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The Flame

Naam Groep Datum

Jackson Pollock, The Flame (1938). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Jackson Pollock wahooart.com/nl/artists/jackson-pollock_nl/
Levensdata kunstenaar
1912 – 1956
Geschilderd
1938
Medium
Oil On Board
Afmetingen origineel werk
51 x 76 cm
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Artistic style
Gestural abstraction
Notable elements or techniques
Drip painting
Subject or theme
Energy & Transformation

In context

The Flame — Jackson Pollock

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 51 × 76 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 44 bij het overlijden.

Geschilderd toen de kunstenaar 26 jaar oud was. De kunstenaar werd 44 jaar oud. 4 van de 50 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Jackson Pollock (1912–1956) ▲ dit werk, 1938 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1941 Belangrijkste werkjaren: 1941–1948 Late werken: vanaf 1948

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/paul-jackson-pollock-the-flame-8EWJY8-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #2d221b

    Gecatalogiseerd palet

    • #2D221B
    • #DDC18D
    • #A72E11
    • #98754D

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Jackson Pollock over de afgelopen twaalf maanden — in totaal 70 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 18,8%13.200 visits
    2. 2 Frankrijk 8,1%5.700 visits
    3. 3 Verenigde Staten van Amerika 7,4%5.200 visits
    4. 4 Duitsland 7,1%5.000 visits
    5. 5 Japan 5,7%4.000 visits
    6. 6 Spanje 5,6%3.900 visits
    7. 7 Italië 5,4%3.800 visits
    8. 8 Brazilië 3,1%2.200 visits
    9. 9 Singapore 2,7%1.900 visits
    10. 10 Mexico 2,6%1.800 visits
    11. · 60 overige landen 33,5%23.500 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 35,3%44.800 visits
    2. 2 Herfstritm No. 30 7,0%8.900 visits
    3. 3 One. Number 31, 1950 5,6%7.100 visits
    4. 4 Convergentie 5,1%6.500 visits
    5. 5 Number 5, 1948 3,1%3.900 visits
    6. 6 Number 5, 1948 2,5%3.200 visits
    7. 7 Nummer 1A 2,3%2.900 visits
    8. 8 Wit Licht, 1954 2,1%2.700 visits
    9. 9 Number 10, 1949 1,7%2.100 visits
    10. 10 Number 3, 1948 1,6%2.000 visits
    11. 11 Number 6, 1949 1,3%1.600 visits
    12. 12 Number 1, 1948 1,2%1.500 visits
    13. 13 Number 3, 1949 1,2%1.500 visits
    14. 14 Number 8 0,9%1.200 visits
    15. 15 The She Wolf, 1943 0,9%1.100 visits
    16. 16 Number 2, 1951 0,9%1.100 visits
    17. 17 Saint 0,8%1.000 visits
    18. 18 Cathedral 0,8%1.000 visits
    19. 19 The Deep 0,8%1.000 visits
    20. 70 The Flame, 1938 dit schilderij 0,2%200 visits

    Samen maken deze werken 75,3% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 176 werken van deze kunstenaar, waarvan 126 minstens één keer zijn bekeken. This painting ranks 70 of them, with 0,2% of that attention (200 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    The Flame — Jackson Pollock

    Visual Composition and Materiality

    The painting The Flame consists of oil on fiberboard, measuring 51 x 76 cm. The surface features a central motif of an incandescent blaze that moves through an amorphous expanse. Dark tones dominate the background, providing a foundation for bursts of crimson, ochre, and cadmium red. Scattered throughout this composition are avian figures. These birds are positioned within the swirling hues, appearing amidst the larger movement of the central element. The application of paint involves thick layers and heavy brushwork that creates a textured surface.

    The color palette relies on the contrast between deep, dark pigments and bright yellows and whites. Lines of color intersect across the canvas in a way that suggests motion. While the work contains recognizable shapes like birds and fire, the edges of these forms are often blurred by the surrounding splatters and fluid applications of pigment.

    Technique and Artistic Development

    Created in 1938, this work reflects an era of experimentation with spontaneous gesture. The technique utilizes a method where paint is poured, dripped, or splashed onto the surface, allowing gravity to influence the resulting patterns. This approach moves away from traditional, meticulous brushstrokes toward a more fluid and automatic process. The physical act of applying the medium creates interwoven lines and textures that capture energy in a tangible form.

    The method shows an early interest in the movement and transformation found in fire. It incorporates elements of rhythmic composition influenced by Regionalist aesthetics and the powerful imagery of Mexican muralism. The use of specific colors, such as burnt umber alongside bright reds, indicates an engagement with the visual language of Native American art. This period of work precedes the more famous all-over drip paintings, representing a transition toward a freer, more expressive style of abstraction.

    Symbolic Elements and Context

    The central theme of the painting centers on fire as a metaphor for creative energy and spiritual rebirth. The flames engulfing the scattered birds suggest a state of transformation. These avian figures represent instinct and freedom, placed strategically to interact with the surrounding heat. The dark, brooding colors of the background contribute to a sense of tension and unrestrained potential.

    Historically, the work emerged during a time of significant artistic shifts, including the influence of Surrealist principles and the concept of automatism. This involves channeling the subconscious into the creative process. The painting functions as a record of movement, where the interplay of light and dark tones mirrors the primal force of an actual blaze. Through its use of color and form, the work communicates a sense of internal change and the raw power of natural elements.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van The Flame

    wahooart.com/nl/art/download/paul-jackson-pollock-the-flame-8EWJY8-en/

    Citeer dit kunstwerk

    MLA
    Pollock, Jackson. The Flame. 1938, https://wahooart.com/nl/art/paul-jackson-pollock-the-flame-8EWJY8-en/
    APA
    Pollock, Jackson (1938). The Flame [Painting]. https://wahooart.com/nl/art/paul-jackson-pollock-the-flame-8EWJY8-en/
    Chicago
    Jackson Pollock. The Flame. 1938. https://wahooart.com/nl/art/paul-jackson-pollock-the-flame-8EWJY8-en/
    Harvard
    Pollock, Jackson (1938) The Flame. Available at: https://wahooart.com/nl/art/paul-jackson-pollock-the-flame-8EWJY8-en/

    Bekijk het van dichtbij

    The Flame — Jackson Pollock

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: flame motif, dynamic composition, bird imagery. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    The Flame — Jackson Pollock

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. In what year was the painting 'The Flame' created?

      • A 1934
      • B 1938
      • C 1947
    2. 2. What is the primary medium used in 'The Flame'?

      • A Oil on canvas
      • B Watercolor on paper
      • C Acrylic on fiberboard
    3. 3. Which artist influenced Pollock's rhythmic composition and narrative themes during his studies?

      • A Thomas Hart Benton
      • B Mark Rothko
      • C Yayoi Kusama
    4. 4. What are the dimensions of 'The Flame'?

      • A 20.5 x 30 inches
      • B 51 x 76 cm
      • C Both A and B are correct
    5. 5. Where was Paul Jackson Pollock born?

      • A Los Angeles, California
      • B Cody, Wyoming
      • C New York City, New York

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1B · 2A · 3A · 4C · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

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    Toen "The Flame" werd gemaakt in 1938, was Jackson Pollock - geboren in 1912 - 26 jaar oud.

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