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Number 27, 1950

Naam Klas Datum

Jackson Pollock, Number 27, 1950. Publiek domein

De feiten

Kunstenaar
Jackson Pollock wahooart.com/nl/artists/jackson-pollock_nl/
Geboortedatum en -overlijden kunstenaar
1912 – 1956
Techniek
Oil On Canvas
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Influences
Surrealism, Mexican muralists
Notable elements
drip technique, complex web of lines and shapes, bold use of color
Style
abstract

In context

Number 27, 1950 — Jackson Pollock

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Shaded: het leven van Jackson Pollock (1912–1956)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: wahooart.com/nl/art/similar/paul-jackson-pollock-number-27-1950-8EWJXF-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #858072

    Gecatalogiseerd palet

    • #858072
    • #DDDBCE
    • #B6B1A1
    • #353231
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Number 27, 1950 — Jackson Pollock

    Jackson Pollock’s ‘Number 27, 1950’: A Symphony of Controlled Chaos

    Number 27, 1950 is a landmark achievement in the history of Abstract Expressionism, embodying the movement's radical departure from traditional artistic conventions. This large-scale oil on canvas (137 x 109 cm) currently resides at the Museum of Modern Art (MoMA) in New York City, serving as a powerful testament to Pollock’s innovative spirit and enduring legacy.

    Deconstructing the Abstract: Style & Technique

    This painting is quintessential Pollock – a mesmerizing web of poured, dripped, and flung paint. Rejecting the easel and brushwork of his predecessors, Pollock laid his canvas directly on the floor, engaging in what he termed “action painting.” This technique allowed him to approach the canvas from all sides, creating an "all-over" composition devoid of a central focal point. The resulting surface is richly textured, built up through layers of interwoven lines and shapes in shades of red, yellow, blue, black, and white against a largely neutral ground. The technique isn’t random; it's a carefully orchestrated dance between control and chance. Pollock wasn’t simply splashing paint – he was moving with the paint, channeling his inner energy onto the canvas.

    Historical Context: The Rise of Abstract Expressionism

    Emerging in post-World War II America, Abstract Expressionism represented a shift in artistic focus from representational imagery to subjective emotional expression. New York City became the new center of the art world, eclipsing Paris. Pollock was at the forefront of this movement, challenging established norms and pushing the boundaries of what painting could be. His work reflected a broader cultural climate grappling with existential anxieties and seeking new forms of meaning. The period saw artists looking inward, exploring the subconscious mind and expressing raw emotion through abstract forms.

    Symbolism & Interpretation: Beyond Representation

    While devoid of recognizable figures or objects, Number 27, 1950 is far from meaningless. The complex network of lines can be interpreted as a visual representation of the human psyche – a tangled web of thoughts, feelings, and experiences. Some see echoes of Native American sand paintings in Pollock’s work, reflecting his early exposure to Indigenous art forms. Ultimately, the painting's symbolism is open-ended, inviting viewers to project their own interpretations onto its dynamic surface. It evokes a sense of energy, movement, and even chaos, but within that apparent disorder lies a compelling underlying structure.

    Emotional Impact & Aesthetic Appeal

    Experiencing Number 27, 1950, whether in person or through a high-quality reproduction, is an immersive experience. The painting’s scale and complexity draw the viewer in, creating a sense of being enveloped by its energy. It's a work that demands attention and rewards contemplation. The interplay of color and texture creates a visual rhythm that can be both exhilarating and calming.

    Integrating ‘Number 27, 1950’ into Your Space

    For the Modern Collector: This piece is a cornerstone of modern art history. A reproduction adds instant sophistication to any collection.

    Interior Design Statement: The dynamic composition and bold color palette make it a striking focal point in contemporary living spaces, particularly those with minimalist or industrial aesthetics.

    Color Palette Inspiration: The painting’s hues – deep reds, vibrant yellows, cool blues, and stark blacks – can inspire entire room schemes, creating a cohesive and artistic atmosphere.

    Number 27, 1950 is more than just a painting; it's a cultural icon. It represents a pivotal moment in art history and continues to resonate with audiences today, inspiring creativity and challenging conventional notions of beauty.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Number 27, 1950

    wahooart.com/nl/art/download/paul-jackson-pollock-number-27-1950-8EWJXF-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Pollock, Jackson. Number 27, 1950. n.d., https://wahooart.com/nl/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/
    APA
    Pollock, Jackson (n.d.). Number 27, 1950 [Painting]. https://wahooart.com/nl/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/
    Chicago
    Jackson Pollock. Number 27, 1950. n.d. https://wahooart.com/nl/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/
    Harvard
    Pollock, Jackson (n.d.) Number 27, 1950. Available at: https://wahooart.com/nl/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/

    Kijk goed naar

    Number 27, 1950 — Jackson Pollock

    Kijk goed naar

    Beantwoord in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract, drip painting, pollock. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk. Gebruik hiervoor de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Number 27, 1950 — Jackson Pollock

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. Jackson Pollock's 'Number 27, 1950' is most closely associated with which art movement?

      • A Impressionism
      • B Abstract Expressionism
      • C Cubism
    2. 2. What is a defining characteristic of Pollock’s technique in 'Number 27, 1950'?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and splattering paint onto the canvas
      • C Use of traditional perspective
    3. 3. Where is 'Number 27, 1950' currently housed?

      • A The Louvre Museum, Paris
      • B Museum of Modern Art (MoMA), New York City
      • C The National Gallery, London
    4. 4. What is the approximate size of 'Number 27, 1950'?

      • A 80 x 60 cm
      • B 137 x 109 cm
      • C 200 x 150 cm
    5. 5. The image description notes the texture of 'Number 27, 1950' as being heavily what?

      • A Smooth and polished
      • B Impasto – thick application of paint
      • C Watercolor-like and translucent

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

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