy tones, allowing for subtle gradations of color and texture that contribute to the painting's luminous quality. He meticulously observed nature, incorporating elements of landscape into the scene—a darkened grove symbolizing Hades—to reinforce its symbolic significance. The inclusion of a dog, positioned prominently at the bottom right corner, adds an element of primal instinct and serves as a reminder of humanity’s connection to the natural world.

    Beyond its aesthetic merits, “Pythagoras Emerging from the Underworld” resonates deeply with humanist ideals prevalent during Rosa's time. Pythagoras represented the pursuit of knowledge—the apprehension of universal truths—a cornerstone of Renaissance humanism. The poets Homer and Hesiod embody artistic inspiration and the preservation of cultural heritage, highlighting the importance of creativity in confronting mortality. Rosa’s painting invites viewers to contemplate these enduring themes, prompting them to consider the role of philosophy and art in shaping our understanding of existence.

    Rosa's masterpiece continues to captivate audiences today due to its masterful execution and profound conceptual depth. Its grandeur and emotive power exemplify the baroque tradition's ambition to elevate the human spirit through visual storytelling—a legacy that resonates powerfully with contemporary appreciation for artistic innovation and intellectual inquiry. The Kimbell Art Museum houses a remarkable reproduction of this iconic artwork, allowing visitors to experience Rosa’s visionary vision firsthand.

    Kunstenaar en museum

    Kunstenaar

    Salvator Rosa

    Geboren in Arenella, Italië

    vroege jaren en opleiding

    salvator rosa, een Italiaanse barokschilder, dichter en graveur, werd geboren in arenella, napels, op ofwel 20 juni of 21 juli 1615. zijn moeder, giulia greca rosa, maakte deel uit van een van de Griekse families van sicilië. ondanks de wens van zijn vader dat hij advocaat of priester zou worden, toonde salvator al van jonge leeftijd een sterke voorkeur voor de kunsten.

    artistieke carrière

    De artistieke loopbaan van salvator rosa werd gekenmerkt door zijn onorthodoxe en extravagante stijl, die hem duidelijk onderscheidde van zijn tijdgenoten. Hij was werkzaam in napels, rome en florence, waarbij zijn werk beïnvloed werd door het naturalisme van ribera en het classicisme van poussin. Desondanks weigerde hij zich te laten beperken door een specifieke stijl of stroming.

    pythagoras emerging from the underworld (kimbell art museum, fort worth, Verenigde Staten), een van zijn beroemdste werken, toont zijn unieke versmelting van filosofische en artistieke thema's.

    zijn the baptism of the eunuch (chrysler museum of art, norfolk, Verenigde Staten) demonstreert zijn vermogen om zelfs in kleinere bijbelse verhalen een enorme dramatiek te verweven.

    invloeden en nalatenschap

    Het werk van salvator rosa had een aanzienlijke impact op de ontwikkeling van de barokke kunst. Zijn invloed is terug te zien in het werk van latere kunstenaars, zoals luca giordano, die de grenzen van artistieke expressie bleef verleggen. *belangrijke links:* salvator rosa's profiel op AllPaintingsStore wikipedia: salvator rosa pythagoras emerging from the underworld op AllPaintingsStore

    conclusie

    Het leven en werk van salvator rosa blijven kunstliefhebbers en historici fascineren. Zijn onorthodoxe stijl en voortdurende rebellie tegen de normen van zijn tijd hebben zijn plaats in de annalen van de barokke kunst stevig verankerd. Als schilder, dichter en graveur blijft hij een enigmatische figuur, wiens werk nieuwe generaties kunstenaars en kunstliefhebbers blijft inspireren. kimbell art museum, chrysler museum of art (museumnamen)

