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Winter Night with Angharad

Naam Klas Datum

roger cecil, Winter Night with Angharad (2005). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende.

De feiten

Kunstenaar
roger cecil wahooart.com/nl/artists/roger-cecil/
Geboortedatum en -overlijden kunstenaar
1942 – 2015
Geschilderd
2005
Afmetingen origineel werk
125 x 125 cm

In context

Winter Night with Angharad — roger cecil

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 125 × 125 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: het leven van roger cecil (1942–2015) ▲ dit werk, 2005

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/roger-cecil-winter-night-with-angharad-ARANJC-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #212122

    Gecatalogiseerd palet

    • #212122
    • #D0D2CA
    • #B5B1A0
    • #383638
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    roger cecil

    Roger Cecil: A Visionary of Industrial Landscapes

    Born in Abertillery, South Wales, in 1942, Roger Cecil’s artistic journey was inextricably linked to the rugged beauty and industrial heritage of his birthplace. His early life, marked by a close relationship with his mother and a quiet, introspective nature, profoundly shaped his artistic sensibility. Unlike many artists who seek inspiration in grand landscapes or classical themes, Cecil found his muse within the gritty reality of the valleys he called home – the scarred earth, the towering slag heaps, and the weathered faces of the men who toiled within them. This intimate connection with a landscape often overlooked fueled a uniquely powerful and deeply personal body of work.

    Cecil’s formal artistic training began at Newport College of Art in 1959, where he honed his skills under the guidance of influential instructors like John Wright and Thomas Rathmell. He quickly demonstrated an aptitude for draughtsmanship and a willingness to experiment with materials, traits that would become hallmarks of his distinctive style. However, a pivotal moment arrived when he was offered a place at the Royal College of Art in London. While initially excited by the prospect, Cecil soon found himself disillusioned with the academic environment and the prevailing artistic trends. Rejecting the pressures of conformity, he returned to Abertillery, choosing instead to pursue his own path, working as a manual laborer – mining and construction – alongside his art practice. This dual existence, seamlessly blending physical labor with creative exploration, proved crucial to the development of his unique visual language.

    The Language of Scars: Cecil’s Artistic Techniques

    Cecil's artistic process was characterized by a deliberate rejection of traditional painting techniques and a fascination with the textures and materials available in his immediate surroundings. He eschewed pristine canvases and elaborate brushstrokes, instead embracing a raw, almost brutal approach. His works frequently incorporated everyday materials – sandpaper, primer, Polyfilla, grit, and even coal dust – transforming them into layers of texture and surface. This wasn’t simply about adding visual interest; it was a deliberate attempt to capture the essence of his subject matter—the scars and imperfections of the industrial landscape.

    He employed techniques such as rubbing, scraping, burnishing, and scratching to reveal underlying layers and create dynamic surfaces. His palette was predominantly dark – ochres, browns, grays, and blacks – mirroring the muted tones of his surroundings. Yet, within these somber hues, he skillfully introduced flashes of color—often achieved through the use of red oxide or other industrial pigments—to draw attention to specific details and imbue his paintings with a sense of drama and intensity. As critic Sarah Bradford noted, “He is very matter-of-fact about procedure and materials. To him painting is a very practical thing. The making is important.”

    Shaman Secret & Beyond: Themes and Symbolism

    Cecil’s paintings are often described as dreamlike landscapes infused with spiritual and psychological depth. While he resisted easy categorization, his work frequently explores themes of isolation, memory, and the relationship between humanity and the natural world. The recurring motif of the triangle—representing land or a piece of ground—and the cross—a symbol of remembrance—are prominent features in many of his compositions. These symbols, combined with fragmented forms and ambiguous narratives, invite viewers to engage in a deeply personal interpretation of the work.

    His most celebrated painting, “Shaman Secret,” exemplifies this approach. The image is dominated by a dark, almost impenetrable landscape punctuated by stark geometric shapes—a solitary figure standing before a vast expanse of earth. The painting’s power lies not in its literal depiction but in its evocation of a profound sense of mystery and the unknown. It's been suggested that Cecil was influenced by shamanic traditions, drawing on his own experiences and intuition to create works that resonate with primal imagery and spiritual symbolism.

    Legacy and Recognition

    Despite initially shunning the art world, Roger Cecil’s work gradually gained recognition throughout the 1980s and 1990s. He exhibited at Business Art Galleries in Newport and Abergavenny, receiving critical acclaim for his unique vision and technical skill. In 1995, a retrospective exhibition at the Hill Court Gallery in Abertillery provided a comprehensive overview of his career to date. Cecil’s work continues to be studied and appreciated for its raw emotional power, its innovative use of materials, and its profound engagement with the landscape of South Wales.

    Cecil's life was marked by both artistic achievement and personal struggles. He suffered from dementia in his later years, ultimately passing away in February 2015 at the age of 72. His legacy endures as a testament to the power of art to transform ordinary experiences into extraordinary expressions of vision and emotion—a reminder that beauty can be found even in the most unexpected places.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Winter Night with Angharad

    wahooart.com/nl/art/download/roger-cecil-winter-night-with-angharad-ARANJC-en/

    Bronvermelding voor dit kunstwerk

    MLA
    cecil, roger. Winter Night with Angharad. 2005, https://wahooart.com/nl/art/roger-cecil-winter-night-with-angharad-ARANJC-en/
    APA
    cecil, roger (2005). Winter Night with Angharad [Painting]. https://wahooart.com/nl/art/roger-cecil-winter-night-with-angharad-ARANJC-en/
    Chicago
    roger cecil. Winter Night with Angharad. 2005. https://wahooart.com/nl/art/roger-cecil-winter-night-with-angharad-ARANJC-en/
    Harvard
    cecil, roger (2005) Winter Night with Angharad. Available at: https://wahooart.com/nl/art/roger-cecil-winter-night-with-angharad-ARANJC-en/

    Bekijk het van dichtbij

    Winter Night with Angharad — roger cecil

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Figure Study, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. roger cecil was ongeveer 63 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

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