    Museum

    Kimbell Art Museum

    Te zien in Fort Worth, Verenigde Staten van Amerika

    A Sanctuary of Light: Exploring the Kimbell Art Museum

    Nestled within Fort Worth’s vibrant Cultural District, the Kimbell Art Museum isn't merely a building filled with masterpieces; it’s an experience—a profound immersion into a realm where light and form intertwine, and centuries of artistic brilliance resonate in quiet contemplation. Founded upon the visionary generosity of Kay and Velma Kimbell, this institution stands as a testament to their belief that art should be accessible, enriching, and deeply moving. The museum’s story began not just with a collection, but with an audacious vision: to create a space where artworks could breathe, where visitors could forge a genuine connection with the artistry of ages past. Kay Kimbell, a shrewd businessman, and his wife Velma, whose passion ignited his artistic sensibilities, laid the foundation in 1935 with the Kimbell Art Foundation, steadily amassing a collection that demanded an environment worthy of its stature. Their commitment wasn’t simply to acquire beautiful objects; it was to build an institution dedicated to fostering understanding and appreciation for artistic excellence—a sanctuary designed to elevate the human spirit.

    The architecture itself is nothing short of revolutionary, a symphony in concrete, glass, and light conceived by the legendary Louis I. Kahn. Departing from the grandiose traditions often associated with museums, Kahn deliberately opted for an intimate scale, inviting visitors on a journey through a series of interconnected barrel-vaulted galleries. These magnificent vaults, crafted from meticulously chosen travertine limestone, are not merely structural elements; they’re instruments of illumination—designed to capture and diffuse natural light in a way that enhances the textures and colors of the artworks within. Kahn's genius lies in his ability to create spaces that feel both monumental and deeply human, fostering a sense of quiet reverence and encouraging visitors to lose themselves in the beauty surrounding them. The subsequent addition by Renzo Piano, while expanding exhibition space, thoughtfully respects Kahn’s original design, maintaining the museum’s unique character—a harmonious blend of old and new, tradition and innovation.

    A Collection That Breathes: Highlights from European Art

    The Kimbell's collection is a carefully curated tapestry woven from masterpieces spanning from the 14th to the 19th centuries, primarily focusing on European art. It’s not simply a display of objects; it’s a narrative—a journey through artistic evolution and cultural exchange. Among its most celebrated treasures are Rembrandt van Rijn's portraits, such as “Self-Portrait,” where the artist masterfully employs chiaroscuro – the dramatic interplay of light and dark – to capture psychological depth and intimacy. The subtle nuances of expression, the delicate rendering of fabric, and the masterful use of shadow create a sense of profound connection with Rembrandt’s inner world. Equally compelling are the ethereal paintings by El Greco, imbued with spiritual intensity and characterized by elongated figures and vibrant colors that transport viewers to realms beyond the earthly plane – a testament to his unique vision and emotional power.

    Beyond these iconic masters, the collection boasts significant examples from artists like Duccio, Botticelli, Titian, Rubens, and Michelangelo—each piece offering a glimpse into the evolution of European art across centuries. A particularly striking example is the Kimbell seated Bodhisattva, a 131 CE sculpture that embodies the fusion of Greco-Buddhist artistic traditions, showcasing the cultural exchange along ancient trade routes. This remarkable artifact, originally from Mathura, India, demonstrates the museum’s commitment to exploring global connections and celebrating diverse artistic influences—a testament to its role as a bridge between cultures.

    Architectural Innovation: Kahn's Masterstroke

    Louis I. Kahn’s design prioritizes simplicity, contemplation, and an almost spiritual connection with the art it houses. The barrel-vaulted galleries are deliberately devoid of ornamentation, allowing the artworks themselves to command the visual experience. This minimalist approach isn’t a lack of care; rather, it's a deliberate strategy to minimize distraction and maximize the impact of each piece. The use of travertine limestone contributes significantly to the museum’s serene atmosphere, reinforcing Kahn’s commitment to creating spaces that inspire awe and reverence—a feeling that permeates every corner of the building.

    The ingenious design of the vaults is particularly noteworthy. Kahn meticulously calculated the angles and proportions to ensure that natural light would be distributed evenly throughout the galleries, bathing the artworks in a soft, silvery glow. This carefully orchestrated interplay of light and shadow isn’t merely aesthetic; it's integral to the museum’s mission—to enhance the beauty and emotional impact of the art on display. The resulting atmosphere is one of quiet contemplation, inviting visitors to slow down, observe, and truly appreciate the artistry before them.

    Beyond the Permanent Collection: Exhibitions and a Living Legacy

    The Kimbell’s collection isn't simply a static display; it’s a living testament to human creativity, constantly evolving through new acquisitions and thoughtfully curated exhibitions. The museum consistently pushes boundaries with dynamic temporary shows that explore connections between Old Masters and contemporary artists, fostering intellectual curiosity and challenging conventional interpretations of art history. These exhibitions demonstrate the Kimbell’s commitment to engaging audiences with fresh perspectives and sparking dialogue about the enduring relevance of art.

    Furthermore, the museum's dedication to preserving cultural heritage is exemplified through its participation in the Monuments Men and Women Museum Network—a global initiative dedicated to safeguarding artistic treasures from destruction. A visit to the Kimbell Art Museum is more than just viewing art; it’s an immersion into beauty, history, and the enduring power of human creativity – a place where one can lose oneself in contemplation and emerge with a renewed sense of wonder. It's a space designed not just for looking at art, but for feeling it—a testament to the Kimbell family’s original vision of making art accessible and profoundly moving for all.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Pythagoras Emerging from the Underworld

    wahooart.com/nl/art/download/salvator-rosa-pythagoras-emerging-from-the-underworld-D2UND8-nl/

    Bronvermelding voor dit kunstwerk

    MLA
    Rosa, Salvator. Pythagoras Emerging from the Underworld. 1662, Kimbell Art Museum. https://wahooart.com/nl/art/salvator-rosa-pythagoras-emerging-from-the-underworld-D2UND8-nl/
    APA
    Rosa, Salvator (1662). Pythagoras Emerging from the Underworld [Painting]. Kimbell Art Museum. https://wahooart.com/nl/art/salvator-rosa-pythagoras-emerging-from-the-underworld-D2UND8-nl/
    Chicago
    Salvator Rosa. Pythagoras Emerging from the Underworld. 1662. Kimbell Art Museum. https://wahooart.com/nl/art/salvator-rosa-pythagoras-emerging-from-the-underworld-D2UND8-nl/
    Harvard
    Rosa, Salvator (1662) Pythagoras Emerging from the Underworld. Kimbell Art Museum. Available at: https://wahooart.com/nl/art/salvator-rosa-pythagoras-emerging-from-the-underworld-D2UND8-nl/

    Kijk goed naar

    Pythagoras Emerging from the Underworld — Salvator Rosa

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: mythology, philosopher, underworld. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar The Shade of Samuel Appears to Saul (1668), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Salvator Rosa was ongeveer 47 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Pythagoras Emerging from the Underworld — Salvator Rosa

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. ¿Quién pintó esta obra maestra?

      • A Luca Giordano
      • B Salvador Rosa
      • C Nicolas Poussin
    2. 2. ¿En qué siglo fue creada esta pintura?

      • A Siglo XV
      • B Siglo XVI
      • C Siglo XVII
    3. 3. ¿Cuál es el estilo artístico predominante en esta obra?

      • A Renacimiento Italiano
      • B Romanticismo Inglés
      • C Barroco
    4. 4. ¿Qué personaje histórico está representado en la pintura?

      • A Leonardo Da Vinci
      • B Miguel Ángel Buonarroti
      • C Pitágoras
    5. 5. ¿Dónde se encuentra actualmente esta obra de arte?

      • A Museo Británico
      • B Galería Nacional de Londres
      • C Kimbell Art Museum

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit begint op een nieuwe pagina, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1B · 2C · 3C · 4C · 5C